The Secret Agent

The first episode does start out rather slow and it has a lighthearted feel to it. Seeing Toby Jones in this type of role for the first time takes a bit of time to get use to ,but He does come through and gives a great performance.

A real stand out performance from Vicky McClure and the rest of the cast give a good performance too. By episode 2 it starts to get dark and much more enjoyable to watch.

Episode 3 is really good ,it takes some really dark twists and holds your interest .

The music really adds to the feel of it all, as does the great location scenes. I thought it well acted and produced, it leaves you wanting more.

I'm puzzled by the reviews that claim all of Conrad's brilliant story have been abandoned. Utterly untrue. All the main points of the original story are here. The betrayals, the ethical compromises, the cowardice. Not a single one missing. What had changed is how the story is told. Conrad jumped back and forth, a device that works better on writing than on TV. There are always some compromise made when covering a written story to a screen of any size. Those made here seen more than reasonable to me. The result is a thoughtful carefully constructed story that resists the urge to pick up the tempo just for the sake of a little "excitement". Some will find the pace slow, but it builds from the meaningless pretense of the characters lives and the mundane tempo of real life.

Some lovely performances by the whole cast. No one is cast as either superhero or supervillain. These are ordinary people of no great distinction, no matter thier place in life. Both evil and justice are flawed and banal.

I had a look over some of the reviews and wondered why they were so hard on this show. After all, it's the type of characters in this show that started The First World War. Few shows actually show us this world. And the characters, given it's such an undeveloped area of period drama, are, for me, hard to beat, bordering on truly original, and brilliantly enacted. The original author is, after all, part of the literary canon for a reason This is comparable to Charles Dickens, but stands on its own merits. The Secret Agent a period piece like nothing I'd encountered before. There are no heroes, only flawed but passionate people, dangerously entwined with the lives of essentially honest people who are, for the most part, unaware of the dangers brewing beneath their floorboards. I really don't know how anyone could have not been totally refreshed by this cinematic experience. Like all good British productions there is a wealth of detail and realism that make this story a true transportation back to the period, with a ripping yarn to keep one glued. And there is a moral here too, relevant to any time.

Joseph Conrad's novel, 'The Secret Agent', is justly acclaimed, a compact and bitter satire nominally about anarchist terrorism but in fact about the wretchedness of the human condition: while ordinary people labour and suffer, we talk about principles and love but will in reality sacrifice anything for an easy life. With hardly a superfluous word, it could easily be adapted into a 90 minute film; but this adaptation lasts three hours, and is slow-paced and boring. Not only that, but the padding serves to undermine the original purpose to no beneficial effect. One of the great characters in the book is the Professor, an extremist (with all the best lines) who asserts he will give everything for the cause, even down to blowing himself up with a bomb he carries on his person at all times should the police come to arrest him. But no actual cause is ever sufficiently revolutionary to earn the Professor's support, and as we see when he is confronted by the stupid, cowardly policeman Heat, his supposed willingness to cause carnage is sufficiently strong to ensure that no-one is ever likely to put him to the test. But in this adaptation, Heat is brave and humane, and he confronts the Professor only for the Professor's bomb to fail to explode when he tries to detonate it, developments that completely miss the point. It's a particular shame to see the usually excellent Vicky McClure stilted and unable to save the story. Sometimes it seems as if those responsible for adapting a story have utterly failed to understand what it is really about; and this series is one such example.

We enjoyed the production, the filming and actors were excellent though we thought it a bit slow. I became interested in the locations because of a book I was reading that mentioned there had never been a "Great Southern Railway" so the main line railway station with that title was a bit of a mystery. The station building and interior appears to be Kelvinhall Art Gallery in Glasgow, presumably with some CGI to change the name on the building. The opulent "embassy" staircase seems to be Glasgow City Hall, and the "Windsor Castle" ship seen at the docks looks like the ship purchased in 2014 by the Royal Yacht Britannia organisation, so are the docks buildings at Leith?