CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
La historia de la rivalidad tenística durante los años 80 entre el tranquilo Björn Borg y el volátil John McEnroe.La historia de la rivalidad tenística durante los años 80 entre el tranquilo Björn Borg y el volátil John McEnroe.La historia de la rivalidad tenística durante los años 80 entre el tranquilo Björn Borg y el volátil John McEnroe.
- Premios
- 7 premios ganados y 14 nominaciones en total
Julia Marko-Nord
- Margareta Borg
- (as Julia Marko Nord)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
After I, Tonya this is the second sports related movie I watch this month and twice I didn't have huge expectations about it and twice I was pleasantly surprised. The difference this time is that I would never watch figure skating in real while tennis is an appealing sport to me. I remember watching the rivalry on the tennis courts between John McEnroe and Björn Borg. Those were great games of tennis. Everybody knows McEnroe for his temperament and of course his great tennis skills but what was interesting to me is to see how Borg used to be while he was little. He was exactly the same as McEnroe and so it doesn't surprise me at all that they became friends in the end. The movie is very well made, with a lot of back story, and so not only tennis shots. Shia Leboeuf did a good job portraying John McEnroe, but the amazing thing in this movie must be the stunning resemblance from Sverrir Gudnason with Björn Borg. It's like they could have been brothers. Even if you're not into sports, or tennis in this case, this movie is certainly worth a watch. A movie full of emotions.
We are currently seeing a vogue for movies about famous sporting rivalries. I think this was kicked off by the excellent Senna (2010), which could have been a fact-of-the-matter biography of Senna but ended up (wisely) focusing on the rivalry between Senna and Prost, which brought an unintended emotional richness to the story. This was followed up by the almost-as-good Rush (2013) which goes back a decade to tell the story of dashing gentlemen racer James Hunt versus the cold, calculating Nikki Lauder. Now, a Swedish-led production effort is telling the story of one of the great tennis matches of all time: four-time champion Bjorn Borg versus the fiery tempered young John McEnroe at the Wimbledon men's final of 1980.
As a strange pre-note: I watched Borg vs McEnroe in a completely empty theatre. Clearly, this movie is not getting the attention it deserves. I think it definitely affected my viewing experience; I was able to completely shut off and see it my own way. Which is good, as this film has a real psychological edge.
In short, it was an excellent movie. Surprisingly so, in fact. It got to the point where I forgot I was watching a film and really seemed to be inside the heads of the two leads, right there with them, through every match, every up, every down, every argument, every triumph. This is quite the achievement for a film based in historical fact that can't take too many liberties with the story.
Within the first couple of scenes, I could tell this was going to be my kind of movie: a real character study. We see a day in the life of global heart-throb mega-star Bjorn Borg, who is beginning to tire of the trappings of fame. I noticed the filmmaking technique of filming Borg in tight, claustrophobic interiors with shadowy men in suits hanging around in the background. It suggests that his life is beyond his control, is being lived for him, and maybe he wants out ... but doesn't know how to do that. All he knows is tennis, and winning.
Enter the young and fiery John McEnroe, who is a major blip on Bjorn 'Ice'-Borg's radar. If Borg was the ABBA of tennis, McEnroe was the Sex Pistols. Known for ranting at umpires and crowds, he had whipped London's easily baited tabloid newspapers into a frenzy, they could smell blood in the water, and as McEnroe battled his way into the final with a combination of luck, talent and verve, a fairytale match (and perhaps a major upset) was being set up.
Borg is unquestionably the main character of this film. I think we get about a 70:30 time share between the title characters. This is something of a shame, as I thought that McEnroe was perhaps the more interesting character. How does a New York wiseguy from a good family and lots of opportunities end up pushing himself into becoming a tennis world No. 1? The movie never really tries to answer this question. It focuses much more on Bjorg's backstory as a trouble kid who was recruited - some might say brainwashed - into channelling all his anger into his tennis. In perhaps the movie's best scene, McEnroe makes the link between them clear, and spots that Bjorg may seem like an iceberg but really he's a volcano waiting to go off.
Shia LeBeouf was an inspired choice to play McEnroe. LeBeouf has always faced fierce criticism of his acting, his suitability for the kind of roles he wins, and has run the tabloid gamut lately with a string of bizarre stories about his life and behaviour. In scenes where McEnroe rants at the press, you feel LeBeouf is really getting something off his chest here. Also excellent is Stellan Skarsgard, who plays a tennis coach with just the right amount of highly questionable morality in pushing youngsters as hard as it takes to produce a champion.
