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IMDbPro

Werk ohne Autor

  • 2018
  • B15
  • 3h 9min
CALIFICACIÓN DE IMDb
7.7/10
27 k
TU CALIFICACIÓN
Sebastian Koch, Tom Schilling, and Paula Beer in Werk ohne Autor (2018)
'Never Look Away' follows thirty years in the life of artist Kurt Barnert (a character loosely based on Gerhard Richter). From a childhood witnessing Nazi Germany to life in post-war East Berlin.
Reproducir trailer2:08
4 videos
99+ fotos
Period DramaPsychological DramaBiographyDramaRomanceThrillerWar

El artista alemán Kurt Barnert se ha escapado de Alemania Oriental y ahora vive en Alemania Occidental, pero está atormentado por su infancia bajo los nazis.El artista alemán Kurt Barnert se ha escapado de Alemania Oriental y ahora vive en Alemania Occidental, pero está atormentado por su infancia bajo los nazis.El artista alemán Kurt Barnert se ha escapado de Alemania Oriental y ahora vive en Alemania Occidental, pero está atormentado por su infancia bajo los nazis.

  • Dirección
    • Florian Henckel von Donnersmarck
  • Guionista
    • Florian Henckel von Donnersmarck
  • Elenco
    • Tom Schilling
    • Sebastian Koch
    • Paula Beer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    27 k
    TU CALIFICACIÓN
    • Dirección
      • Florian Henckel von Donnersmarck
    • Guionista
      • Florian Henckel von Donnersmarck
    • Elenco
      • Tom Schilling
      • Sebastian Koch
      • Paula Beer
    • 128Opiniones de los usuarios
    • 137Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 5 premios ganados y 18 nominaciones en total

    Videos4

    U.S. Trailer
    Trailer 2:08
    U.S. Trailer
    Never Look Away: Art School
    Clip 2:11
    Never Look Away: Art School
    Never Look Away: Art School
    Clip 2:11
    Never Look Away: Art School
    Never Look Away: Modern Art
    Clip 2:11
    Never Look Away: Modern Art
    Never Look Away: Almost Too Easy
    Clip 1:22
    Never Look Away: Almost Too Easy

    Fotos148

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    Elenco principal71

    Editar
    Tom Schilling
    Tom Schilling
    • Kurt Barnert
    Sebastian Koch
    Sebastian Koch
    • Professor Carl Seeband
    Paula Beer
    Paula Beer
    • Ellie Seeband
    Saskia Rosendahl
    Saskia Rosendahl
    • Elisabeth May
    Oliver Masucci
    Oliver Masucci
    • Professor Antonius van Verten
    Hanno Koffler
    Hanno Koffler
    • Günther Preusser
    Cai Cohrs
    • Kurt Barnert 6 Jahre
    Evgeniy Sidikhin
    Evgeniy Sidikhin
    • NKWD Major Murawjow
    • (as Evgeny Sidikhin)
    Ulrike C. Tscharre
    • Frau Hellthaler
    Jörg Schüttauf
    Jörg Schüttauf
    • Johann Barnert
    Jeanette Hain
    Jeanette Hain
    • Waltraut Barnert
    Hans-Uwe Bauer
    • Professor Horst Grimma
    Ina Weisse
    • Martha Seeband
    Lars Eidinger
    Lars Eidinger
    • Ausstellungsführer Heiner Kerstens
    Johanna Gastdorf
    Johanna Gastdorf
    • Großmutter Malvine
    David Schütter
    David Schütter
    • Adrian Schimmel…
    Franz Pätzold
    • Max Seifert
    Jonas Dassler
    Jonas Dassler
    • Ehrenfried May
    • Dirección
      • Florian Henckel von Donnersmarck
    • Guionista
      • Florian Henckel von Donnersmarck
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios128

    7.727.1K
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    Opiniones destacadas

    FrenchEddieFelson

    Nazism, communism, capitalism ... and art!

    This captivating and moving movie is essentially based on encounters, fortuitous or not, of good omen or not, in Germany, GDR and then FRG.

    Professor Carl Seeband (Sebastian Koch) is a brilliant gynecologist, cold and completely devoid of empathy. His 'talent' will enable him to become an imminent member of the Nazi Party and to actively work in the eugenics process in order to improve the 'racial hygiene'. Kurt Barnert (Tom Schilling) is a young artist whose inspiration seems to be animated by repressed memories of his aunt Elisabeth May (Saskia Rosendahl), who mysteriously lost her mind during the rise of Nazism in the 30s, then silently 'disappeared' just before the Second World War: Elizabeth's fate will end at a fatal meeting with Professor Carl Seeband. A few years later, Kurt Barnert will accidentally fall in love with Ellie Seeband (Paula Beer), the only daughter of Professor Carl Seeband.

    Freely inspired by the life of Gerhard Richter, the film describes the three decades of a black and then red Germany, struck by two destructive ideologies, before being sold to capitalism. Without reaching the near-perfectness of La vida de los otros (2006), this film is excellent: casting of first choice, neat photography, dialogues skillfully written, captivating scenario, a clever mix of sensual and sweet scenes alternately with cold and depressing other ones, ... As a synthesis: 8 of 10
    10doorstepent-01607

    I wasn't bored for even a minute.

    This is a fantastic movie, historical drama and philosophical essey on art at the same time. The runtime might seem a bit long, but once the movie gets your attention, it never lets you go. The well-written charcters are full of life, which delivers a complex yet relatable story throughout the history of XX. century Germany. The film is also beautiful, awesome cinematography. And an inevitable piece if you want to understand the thouhts behind modern art. While the english title is good (Never look away - the primary thesis of the movie), please also notice the original title (Art without author). Recommend 10/10
    TxMike

    Young boy grows to be an artist, surviving Nazi Germany.

