Adaptación de la novela clásica de Victor Hugo, que sigue a Jean Valjean mientras evita ser capturado por el inflexible inspector Javert. Ambientada en la Francia post napoleónica, cuando la... Leer todoAdaptación de la novela clásica de Victor Hugo, que sigue a Jean Valjean mientras evita ser capturado por el inflexible inspector Javert. Ambientada en la Francia post napoleónica, cuando la ciudad de París vuelve a sufrir disturbios.Adaptación de la novela clásica de Victor Hugo, que sigue a Jean Valjean mientras evita ser capturado por el inflexible inspector Javert. Ambientada en la Francia post napoleónica, cuando la ciudad de París vuelve a sufrir disturbios.
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First of all, having read some of the previous reviews, I would like to give my own opinion on what appear to be ill-thought-out observations.
The casting of Javert - he's black. We get it. But can we look past his skin tone for a moment and marvel at how brilliant Oyelowo is at portraying Hugo's obsessed Javert? This actor has a way of delivering his lines in a way that makes you hang on to his every word, like you're physically being drawn in - he's absolutely fantastic, a character that you love to hate and it saddens me that people can't see past his race. The point is that it's an adaptation for a modern, British audience, it doesn't have to truly mirror nineteenth century France for us to understand that it is set in ye olden times!
On a related note, the accents. They're British and at times, very cockney and I think that there is a simple reason for this. I don't know about you, but I wouldn't be able to tell the difference between an upper-class Frenchman and a working-class one, because I am not French. Therefore, the director has chosen to use accents that we as a British audience are very familiar with and will associate with certain stereotypes, ie. The Thenardier's, who are from a lower class, have a cockney accent and even say their few French phrases in that accent because the majority of the British Public associate the cockney accent with the working class community. I can only imagine the hullabaloo that reviewers would have kicked up if this stellar cast had attempted butchered French accents - better that they stick to what they're good at.
And for the few who have commented that there is too much sorrow and woe and suffering... What did you expect when you tuned into a show called Les Miserables! Maybe next time, you should consider watching Les Happy People.
Also, I don't know what other people were watching, but the acting in this series far outclassed any soap I've ever seen. I would like to take this moment to appreciate the always wonderful Dominic West - his portrayal of the wounded hero Jean Valjean is truly wonderful. I'm also surprised at the lack of love shown for Lily Collins as Fantine. I have been a fan of hers for quite a while but even I doubted how well she would be able to pull off the tragic Fantine, but it was amazing. I've never been more impressed with her as an actress and I think she deserves way more credit than she's recieved.
Over all, I don't think the BBC were trying to make any sort of statement, or be PC or anything of the sort. I think that the best actors were chosen to portray the roles perfectly and that the script was adapted to suit the target audience, we the British public. And I would highly recommend this series to anyone with a soul who will appreciate the beauty in it.
The casting of Javert - he's black. We get it. But can we look past his skin tone for a moment and marvel at how brilliant Oyelowo is at portraying Hugo's obsessed Javert? This actor has a way of delivering his lines in a way that makes you hang on to his every word, like you're physically being drawn in - he's absolutely fantastic, a character that you love to hate and it saddens me that people can't see past his race. The point is that it's an adaptation for a modern, British audience, it doesn't have to truly mirror nineteenth century France for us to understand that it is set in ye olden times!
On a related note, the accents. They're British and at times, very cockney and I think that there is a simple reason for this. I don't know about you, but I wouldn't be able to tell the difference between an upper-class Frenchman and a working-class one, because I am not French. Therefore, the director has chosen to use accents that we as a British audience are very familiar with and will associate with certain stereotypes, ie. The Thenardier's, who are from a lower class, have a cockney accent and even say their few French phrases in that accent because the majority of the British Public associate the cockney accent with the working class community. I can only imagine the hullabaloo that reviewers would have kicked up if this stellar cast had attempted butchered French accents - better that they stick to what they're good at.
And for the few who have commented that there is too much sorrow and woe and suffering... What did you expect when you tuned into a show called Les Miserables! Maybe next time, you should consider watching Les Happy People.
Also, I don't know what other people were watching, but the acting in this series far outclassed any soap I've ever seen. I would like to take this moment to appreciate the always wonderful Dominic West - his portrayal of the wounded hero Jean Valjean is truly wonderful. I'm also surprised at the lack of love shown for Lily Collins as Fantine. I have been a fan of hers for quite a while but even I doubted how well she would be able to pull off the tragic Fantine, but it was amazing. I've never been more impressed with her as an actress and I think she deserves way more credit than she's recieved.
Over all, I don't think the BBC were trying to make any sort of statement, or be PC or anything of the sort. I think that the best actors were chosen to portray the roles perfectly and that the script was adapted to suit the target audience, we the British public. And I would highly recommend this series to anyone with a soul who will appreciate the beauty in it.
I just finished the first episode and the excitement I feel is like no other. For the first time, I feel like the novel of Les Misérables has finally caught the eyes of some brilliant director who can bring out the full potentials of the story to light . Now right from the beginning when you watch, you can sense that there is something special about this show. The cinematography, the acting, and the outstanding story are all mixed together to exhibit a work that I might personally claim to be far better than the previous versions of Liam Neeson and Hugh Jackman.
I found this excellent story telling. I also wanted to see a non musical version of a story of redemption and forgiveness story. So they cast a black man he if a good actor and did his character justice. The sadness and desperateness of the characters was well done. I will be watching all of this series. I just watched episode 2 and I am really liking this...Well done BBC......
Let's be honest - this is one of the best tv series for the last years may be decades. I am expecting serious awards for the show and lead actors especially Dominic West. I am giving it 9 because of some little inconsistencies but otherwise outstanding acting and directing.
Let me start to say that I have really enjoyed the current adaptation of les miserables by the BBC. Beautiful colours, scenery, script, a classic social story and of course good actors. What I do not enjoy are the contributions by what I have to describe as the race police. Les miserables is a story, written in a time when racial diversity was less then it is now. But to portray this story in this time with the actors we now have it would be strange to cast actors on basis of racial attributes dating back two centuries.
It would be equally strange to defend the choice of actors for certain characters by explaining Javert could have been Haitian as there were some Haitians in France at that time, but then you would have to argue why Javert could be from Haiti, but not Valjean, which discussion to me seems even more nonsensical.
Reading some of the contributions some people seem to think that a cast must not only mention actors skills but also race, but I do not agree. I think the public is well informed enough to look past these casting choices as long as the acting is top notch.
In opera we see German women play Chinese princesses in Turandot, I even saw an Afro-American Brunhilde and why not, as long as the performance does not suffer.
Coming back to Les Miserables, I like how Valjean and Fantine are played, I have some trouble with Javert though, maybe more because of the character than the way he is portrayed. His motivation is explained, but his actions are not always so clear cut to me, but maybe I'm missing something as it is only the second episode.
¿Sabías que…?
- TriviaLily Collins previously auditioned for the role of Eponine in the movie musical adaption Los miserables (2012), losing out to Samantha Barks. In this adaption, Collins plays Fantine.
- ConexionesFeatured in Jeremy Vine: Episode #2.9 (2019)
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- Les Misérables
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- Sedan, Francia(Medieval Paris; near the Belgian Border)
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