Kings

The movie was all over the place. No character development, why was Hallie Berry with nine or ten various kids, oh I get fostering. Nothing explained. And I think her and Craig did the movie for free. Spike Lee would put it together better. You have to live the life before you can make film about South Central. Where I grew up. South central was worse than the film but it was a jumbled mess.

I cannot believe that Halle Berry and Daniel Craig have put their name to this movie. I thought that it would have been a great story but it just rambles on about nothing with a few original news items thrown in just to remind what is happening. I would give this a start rating of 2 and would be one of the mob=vies to avoid this year.

I have never written a bad review before but just felt compelled to pen this one.

Meh. An important and interesting story that is still extremely relevant these days, told out of a rather unspectacular and to some degrees unbelievable perspective. Yes the film stars two very talented actors: Halle Berry and Daniel Craig however their roles are rather supporting and their performances not really stunning. Berry overacts easily and there is no motivation no explanation in her character. Craig is okay actually, another twist of character for him, however the development of his character makes no sense at all and there is also no explanation or anything for it. I think they just cut a LOT out of the movie. Really lousy writing that also continues with the plot.. there is not much of it, and the bits and pieces we get presented are absolutely unbelievable and often make no sense. The writer and director never stays true and honest with his characters and that is why the film fails. You really only get emotionally impacted by the film and that is during the short footage sequence at the end when the film is dedicated to some victim. Otherwise a missed opportunity for sure.

There is way too much foreplay to this movie. The actual story starts with a dramatic shooting seven weeks before the riots, then switches to an overburdened mother and her cantankerous neighbour, as well a feisty homeless girl (whom soon attracts the attention of two grown boys living with the mother). I felt there was more attention paid to the story of the homeless girl than the Halle Berry story. The problem with the movie is that this long distance of time and the parallel story lines creates a lack of focus. There is also a constant diversion to the unravelling of the times on the ever-present TV which lead to the fateful night of the riots. I appreciate the ticking time bomb intention. It all seems over-long, over-complicated and thus under-committed. If the story had just followed the mother I feel we could have had a more powerful movie. She has numerous kids, all with charm, and an action-packed story of her own. Once you realise the plot you'll quickly realise that her tale has all the impact needed to bring together all the elements of horror of that fateful day and night. I also believe more attention could have been paid to the riots and looting itself. It was a cheap shot to constantly have to follow that on grainy pre-digital tv images instead of something weightier produced by Hollywood itself. Too often we see this in movies these days. A great movie concept, but the vision is marred by wanting to show too much in too little time. I appreciate how hard that must be, but the means to the end needs to be entertaining, and despite the quality of some of the performances here and the originality and cuteness of some of the story ideas, I felt that that very cuteness ran counter to the seriousness of the parallel story (the homeless girl) and was too much on the plate. Something needed to go, or something needed to be handled differently. It's still a good movie for all that, and definitely an honest salute to those affected by the riots themselves, and Halle Berry's terrific performance will certainly make the effort worth the while.

An occasionally decent and thrilling film centered on Halle Berry as an altruistic foster mother. She gets tangled up in the violence and riots in Los Angeles, following the verdict in the Rodney King trial in 1991. "Kings" leaves an impression but despite its burning subject – racism and the abuse of power – it trivializes the seriousness of its own central theme. Also, within the context of the serious subject matter, the forced inclusions of distracting heterosexual romance make it a laughable affair, leaving you with a rather banal impression overall.