Mientras Batman busca al fugitivo Joker, el Príncipe del Crimen ataca a la familia Gordon para demostrar un punto diabólico que refleja su propio descenso a la locura.Mientras Batman busca al fugitivo Joker, el Príncipe del Crimen ataca a la familia Gordon para demostrar un punto diabólico que refleja su propio descenso a la locura.Mientras Batman busca al fugitivo Joker, el Príncipe del Crimen ataca a la familia Gordon para demostrar un punto diabólico que refleja su propio descenso a la locura.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Batman
- (voz)
- The Joker
- (voz)
- Alfred
- (voz)
- Reese
- (voz)
- Murray
- (voz)
- Mitch
- (voz)
- Paris
- (voz)
- Patrolman
- (voz)
- Jeannie
- (voz)
- Maroni
- (voz)
- (as Rick Wasserman)
Opiniones destacadas
I really wanted The Killing Joke to be DC Animation's return to greatness.
The parts that are actually The Killing Joke are great, but I just can't ignore the first 30 minutes. It felt like a random episode of a completely unrelated Batman TV show. I get that they wanted to make Batgirl more sympathetic and an actual character in the movie, rather than just a plot point, but honestly, who cares? Who gives a crap about Batgirl? She doesn't matter, she's irrelevant to the story. The Killing Joke is supposed to be about Batman's relationship with The Joker. Instead, it felt almost as If Barbara Gordon was the main character. If they didn't want to just do a direct adaptation of the novel because it'd be too short, I get it, but find another way to expand it.
But still, like I said, as soon as the actual movie starts, it's great. Hamill and Conroy were obviously great. They stole the show, specially Hamill. I didn't like Commissioner Gordon's voice though, it sounded weird.
Overall, good movie, but it should have been great.
There is a real lack of grit and atmosphere in the delivery. For all the time spent with Batgirl, the film could have fleshed out dialogue, horrors, and conflict between the characters. Instead this felt truncated and lacking roots. For all the potential in the led two, there was little delivered but yet just enough to indicate what it could have been. It felt rushed, which may have been true because the film as a whole has a cheap feeling. The animation has little character or depth, and looked basic in both detail but also in movement. Searching online as to why, it seems that the animation was every 4 frames, which contributes to a choppy feel despite reducing cost. The voice work is good throughout, just a shame not to have a better product to deliver.
The Killing Joke had a lot of hype, most of which I ignored. Even with no preconceptions and reasonable expectations though, the film didn't deliver, and feels cheap, rushed, and poorly filled out.
And I get what they tried to do or felt they had to do as far as making it a complete experience as a 75 minute film. Barbara Gordon, aka Batgirl, is more of a plot device in the comic (spoiler? Joker shoots and paralyzed her before kidnapping Commissioner for his amusement park nightmare games), so to flesh out her backstory with Batman is good. On paper. Actually, not on this paper, as it turns into a half hour story where Batgirl is chasing after a ho-Hum "charming" criminal who I don't even recall in the comics (if he was in it he's certainly not memorable) and it's all here to make it a Batgirl story with Batman mostly as the ornery father figure...
Which makes that 'thing' that happens between them so jarring; if this was squarely a batman/batgirl story theoretically it could go somewhere )I'm not saying it's a good idea in most any context, again those like Robin or Batgirl are more like the kids to Batman not those he gets uh down n dirty with). But Azzarello crams it in where it doesn't fit and if anything makes the motivations for what comes in the actual Killing Joke story hamfisted. Not to mention how it's presented is silly especially given what room is open with an R rating (the first for any Batman film, ironically you could show this to most kids 12 and up and it'd be fine).
Despite this troubling and/or just typical Batman/Batgirl story that squanders potential with really delving into backstory the comic hinted at, or because of it, when that second half of the film kicks in to gear and we get the story of the comic it'S presented largely faithfully and the genius and power of that story comes through; the Joker as a 'sympathetic' being with his own origin story which, by the end, is satisfying as its own story and is brilliant as a circumspect narrative from an unreliable storyteller.
I may also be a sucker for Hamill as the Joker but how can one not be when he always sinks his teeth in and makes him a real PRESENCE in a room? Adding to this he creates a good, relatable voice for pre.transformation Joker in the flashbacks and we get drawn in to his story in large part because that voice acting comes through. The animation is also top notch (as far as the limited budget allows), and some moments in that fun-house/amusement park are shown to be iconic for a reason; if you get any allusions to the Burton 89 Batman there's a reason for that.
I think my high rating is due to finding that main story so compelling - what a hero or villain means when they have to face existential questions and how they relate to one another through "one bad day" (interestingly though Moore recently says he doesn't like his own work here I find he underrated it, that he got under the skin of these iconic figures to show them as people). So I wanted it to be great, and it flirts with being as strong as the first part of the Dark Knight Returns movie or even Mask of the Phantasm. But that first half hour drags it into a murky, middle feeling where overall you come away saying 'it's alright, I guess,' with an ambiguous ending not landed with the weight that's required either.
What should be a deep, poignant movie that reflects on the nature of good and evil, why we become what we become, whether free will exists and other fascinating themes, becomes a lame action movie full of fan service, bad writing, bad characterization and terrible pacing.
This movie is doomed by a complete misunderstanding of what made the comic great, a bad writer and total lack of respect for its characters (especially Barbara Gordon).
Everything great about the comic was done poorly or taken out. And all the additions are awful.
A fan of the comic will hate it and a newcomer will just wonder why the hell the comic is considered a masterpiece, if this is the story people raved about for 30 years.
Animation is decent and voice acting is good, so I gave it a 4/10 out of respect for those things.
But this one of the worst things ever produced by DC.
¿Sabías que…?
- TriviaAfter the release of Batman: Arkham Knight (2015), Mark Hamill stated that due to the strain it put on his vocal cords, he would never voice the Joker again unless "Batman: The Killing Joke" was adapted into a film.
- Citas
The Joker: You know, it's funny. This reminds me of a joke. See, there were two guys locked in a lunatic asylum and one night... one night, they decided they didn't like that anymore. They decided to escape. So, they made it up to the roof and there, just across this narrow gap, they see rooftops, stretching across town, stretching to freedom. Now, the first guy, he jumps right across, no problem. But his friend, oh, no way, he's afraid of falling. So, the first guy has an idea. He says, "Hey, I got this flashlight with me. I'll shine it across the gap between the buildings and you can walk across the beam and join me." But the second guy says, "What do you think I am, crazy? You'll just turn it off when I'm halfway across!"
- Créditos curiososIn a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on her computers, Oracle's logo appears on the screen. She says "back to work."
- ConexionesFeatured in Madness Set to Music (2016)
- Bandas sonorasI Go Looney
Composed by Michael McCuistion, Kristopher Carter and Lolita Ritmanis, Performed by Mark Hamill
Selecciones populares
- How long is Batman: The Killing Joke?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,775,000
- Total a nivel mundial
- USD 4,462,034
- Tiempo de ejecución1 hora 16 minutos
- Color
- Relación de aspecto
- 1.78 : 1(original aspect ratio)