Los miserables

the clash between Depardieu and Malkovich. this is the first level. then, the loyalty to the novel in a better manner because the series is inspired option for present the story. but this is the start point. because this Les Miserables gives the flavor and nuances of a period. this adaptation impose the right way to discover the details, the force and the rhythm of a magnificent masterpiece. all is rediscovered in new light. and Javert of John Malkovich is real closed by the figure of Vidoque. result - the film becomes a lesson with chance to be a form of experience. nothing original for the reader or for the public of old adaptation. only a delicate line who gives to the film a special status. short, a beautiful film. in many senses.

This is the best adaptation of the novel, isn't perfect, but is far superior to the version I'll have previouly seen, with a nice cast. It could be perfect but have two failures 1) Miscast: Enrico Lo Verso is too old for being Marious, who was an ideal student, who suffered all the third and fourth book. He isn't naive. The seccond miscast is that Mrs Thenadier is too pretty, but it's irrelevant. 2) The seccond thing that I don't like it, is that in the last page Jean Veljean said to Cossette her mother name, in the miniseries, it's told in the middle.

In facts is an excellent mini, the best screenplay, nice script, superb cast, but with a big miscast in Loverso who isn't the naive, idealistic and insugure Marious.

I'm not a big fan of costume drama's and the actor Gérard Depardieu. Normally that should have been enough reasons for me not to watch this series. On the other hand, the novel is a classic in literature and this time it isn't the tale of some rich princesses who have broken a finger nail and want to commit suicide because of that. This is about ordinary people and their efforts to survive and to make the best out of their miserable situations. Anyway, I decided to give this series a chance and I'm glad that I did, because it was a lot better than I ever expected.

It tells the story of Jean Valjean, a galley slave who was sent to prison for stealing food and who is now released after serving nineteen years in a labor camp. At first he's avoided by everybody, because he once was in jail, but than he meets Bishop Bienvenu, who gives him shelter for the night and something to eat without asking something in return. The bishop's compassion and humanity restore Jean Valjean's faith in the goodness of people and helps him to go back to an orderly life. He changes his name to Monsieur Madeleine and soon becomes a wealthy industrialist who's a popular citizen. He even becomes the mayor of the small provincial town where he lives. In the meantime he has also met one of his workers, Fantine, who was fired from his factory because she had a child. He saves Fantine's daughter out of the hands of a mean family and raises her like his own daughter. But not everybody believes he is such a good, loving and caring man. Javert is a police officer who has made of hunting Valjean like a wild animal his main occupation. He's convinced that every man who once was a criminal, will always be a criminal and he'll do anything to get him behind bars again...

This series should not only be seen by the people who once read the book or saw the musical. I haven't read the book and I didn't see the musical either, but I certainly could enjoy this series. I guess everybody who has at least a bit of interest the hardness of 19th-century life for the ordinary people will enjoy this. Another reason why you could enjoy it is because of the good and convincing acting by all the characters. As I already said before in this review, I'm not a fan of Depardieu, but it has to be said: He was very convincing in his role as Jean Valjean.

All in all this is an enjoyable, honest and serious series that is worth watching when you are interested in the story. Personally I liked what I saw and that's why I give this series a 7.5/10.

seriously. Malcovitch's Javert is the creepiest, darkest, truest, most tantalizing Javerts ever on screen. and that's why it was so good. I agree on comments about Eponine's scarce appearance on screen and left-out death scene but.... does that really matter. Javert was the best character in the book, the rivalry and chase between him and Valjean is the key thing. I mean, if I ever dared to direct (a completely amateur version ) of Les Miserables, I would concentrate most effort on finding a perfect Javert. that's that. I sorta disliked some surroundings. even the war scenes and sets seemed just way too clean somehow. and especially Seine, oh come on, there should be bodies floating in it, garbage, dead rats and stuff, instead Javert seems to be walking into unused mud bath water. there was a lot more ugliness in the book's France. but I can still never forget this series.

One of my favourite versions, second only to the 1934 adaptation.

Six hours in length, Depardieu as Valjean, Malkovich as Javert, rich in detail and emotionally engaging - what more can one ask?

As with the 1934 version, this treatment is very full and therefore retains the strength of the original. It contains a number of alterations to the original narrative, but remains faithful to the essence of the characters, though I found Valjean's obsessive behaviour toward Cosette somewhat exaggerated, and too little emphasis laid on his sense of duty, responsibility, and lack of self-esteem, as his motivation.

The direction is crisp, the script intelligent and engaging, and the acting convincing and moving.

Depardieu is an excellent Valjean, articulate and ultimately tragic, while Malkovich is entirely convincing and gives us an unusually "human" Javert. Christian Clavier is splendidly scheming, selfish and low, while Virginie Ledoyen is suitably appealing as Cosette.

This is a confident and intelligent production which is not afraid of its origins.