Batman: El caballero de la noche regresa (parte 1)

One of the most beloved Batman tales finally gets the animation treatment. So influential was Frank Miller's "The Dark Knight Returns" that it inspired Tim Burton and Christopher Nolan when they were crafting their live action Batman movies, as well as the 1990s Batman animated series (which gave birth to an entire universe of DC animated shows). Warner decided to split the tale, originally spread over 4 issues, into 2 movies. Turns out that it was an excellent decision which not only successfully adapted the first half of Frank Miller's epic, but added layers to the story and characters that the limited page count of the graphic novel could not leave in.

Rarely does an adaptation surpass the original source material. But Dark Knight Returns part 1 is just such an example of an animated movie that is not only true to its source material, but expands upon it. The original was great; the animated adaptation makes it better. The story will sound familiar to anyone who watched Christopher Nolan's "The dark Knight Rises". It has been years since Batman went into retirement. Billionaire Bruce Wayne now drifts from day to day hoping that the people of Gotham can take care of themselves. But now, a new threat emerges: The Mutants. A vast gang of street thugs led by their grotesque but incredibly strong and savage leader. Despite his age, Bruce is forced to become Batman once again to save his city. But can the aging crime fighter stand up to a threat that is faster, stronger and more powerful than he has ever been? And what happens when Batman comes face to face with his old nemesis Two-Face? Beyond the narrative lies a thorough deconstruction of the Batman character, especially when played opposite the two main villains, Two Face and the Mutant Leader. Both villains serve as a dark reflection of Batman himself. Like Two Face, Bruce Wayne and Batman are presented as two separate personalities fighting for control. But is Batman truly just a mask Bruce wears? Or is it the other way around? And as for the mutant leader, both he and Batman operate as a symbol to inspire others to action. One a symbol of chaos and crime, the other a symbol of hope and justice. But if the mutant leader's extreme acts can rouse Batman to return to vigilantism, so too can Batman's actions rouse criminals to return to their old ways (as one character claims in the story).

The characters are brought to life by a fine voice cast who nail their roles perfectly. Peter Weller of Robocop fame takes the role of Batman; a role that may comes across as a monotone baritone at first. But Weller infuses Batman's voice with nuance and subtlety which fits the character well. The only downside is that despite wanting to show a dichotomy between Batman and Bruce Wayne, Weller uses the same tone of voice throughout the whole movie; Compared to previous voice actors, like Kevin Conroy, who used different speech patterns and tones for Wayne and Batman.

A lot of deep themes about the nature of heroism vs vigilantism abound in this tale, all of which were in the original comic but just expanded upon in the animation medium. On that note, the animation presented here is the perfect balance of fluidity and art detail. Iconic frames, memorable battles and atmospheric scenes are replicated faithfully. Movie goers will be able to see many scenes that Nolan's Batman trilogy lifted from THE DARK KNIGHT RETURNS, including a fight scene illuminated intermittently by a gun's muzzle flash. Its only downside is that Warner decided to use its generic color palate rather than replicate the muted tones and heavy grays colored by Lynn Varley in the original artwork.

Fans would be pleased at how true to the original this is and how it expands on the original, smoothening out the rough edges while adding a whole new dimension to the characters. The action is intense and beautifully animated, accompanied by an epic score by Christopher Drake. This is a true ADAPTATION that does not translate the comic wholesale but translates the comic while making full use of the animated movie medium.

It's definitely one of the best Batman features I've watched in a while (not a big fan of Christopher Nolan's "Gotham's Jesus"). It's a different Batman, faithful to the character tailored by Frank Miller. This Batman is old, angry and not a bit soft. He knows what he needs to do and he does it.

The animation is dynamic and nicely drawn (not in the anime- influenced style of Flashpoint: Paradox). This is exactly how comic book adaptations should be made.

Sad thing is, best DC adaptations come in direct-to-video format. Recently I tried watching Flash and Arrow, huge letdowns, if you ask me. But "The Dark Knigh Returns" is the real deal. It isn't fake, it has the spirit and the atmosphere.

Now I'm off to my Batcave to watch the second part.

The Dark Knight Returns, is for me, the best Batman film of the year. The animation is superb, especially when the action kicks off. It sees Bruce Wayne return to crime fighting after a 10 year absence. Unlike his Nolan counterpart however, he was Batman for a damn sight longer than just a year. His return is depicted as an obsession that finally grabs control and pulls him in. He barely even notices it when he shaves off his mustache as it just becomes a natural part of the process. A new threat, called The Mutants, rises in Gotham, and Batman has to sort them out. His age becomes his weakness as he must go up against the leader of The Mutants. he film is littered with cuts to TV shows and newscasts discussing whether or not Batman is a help or a hindrance. Peter Weller does a great job as the voice of Batman, and it's nice to see a Batman with a dark and dangerous sense of humour. As an adaptation it remains fairly close to the source material, but manages to capture the ferocity of the violence without being too graphic. Gotham looked and felt exactly how I remember it when I was growing up. This is great stuff, and is a huge tease for Part 2, where we will see The Joker once again.