My one criticism of the film was the cheesy title cards, which spell out explicitly what's supposed to be happening in the movie with things like "The rivalry would affect the players for the rest of their lives." Show, don't tell, is the first rule of filmmaking. However, the movie's technical excellence - the tennis sequences were utterly spellbinding - and surprising emotional heft and depth make this a wholehearted "Yes - see it" recommendation from me.
As a strange pre-note: I watched Borg vs McEnroe in a completely empty theatre. Clearly, this movie is not getting the attention it deserves. I think it definitely affected my viewing experience; I was able to completely shut off and see it my own way. Which is good, as this film has a real psychological edge.
In short, it was an excellent movie. Surprisingly so, in fact. It got to the point where I forgot I was watching a film and really seemed to be inside the heads of the two leads, right there with them, through every match, every up, every down, every argument, every triumph. This is quite the achievement for a film based in historical fact that can't take too many liberties with the story.
Within the first couple of scenes, I could tell this was going to be my kind of movie: a real character study. We see a day in the life of global heart-throb mega-star Bjorn Borg, who is beginning to tire of the trappings of fame. I noticed the filmmaking technique of filming Borg in tight, claustrophobic interiors with shadowy men in suits hanging around in the background. It suggests that his life is beyond his control, is being lived for him, and maybe he wants out ... but doesn't know how to do that. All he knows is tennis, and winning.
Enter the young and fiery John McEnroe, who is a major blip on Bjorn 'Ice'-Borg's radar. If Borg was the ABBA of tennis, McEnroe was the Sex Pistols. Known for ranting at umpires and crowds, he had whipped London's easily baited tabloid newspapers into a frenzy, they could smell blood in the water, and as McEnroe battled his way into the final with a combination of luck, talent and verve, a fairytale match (and perhaps a major upset) was being set up.
Borg is unquestionably the main character of this film. I think we get about a 70:30 time share between the title characters. This is something of a shame, as I thought that McEnroe was perhaps the more interesting character. How does a New York wiseguy from a good family and lots of opportunities end up pushing himself into becoming a tennis world No. 1? The movie never really tries to answer this question. It focuses much more on Bjorg's backstory as a trouble kid who was recruited - some might say brainwashed - into channelling all his anger into his tennis. In perhaps the movie's best scene, McEnroe makes the link between them clear, and spots that Bjorg may seem like an iceberg but really he's a volcano waiting to go off.
Shia LeBeouf was an inspired choice to play McEnroe. LeBeouf has always faced fierce criticism of his acting, his suitability for the kind of roles he wins, and has run the tabloid gamut lately with a string of bizarre stories about his life and behaviour. In scenes where McEnroe rants at the press, you feel LeBeouf is really getting something off his chest here. Also excellent is Stellan Skarsgard, who plays a tennis coach with just the right amount of highly questionable morality in pushing youngsters as hard as it takes to produce a champion.
My one criticism of the film was the cheesy title cards, which spell out explicitly what's supposed to be happening in the movie with things like "The rivalry would affect the players for the rest of their lives." Show, don't tell, is the first rule of filmmaking. However, the movie's technical excellence - the tennis sequences were utterly spellbinding - and surprising emotional heft and depth make this a wholehearted "Yes - see it" recommendation from me.
Sports dramas seem to be on the rise and there have been quite a few prime examples in real life that serve in the story department. This is one of them. And Borg McEnroe is really something to enjoy, with some powerful performances. I myself had not the results in the back of my head while I watched it. So I was kind of unprepared and could enjoy what was going on in the movie at all times, without being spoiled.
Having said all that, the movie concentrates more on the off court drama, rather than the game itself. But you will get iconic moments from the game(s), don't worry about that. It may not have gotten any recognition from the Academy Awards, but that spot was already taken by I, Tonya. Also a good movie and probably a good double bill with this one ...
Having said all that, the movie concentrates more on the off court drama, rather than the game itself. But you will get iconic moments from the game(s), don't worry about that. It may not have gotten any recognition from the Academy Awards, but that spot was already taken by I, Tonya. Also a good movie and probably a good double bill with this one ...
I liked how the movie brought me back to those days when tennis players were like superstars (although you would not know it if you watch the last aierport scene where Bjorn and John have a lWhat I did not like is how the movie overkills the contrast between them and yet, it is contradictory in that the "calm/predictable/shy" Bjorn fires his coach without thinking it over much and is ready to leave his fiance as well ... which makes him as volatile as McEnroe supposedly is...
Meanwhile there is no tennis analysis whatsoever. I loved how John had the best hands in tennis and how graceful and talented he was at the net ...
Sverri Gudnason plays and moves a little bit like Bjorn, Shia LaBeouf is a DISASTER as John McEnroe: his movements are totally non-tennis and totally wrong!!!
