Espíritu del mal

"The demon is very manipulative. Don't trust in your eyes"

Next scene? She trusts in her eyes.

Forgetting that, it is an enjoyable slow burn that is not *that* terrifying, it is a bit rushed, but it is still able to create a tense and creepy atmosphere.

The first noticeable aspect of PYEWACKET is its cold, somber tone. The atmosphere is thick and heavy with foreboding from the first frame. Nicole Munoz never overdoes her role as Leah, the angst-ridden teen / dabbler in the occult. If her character had been over the top, it would've ruined the whole movie. Her friends are equally sedate.

When Leah decides to call upon the entity of the title, it's done in a natural, non-hyperbolic way. Her rash motive for doing so fits the age of the character. Laurie Holden puts in a solid performance as Leah's heartbroken mum, who never really knows what's going on until it's too late.

An unsettling, supernatural cautionary tale about the consequences of hasty decisions...

This movie, as it has been accurately described, is a slow burn. It is no question that this low budget indie horror title is driven by solid performances, specifically by Nicole Munoz and Laurie Holden. The dynamic between these characters is believable and could pass as a standalone drama if the horror elements weren't included. The most impressive aspect of this film is how Adam MacDonald used his low budget to create a piece of film that uses effective storytelling and edge-of-your-seat suspense. If you're an individual who prefers the louder, high budget horror shows, I'm sad to say you will be slightly disappointed with this film. But if you enjoyed films like The Witch or It Follows, I can definitely recommend this movie, as I believe it is truly something special.

Pyewacket is a low budget and light supernatural horror film that is worth watching.

It's the typical story of teenager summoning an evil creature but it's clever and very well acted. The script is simple and does it's work very well, building reasonable tension minute by minute.

The ending is kinda predictable but I still think it's satisfactory, since it closes the story in a believable way.

The last twenty minutes felt a bit rushed and disorganized, compared to the languid, but tightly thought-out, slow-burn pace of the first 3/4 of the movie. But this meditation on impulsivity in the context of peer and parental relationships results in a very fine entry nonetheless. Yes, it is a "horror" movie (particularly towards the end). But it is also about human relationships.

That said, this is not a dialogue-intensive feature. Rather, there is heavy reliance on mood, lighting and subtle gestures to move the plot along (if you don't pay attention, it can be easy to miss important clues). As a result, this movie could have been a bomb. But I was VERY impressed with Nicole Muñoz, who manages to carry the weight of a near-100% screen time admirably. She is able to give us a very realistic depiction of a struggling teenager who swings between hope, anger, boredom and curiosity, as she negotiates a move with her mother away from her former home. Recommended for sure.