Resucitada

On briefly reading the reviews here, I was a little disappointed at so many negative words for what for me is one of the best horror films I have seen in quite some time. Each to their own I suppose, that's what opinions are there for after all!

Made on a low budget and set in either the north or south of Ireland (hard to decipher which!), 'Wake Wood' is the tale of a recently bereaved couple who relocate to this remote outpost to overcome their grief. As luck would have it - the locals led by a sinister and menacing Timothy Spall just happen to have pagan powers to resurrect the dead for three days. Some people have all the luck!

This is a great wee story with all the trademarks of what made Hammer films so spellbinding in the first place. A remote location, strange locals, an abundance of gloomy weather and of course blood and guts aplenty. The tale twists and weaves, there's a number of interesting plot twists and fantastic performances all round especially from Spall who puts more proof in the pudding he is one of the most versatile British actors around. Debutant Ella Connolly playing the couple's tragic daughter is superb as well.

The script is original something difficult to muster in the horror genre nowadays. There is every chance 'Wake Wood' will end up becoming a cult classic in the same vein as 'The Wicker Man. Here's hoping it does because on first viewing it certainly deserves such an accolade.

Love these tucked away films that you chance upon. Nice, neat, right running time, little shocker.

Its the premise thats of interest here and fascinating. A youngish couple losing their only child (and she says she cant have any more)and then given the chance to have her back, as she was, but for only three days. Given the emotional turmoil involved, and the couples position (a split is also on the cards), how many couples would go along with this. I suspect quite a few.

This also comes along with i) not everyone playing by the rules i.e. lying (how long girl was dead) and ii) it comes at a price! The viewer knows this, he's watched a lot of horror films.

Like the Irish feel, the ancient ways handed down in a localised village, the underlying creepy atmosphere, then again balanced by the modern i.e. the wind machines at the boundaries of the village.

Nice touch with the life cycle, from death comes rebirth; the mixture of births e.g the dead rebirths, cesarean of the cows, and even Alice pulls her doll through a rubbish bag.

Maybe Brendan Gleason ought to have played the squire, Timothy Spalls accent was a bit suspect.

Based from the movie's cover, then "Wake Wood" looked really interesting, so it was with some anticipation and expectation that I sat down and watched this movie.

The story told in the movie was actually quite good, I will give the movie that much. Dealing with a family torn apart by the death of their little girl, then given the chance to see their deceased girl again for three days, and for three days only. But of course, something is amiss... Actually the story was much similar to the plot in Stephen King's "Pet Semetary" movie/book.

For scare effects and scare value, then "Wake Wood" was a very weak cup of tea. There weren't any moments that made you jump in the seat or even had the hairs on your neck stand up. Not everything in the movie was bad, mind you. There were scenes and scenery that were working well for the movie, but it just never came to any scary moments.

The acting in "Wake Wood" was alright as well. The movie was carried by Aidan Gillen (playing Patrick) and Eva Birthistle (playing Louise). The role of Alice (played by Ella Connolly) wasn't particularly well executed and could have been more creepy with another child actress.

For a horror movie, then "Wake Wood" was a very uninspiring, uninteresting and non-entertaining movie. If you like horror movies, then there are far better ones out there. The movie is worth checking out for the story alone, though, just bear in mind that it is much similar to the works of Stephen King though.

Even though they will forever remain linked to Peter Cushing, Christoper Lee and a whole variety of immortal Gothic horror movies produced during the sixties and seventies, it's still tremendously great news that Hammer Studios are back in business! The legendary British studios, of which I loved nearly everything they ever accomplished, make an exquisite comeback with the traditionally themed and old-fashioned spooky "Wake Wood". The plot borrows obvious and less obvious elements from a handful of famous genre classics, but it nevertheless stands on its own as a solid and competent horror movie that is occasionally very tense, disturbing and repulsive. Approximately one year after they tragically lost their only daughter in a rabid dog attack, the emotionally wrecked couple Patrick and Louise move to the small farmers' community of Wakewood, where he takes up his profession as a veterinary and she re-opens the local pharmacy. The town's patriarch Arthur informs Patrick and Louise that the entire town of Wakewood participates in a secluded and very secret Pagan ritual. Through the cadaver of a freshly deceased villager, Arthur can bring another dead person back to life for a period of three days, so that his/her family can spend some beautiful last moments together and properly prepare their goodbye. There are a few strict rules, however, including that the resurrected person's passing was less than one year ago and that he or she is forbidden to leave the town's perimeters. Blinded by their desire to be reunited with their daughter, the couple takes the risk of altering a few facts and convinces the town to bring back their beloved Alice. Needless to say horrible events ensue, as Alice doesn't exactly return as the cute and cherubic girl she once was… As said, "Wake Wood" clearly sought inspiration with some genuine classics, like "Pet Sematery" (bringing back a dead child), "The Wicker Man" (the entire town participating in the pagan ritual) and "Don't Look Now" (processing the tragic loss of child). This isn't a negative comment; however, as writer/director David Keating processes the subject matter in a respectable way and adds a modern and personal touch wherever possible. Arguably, the film is somewhat too slow-paced and pretentious in terms of editing (too many collages and brief insignificant flashbacks), but you can't really blame a film crew for trying to be stylish, now can you? The climax is a bit of a letdown, mainly because the events are too hectic, incoherent and also all of a sudden extremely cruel and sadist. There were some violent parts and grisly images throughout the entire film, like the harrowing dog attack at the beginning and the macabre Wakewood ritual, but the last ten minutes are really quite sick. It's a shame to let the movie end in such a negative and illogical way. Terrific acting performances here as well, particularly from the reliable Timothy Spall ("Sweeney Todd" and the "Harry Potter" franchise) as the town patriarch. Very much recommended, can't wait to see what Hammer does next.

And I am utterly delighted to say this is exactly the sort of movie I hoped Hammer would produce when it rose from the ashes. Last week, I laid into The Resident which was hopelessly feeble. This is anything but. A gory, edge-of-the-seat cracker which also has a fabulous psychological edge. From the start it grabbed me. Which is not too surprising because in the first three minutes a young couple's daughter is torn to death by an angry Alsatian. This inspires the pair, Patrick (Aidan Gillen) and Louise (Eva Birthistle) to start a new life, deep in the Irish countryside, at a village called Wake Wood (what a great name). Louise senses there is something a little odd about the locals, who are led by a squire, played with perfect gravitas by Timothy Spall. Many other reviews have given the game away at this point. I am going to avoid doing that and just suggest supernatural jiggery pokery. Patrick and Louise get involved and the consequences are bloody but rather brilliant. I have read that Wake Wood has echoes of the Whicker Man and I sort of understand this thinking. Certainly, the villagers share a secret and are involved in behaviour which outsiders are unlikely to understand. Gillen and Birtwistle are rather splendid as the fraught interlopers. They succeed where Hilary Swank failed so hopelessly in The Resident. And then there is Spall. I've been enthralled by Spall, so to speak, since the days of Auf Widersehen Pet. He gets better with age. But the real hero is director David Keating who was also on the writing team. With a limited budget he has created a movie with levels of horror and suspense which would make the heroes of Hammer proud.