- Nacimiento
- Defunción11 de marzo de 1970 · Temecula, California, Estados Unidos (un cáncer)
- Alias
- Charles J. Kenny
- Carelton Drake
- A.A. Fair
- Erle Stanley Gardner nació el 17 de julio de 1889 en Malden, Massachusetts, Estados Unidos. Fue un escritor y actor, conocido por Perry Mason (1957), The Case of the Howling Dog (1934) y Granny Get Your Gun (1940). Estuvo casado con Agnes Jean Bethell y Natalie Talbert. Murió el 11 de marzo de 1970 en California, Estados Unidos.
- CónyugesAgnes Jean Bethell(9 de agosto de 1968 - 11 de marzo de 1970) (su muerte)Natalie Talbert(9 de abril de 1912 - 1935) (separación, 1 niño)
- In a roundabout way, he created The Edge of Night (1956). That series was originally the CBS radio serial "Perry Mason". Gardner blocked CBS' attempt to transfer the serial from radio to TV because he wanted "Mason" to be a prime-time series. After negotiating some unusual conditions, the radio serial became "Edge" and Gardner got his prime-time series, Perry Mason (1957).
- The creator of Perry Mason, arguably the most famous fictional lawyer in history, was himself a practicing attorney for over 20 years.
- He passed the bar exam at the age of 21.
- His Perry Mason stories were so popular that he wrote six novels a year plus short stories for magazine publication.
- Used pseudonyms for some of his works, including Carleton Kendrake and Charles J. Kenny. However, A.A. Fair was the most popular of his pen names. Since Gardner was such a prolific writer, the pseudonyms were necessary to sell other works, lest the market be flooded.
- [on Perry Mason, as explained to his publisher] The character I am trying to create for him is that of a fighter who is possessed of infinite patience.
- If you started to write, you did it because you had an urge to express yourself. That urge is a part of you. It's still there....
- I still have vivid recollections of putting in day after day of trying a case in front of a jury, which is one of the most exhausting activities I know about, dashing up to the law library after court had adjourned to spend three or four hours looking up law points with which I could trap my adversary the next day, then going home, grabbing a glass of milk with an egg in it, dashing upstairs to my study, ripping the cover off my typewriter, noticing it was 11:30 p.m. and settling down with grim determination to get a plot for a story. Along about 3 in the morning I would have completed my daily stint of a 4,000-word minimum and would crawl into bed.
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