Few artists have ever captured the depth of character and dark soul of one of D.C's most popular characters like Frank Miller. Miller's version of Batman has always been strangely non-cannon, and using his unique style of storytelling to his advantage, he sets himself apart from the main events of the Dark Knight. He created his own world for these characters, and was given free reign to do so. So, for those of you who have never read 'The Dark Knight Returns' (ISBN 1-56389-342-8); please go out and read it before delving into this spectacular animation.

The Dark Knight shows us an aged and heavily alcoholic Bruce Wayne, some years after he has given up the mantle of the Batman. He's in his mid fifties, still a strongly driven man, but without any purpose. After rounding up and beating down on Gotham's criminals for nearly three decades, he had to give up the fight for unknown reasons. Perhaps to let the city decide its own fate and let the people choose what is to become of Gotham. Maybe because they simply wouldn't stand for him anymore, nor would they let the Batman reign terror down on city streets at night, above the law of everyone else. But the time between then and now has weighed down on Bruce Wayne's shoulders, and the city is rife with even more corruption, crime, and violence than ever before. At the same time, the emergence of a new gang of criminals that go by the moniker 'The Mutants' only aggravates a city on the brink. Specifically violent, and always willing to sacrifice their own lives in the process, the Mutant's crimes are particularly heinous. Kidnapping, assault, and murder are their way of life. They have taken up a particular grudge with the now 70 year old Commissioner Gordon, and only a few short weeks before his retirement. Bruce is compelled by the Batman to once again don the cape and cowl, and seek out vengeance against those who would do harm to the innocent.

This is no children's story... not by any means. It is dark, perhaps only less so than Miller's more famous works in his 'Sin City' series. But this animation is not Miller's original comic. This is an interesting, if slightly more tame version of the comic released in 1986. The art itself is a wonderful rendition meant to emulate Miller's more contrastive style of art. Fortunately it is not too heavily altered, despite such heavy use of digital design. They keep the dialogue true to the original, if only for some slight altercations (Gordon's smoking habit for one). But Jay Oliva does a great job of approaching the theme of the original, which was such a violent and heavy theme in itself. The corruption and abuse of the innocent, and how good men and women are willing to do nothing to stop it. This movie shows us Batman at his oldest, perhaps weakest moments, and questions if he still has the will to continue the fight.

This film is not without the typical problems associated with comic to film renditions. There is heavy use of digital filler here in the framework, which leads to some repetitious use of the same scenes over and over again. Peter Weller did a good job overall with expressing that effort and exhaustion of Bruce Wayne through his voice. Several of the dialogue scenes between the mutant's and their way of talking seemed strangely dated and fairly silly or out of place. They also never quite seemed threatening enough in this version, to warrant the kind of media coverage they get, rather they seemed like Saturday morning cartoon goons, who await orders from their big boss, and never really get anything done. The saving point of the film however is the phenomenal soundtrack, which is reminiscent of the famous Christopher Nolan 'Dark Knight' series in which Hans Zimmer created some fantastic orchestral works. It keeps the pace of the film, and has some absolutely fantastic moments throughout which lends to that feeling that you are watching something of epic proportions.

It is a fantastic effort by the D.C animation crew. Something you don't want to miss if you are a Batman fan. Most importantly it is an excellent retelling of one of the best stories ever written about the Bat.

7/10

1. Imitation is the sincerest form of flattery. Hollywood picked this story for a major live action release. Message received.

2. Lots of talk about the best Batman voice. Weller nailed it. Oscar worthy and yes Virginia they do give Oscars for voice actors.

3. Omigawd. Whatta script. Seen this 2-parter three times, each time I find new social commentary in the dialog. After the Joker segment you think to yourself, this can't get any better. And then you get the "schoolboy" segment. And it does.

4. I am running out of adjectives. If you have not seen it already, see it now.

5. Finally a note for the IMDb archive. Hollywood loves to do films about getting old. Hundreds at least. Comedies, dramas, everything in-between. I believe that over the years to come, this gem will be recognized as the greatest film about getting old ever done. They took the iconic characters that an entire generation grew up with and then imagined what things would be like at the end of life's run. Watch it with that in mind and you will see things you did not see first time around.