Vox Lux: el precio de la fama

Especially when it comes through being a literal survivor of a despicable act - something I had no idea was going to happen, but sets quite the mood for the movie. We have different stages here and this might work as a good double bill to a documentary called "F... Fame". Well I don't think I have to spell the F word out for you to understand.

This works as criticism about how society views celebrities, fame and how this might change everyone involved. But it is quite slow in its pace and it is rather subtle in its message too. So while the performances might seem over the top at times, that does not go for the understanding of the movie or what it represents. Which might and will feel frustrating to watch for quite a few people - I'm split too on my verdict as you can see. Can't blame the actors who really do their best

This film showcases the personal evolution of someone thrust into the spotlight through dramatic events and dealing with the new trauma that comes from fame. There was so much potential to make this film an unapologetic critique of how the media treats celebrities (particularly women) and the mental toll it takes on said celebrtities but instead ends with a ten minute concert and no real stances or closure. The entire cast is incredible and the cinematography beautiful. It's worth a watch, just know you won't be satisfied.

The reviews and trailer for this film promised a strong performance by Natalie Portman as a troubled pop star. While some of the praise for her role in "Vox Lux" may be somewhat overhyped, she does give a generally good performance in this drama directed by Brady Corbet. She plays Celeste, a now-famous pop star who survived a school shooting in 1999. The film gives viewers a grip on how those who get too all-consumed in the superficiality of pop music culture can lose control over their lives, although sometimes the dialogue and writing during these scenes can sometimes feel almost too on-the-nose to be truly impactful on the viewer.

The film is stunningly shot, and its score is often stirring and potent. Jude Law's supporting performance is outstanding, providing a powerfully subdued complement to the main narrative as Celeste's manager. With the exception of the memorial song sung by a young Celeste at a vigil for the shooting victims about ten minutes after film's commencement, the rest of the film's songs (which are pop-based) are generally not too appealing. However, this is likely intentional, as Corbet's direction is intended to make the viewer critique popular culture and its effects on music and society, as well as the possibility that our social obsessions may breed tragic and wretched acts. Despite such potentially-thoughtful commentary, it's not clear by the end of the film what Corbet really wants to say or offer as a message to the narrative besides simply saying that excess tackiness is bad. While superficiality is an important topic, for a film that poses far deeper, existential and angst-filled questions, the film's attempts to thread loose ends of its messaging before the film's finale (a pop concert) feel somewhat skimpy. The film's stronger elements would make it worth of recommending to those who like Natalie Portman and can appreciate sometimes-audacious and challenging films. 7/10

I waited nearly 4 days to write this review/reaction because I genuinely wasn't sure how I felt after seeing Vox Lux. I'm not the first one to say this but it's quite the pairing with A Star is Born for what could be the best double feature of 2018, with both portraying such a vastly different take on rise to stardom. Much like other 2018 films Hereditary and 22 July, there are a few scenes in Vox Lux that I will never forget in that they are some of the most haunting and terrifying sequences I have ever seen on film. However, a film like 22 July had an easier plot to follow and a much more direct narrative, whereas Vox Lux is a dark interpretation of fame, and an interpretation that doesn't give the clearest clues as to how your supposed to feel after viewing. The performances are extraordinary, including yet another star-making turn from Raffey Cassidy and expectedly great turns from Jude Law and of course, Natalie Portman. Even if I'm not totally sure on how I feel about this film, I know that I want more films to be this bold and daring.

7.4/10

You will think Vox Lux would be about the perils of pop music. It starts off with a horrifying school shooting.

13 year old Celeste Montgomery (Raffey Cassidy) survives but is shot in the neck. At an event held to remember the victims, Celeste sings a song that she co-wrote with her older sister Ellie. It becomes a hit and Celeste gets picked up by a pop manager as she encounters instant fame.

The second part of the film concentrates on the adult Celeste (Natalie Portman) in 2017. She is a jaded unhinged pop diva. Cynical and hard as nails who has encountered booze, drugs and infamy. Celeste actually lost her vision in one eye while drinking cleaning fluids. She was involved in a multi million dollar lawsuit as she ran over a man and then was racially abusive towards him.

Celeste is about to start a tour to promote her new album. Her daughter Albertine (Raffey Cassidy) who has been raised by Ellie has recently lost her virginity. Celeste becomes unsteady and incoherent with booze, her daughter's sexual experience and a terrorist attack in Croatia which might be linked to her music. At one point it looks like Celeste is in no fit state to perform at the concert.

Vox Lux is deliberately episodic in structure and never joins up properly. The caustic narration by Willem Dafoe paints the movie as a warning of the corrosive effects of stardom. Celeste has long ceased to be a real person. The ending at a pop concert feels strangely muted, sudden and unsatisfying. Portman excels as Celeste just as Cassidy who plays dual roles but the film has nothing new to say.