    I watched this at home on BluRay from my public library. My wife skipped, she doesn't like to see movies with subtitles.

    I studied German for two years in college, while I can't converse in it anymore I was able to fit the German dialog with the English subtitles.

    While there are several intersecting stories the main thread is Kurt, a boy of 8 in 1937 Nazi Germany, being exposed to various forms of art by his 20-something aunt. As he grows, and WW2 comes and goes, he develops into a quite good painter. He eventually has to escape to West Berlin to be free to develop his talents. The story extends through the 1960s.

    Part of the overlapping story is of the Nazi programs to purify their race, to see to it that even Germans who had some sort of affliction were terminated, and this was the fate of his aunt who had the occasional emotional malfunction. As it turns out Kurt unwittingly marries the daughter of one of the evil doctors who it seems had named his daughter Elizabeth, the same as Kurt's aunt.

    This is a really good movie and at just over 3 hours didn't seem overly long, I can't think of any scene that I would cut. However I watched it over three different sessions with some overlap each time. In the extra on the disc the writer/director explains, in English, how he modeled his story off a real German artist who developed through this same period.
    10jrwygant

    A tale for today

    "Never Look Away" is essentially a film about three characters: a young artist, based on the life of Gerhard Richter, his wife, and his wife's father, a former Nazi who worked as a doctor committed to "purifying" the German race. So with the focus held so tightly on just three characters, it may seem surprising that it takes three hours to tell the story. But this film never left the feeling that too much was being told. It is a masterpiece of ideal personal relationships set against a background of truly evil and destructive behavior.

    The story begins with the artist as a young boy in the care of his devoted but slightly strange aunt. We follow the artist into young adulthood and into a marriage that faces unique challenges. He carries with him his aunt's plea to "never look away."

    While this tale begins at the onset of the Nazi era, much of what is presented is relevant to our contemporary world, though those political parallels are not drawn explicitly in the film.

    Released in 2018, this film was honored with many award nominations and a few wins. Because of subtitles and a length of three hours, "Never Look Away" did not lend itself well to American tastes or to wide theatrical distribution. It is available on DVD or streaming and should not be missed.
    mathomas-28053

    astounding, life-changing, masterpiece

    I am reluctant to write my review of this film, only because I fear I won't do it justice. This film is a masterpiece of the first order. According to Wikipedia, it received a 14-minute standing ovation when it was first shown at a European film festive. I can testify that it received a 14-minute standing ovation in my living room.

    We follow a small circle of characters through approximately 30 years of tumultuous history. We are intensely interested in the fate of each of them. There is humor, pathos, agony, exhilaration, discovery, closure, wonder, and astonishment in every scene. The acting is astounding, as is every other aspect of movie making. Bach's beautiful "Sheep May Safely Graze" is used throughout the movie; ironically, of course, because in Hitler's Germany, the sheep were not safe.

    My life has rarely been changed, set on a new path, by a film, but I can say this one has done it. I wish the same for you. Watch it over a period of two days, because you probably won't be able to take it all in in only one.

    Más como esto

    Frantz
    7.5
    Frantz
    Oh boy, 24 hrs. en Berlín
    7.3
    Oh boy, 24 hrs. en Berlín
    En tránsito
    6.9
    En tránsito
    La vida de los otros
    8.4
    La vida de los otros
    Never Look Away
    7.2
    Never Look Away
    Dobermann
    6.2
    Dobermann
    Hijos del Tercer Reich
    8.4
    Hijos del Tercer Reich
    Adiós a Lenin
    7.7
    Adiós a Lenin
    Der Baader Meinhof Komplex
    7.3
    Der Baader Meinhof Komplex
    Napola - Elite für den Führer
    7.4
    Napola - Elite für den Führer
    Der gleiche Himmel
    7.5
    Der gleiche Himmel
    Undine
    6.6
    Undine

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Kurt's art teacher, played by Oliver Masucci, is modeled on artist Joseph Beuys, the head of sculpture at the Kunstakadamie in Dusseldorf during the early '60s, at the time Gerhard Richter first enrolled.
    • Errores
      At one point Carl Seeband mentions that Mozart was dead by the time he was 30. This is incorrect; Mozart was 35 when he died. (He could have been lying to try to convince Kurt to give up Art).
    • Citas

      Elisabeth May: Don't look away. Never look away, Kurt. All that is true is beautiful.

    • Conexiones
      Featured in 2019 Golden Globe Awards (2019)
    • Bandas sonoras
      De torrente in via bibet [Dixit Dominus, HWV 232]
      Composed by George Frideric Handel (as Händel)

      Performed by Angela Kazimierczuk, Katherine Fuge, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner

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    Preguntas Frecuentes19

    • How long is Never Look Away?Con tecnología de Alexa
    • Why is the English title of Never Look Away so different from the original German title which translates as Work Without Author?
    • What happens with the Professor after seeing Kurt's paintings?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de octubre de 2018 (Alemania)
    • Países de origen
      • Alemania
      • Italia
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idiomas
      • Alemán
      • Ruso
    • También se conoce como
      • Never Look Away
    • Locaciones de filmación
      • Görlitz, Saxony, Alemania
    • Productoras
      • Pergamon Film
      • Wiedemann & Berg Filmproduktion
      • Beta Cinema
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • EUR 18,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 1,304,042
    • Total a nivel mundial
      • USD 6,193,234
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      3 horas 9 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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