- Nacimiento
- Defunción
- Nombre de nacimientoJohn Lewis Hart
- Altura1.91 m
- John Hart nació el 13 de diciembre de 1917 en Los Ángeles, California, EE.UU.. Fue un actor y productor, conocido por Pasión de juventud (1970), Cowboy and the Prizefighter (1949) y El hombre de hierro (1947). Estuvo casado con Beryl Braithwaite y Vivian White. Murió el 20 de septiembre de 2009 en Méjico.
- CónyugesBeryl Braithwaite(22 de febrero de 1957 - 20 de septiembre de 2009) (su muerte, 1 niño)Vivian White(194? - 1947) (divorciado)
- Niños
- PadresFrank Roland Hart Sr.Enid Yandell Lewis
- FamiliaresFrank Roland Hart Jr.(Sibling)Enid Marie Hart(Sibling)
- Met his wife, the former Canadian actress Beryl Braithwaite, on the set of his series Hawkeye and the Last of the Mohicans (1957). They wed 10 days later in February of 1957. The union lasted 52 years until his death and produced a daughter, Robyn.
- Served in the Army during World War II.
- Worked as a cowboy during the summers while growing up.
- Replacing actor Clayton Moore as the Lone Ranger in 1952 due to a dispute over pay involving the star, John appeared in 52 episodes. He returned to the Lone Ranger role twice in later years - on a 1981 episode of The Greatest American Hero (1981) and a 1982 episode of Happy Days (1974).
- Loved to surf and lived near the California/Mexico ocean for much of his life.
- I've been the "other" Lone Ranger for 50 years. There are worse things people could call me.
- I had big parts in lousy movies and lousy parts in big movies. I never made a lot of money, but it sure was fun.
- [about director Spencer Gordon Bennet] I got to know him very well at Columbia. If he got ahead on a shooting schedule, he got really excited . . . pushing like hell, you know. But if he was behind or just going along, he [took it in stride]. Really a nice guy.
- [on Ben Welden] A neat guy. He always knew his stuff. A nice type . . . reliable actor that was all over the place. I liked him a lot.
- [on the process of starring as The Lone Ranger]: We worked six days a week, every other week. We worked Monday through Sunday. The scripts ran 30-some pages...we shot every episode in two days. I'd have anywhere from 15, 16, 17 pages of dialogue to memorize. I'd get up at 5 a.m. with a cup of coffee to start memorizing my lines.
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