The movie shows them as if this is the first time they play one another when it really was the SEVENTH time they played one another.
This is just on of many liberties they take to tell the story they want to tell: the Ying/Yang that movies require in order for those watching to get the point...
Too many flashbacks: the whole movie seemed like a long string of Bjorg remembering hitting against a wall and John getting rejected by his parents!!!
It is the 1980 Wimbledon tennis championship. Bjorn Borg is the number 1 tennis player in the world and the undisputed king of Wimbledon. He has won the tournament four times in a row - a fifth consecutive time would be a world first. However, a new face has appeared in the tennis world and presents a serious threat to Borg's title hopes - John McEnroe.
Good movie, and surprisingly so. Seeing Shia LaBeouf in the credits, as McEnroe, made me set my expectations quite low. However, it turned out to be an interesting and exciting movie.
What made the movie good was that it is not a dry, join-the-dots docudrama. There is character development, showing Borg and McEnroe's backgrounds, how their sporting mentalities and personas were formed and how these influence, to the point of determining, their game. Very engaging.
The choice of rivalry contributes to the engagement of the movie. There could not have been more opposite rivals in the world of sport. Borg: the ice-cold, emotionless base-line player. McEnroe: the temperamental, irascible, serve-and-volleyer. The contrast, and how their personalities affect their game, makes for enthralling viewing.
I'm no tennis expert, but the tennis scenes seem very well done and realistic. Also, the mental side of playing sport at the highest level is covered fairly well.
Good performances from Sverrir Gudnason as Borg and Shia LeBeouf as McEnroe. Good support from Stellan Skarsgard and Tuva Novotny.
On the negative side, the coverage of Borg's mental side state seems overwrought and slows down the momentum of the movie. Yes, it was necessary, actually vitally important, to the movie, as it showed the pressure Borg was under and the downsides to fame and being the world Number 1 (at anything). It also provides a good explanation to what would happen later in Borg's career. However, too much of the movie is showing how Borg wrestles with these demons - we got it the first time round, no need to repeat it several times.
In addition, the focus appears mostly on Borg. McEnroe's background is sketched very basically. A bit more balance was necessary.
Good movie, and surprisingly so. Seeing Shia LaBeouf in the credits, as McEnroe, made me set my expectations quite low. However, it turned out to be an interesting and exciting movie.
What made the movie good was that it is not a dry, join-the-dots docudrama. There is character development, showing Borg and McEnroe's backgrounds, how their sporting mentalities and personas were formed and how these influence, to the point of determining, their game. Very engaging.
The choice of rivalry contributes to the engagement of the movie. There could not have been more opposite rivals in the world of sport. Borg: the ice-cold, emotionless base-line player. McEnroe: the temperamental, irascible, serve-and-volleyer. The contrast, and how their personalities affect their game, makes for enthralling viewing.
I'm no tennis expert, but the tennis scenes seem very well done and realistic. Also, the mental side of playing sport at the highest level is covered fairly well.
Good performances from Sverrir Gudnason as Borg and Shia LeBeouf as McEnroe. Good support from Stellan Skarsgard and Tuva Novotny.
On the negative side, the coverage of Borg's mental side state seems overwrought and slows down the momentum of the movie. Yes, it was necessary, actually vitally important, to the movie, as it showed the pressure Borg was under and the downsides to fame and being the world Number 1 (at anything). It also provides a good explanation to what would happen later in Borg's career. However, too much of the movie is showing how Borg wrestles with these demons - we got it the first time round, no need to repeat it several times.
In addition, the focus appears mostly on Borg. McEnroe's background is sketched very basically. A bit more balance was necessary.
¿Sabías que…?
- TriviaBjörn Borg's real-life son, Leo Borg, plays young Björn.
- ErroresThe net on the Centre Court for a singles game is never the doubles net used in the movie.
- Citas
John McEnroe: You can't be serious! You can not be serious! The ball was on the line! Chalk flew all over, man. The chalk flew up! He saw it. That's why he's walking all over it. Everyone saw it was in. You cannot possibly call that out.
- Créditos curiososPictures of the two real tennis players and other characters are shown at the start of the end credits, including at Björn and Mariana's wedding.
- ConexionesFeatured in CTV National News: Episode dated 7 September 2017 (2017)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Borg McEnroe: La película
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- SEK 165,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 231,346
- Fin de semana de estreno en EE. UU. y Canadá
- USD 52,625
- 15 abr 2018
- Total a nivel mundial
- USD 3,431,867
- Tiempo de ejecución1 hora 47 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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