The Witness for the Prosecution

Can definitely see the polarising opinions, the virtues being brought up are understandable and every bit as understandable are the complaints.

Of the adaptations of 'Witness for the Prosecution' it is this 2016 adaptation that fares the weakest, despite being closer to the short story than the play it is not a patch on the brilliant 1957 Billy Wilder film. Also preferred the 1982 version. It is not awful, and there are worse Agatha Christie adaptations around, a most notable recent example being 'Partners in Crime' with a woefully miscast David Walliams. But after being so impressed by 2015's 'And Then There Were None', I was honestly expecting much more.

There are strong things here. Apart from going overboard on the grimness sometimes, particularly in the first half, 'Witness for the Prosecution' is very pleasing to look at, being beautifully shot and with costume and set design that are both handsome and evocative. The music is unobtrusive but still has a presence.

Parts of the storytelling are very compelling, the whodunit and legal stuff is mostly quite riveting, while the conflict of WWI is powerfully evoked and the relationship between Mayhew and his wife having moments of tender pathos. There are some great twists, especially the very clever (though the one of the 1957 film had more edge) final reveal.

'Witness for the Prosecution' benefits from a great cast as well. A brilliant performance from Toby Jones is particularly note-worthy, and more than up to his level are Andrea Riseborough, who captivates in bringing an enigmatic quality to a character that you are not sure whether to trust or not. Billy Howle's performance is enough to make one convinced of his innocence. David Haig and Tim McMullan excel as morally devious barristers, as does a venomous Monica Dolan and a touchingly subtle Hayley Carmichael. Kim Catrall is luxury casting, and is a dream.

It is a real shame however that 'Witness for the Prosecution' is let down significantly by pacing issues, especially for a lot of the first half, which takes too long to set up with scenes that feel over-stretched and go on longer than needed, and the seemingly endless and melodramatic stuff after the final reveal, like there was an indecisiveness as to how to end it. The second half is more gripping and better paced, but again the pace does drag and scenes and subplots feel like padded filler.

Really it would have been better to do 'Witness for the Prosecution' as a one off lasting an hour or something, because the story just doesn't feel long enough to sustain two hour long episodes. So it felt like there was too much padding and stretching in an attempt to sustain it. There is stuff included to give the story a darker tone, but it did feel too often too gratuitously grim and anachronistic, and over-darkened and overshadowed a story that didn't need it.

A few scenes between Mayhew and his wife, despite some tender pathos in others and great chemistry between Jones and Carmichael, felt soapy and overwritten, and personally am another person who found the sex scene unnecessary and in poor taste.

Concluding this review, not an awful adaptation and production, not as bad as said by some, but could have been much better and comes off as uneven. 6/10 Bethany Cox

This is one of those productions that combine really interesting characters within a story that has enough twists and turns to hold your interest, despite its rather tenuous link to real life events. What really drives this show along are the period details, the 'mood' and feel of the thing, and the solid acting by almost everyone involved. I felt 'Leonard' was the least effective character and the actor wasn't that convincing either. But Toby Jones and Ms Riseborough were too-notch in their performances. The pace was slow, filled with tension and showed how the various stratas of society dealt with the aftermath of a devastating war. The psychological damage was the most obvious, resulting in murder and an almost carefree attitude about the whole process and planning of it. This is a short story that is probably one of Ms. Christie's most damning condemnations of war and although adapted by Sarah Phelps, has definitely stayed true to the original intent. It's not light entertainment but worth watching, despite the fact that the lighting was just a bit too obvious in trying to create a certain 'atmosphere'.

Tightly written and beautifully directed, a complex mystery, with enjoyable twists throughout. Artfully expanding on the original short story, but don't read it ahead of time! Ignore the negative comments and enjoy a very classy movie-length period mystery. Wonderful, distinctive and nuanced performances by the cast as well, especially Toby Jones and Andrea Riseborough, with Julian Jarrold's meticulous direction.

The Charles Laughton/Tyrone Powers/Marlene Dietrich/Billy Wilder 1957 film of "Witness for the Prosecution" has been one of my favorite films since I was in high school. So, watching this Toby Jones version--that follows Agatha Christie's original short story--comes as quite a surprise. Mostly the same characters, but with a decidedly different take on the story of love & guilt. The two "Witness" films are like watching the Kurosawa film "Rashomon"--the guilt lands on different characters.

That said, and because I'm a student of film, I liked the Toby Jones version, too; and don't feel like it's inferior to the Billy Wilder film. The photography and set designs are all shadows, fog and smoke; just the right mood for a story that is does not reveal itself and fools the eyes. The acting is all excellent, which is in keeping with all British productions. And, the pacing of the narrative is accomplished with no tech or CGI--which is refreshing in this age of SuperHero films.

Bottom line: if approached without bias, this film of Agatha Christie's "first draft" of Witness for the Prosecution is rewarding on it's on merits.

If you love a good "whodunnit " crime drama then you'll enjoy this. It's well casted and brilliantly acted. Don't read too many reviews or plot spoilers, just watch it. You won't be disappointed. Pass the popcorn please!