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Ben Gazzara

Biografía

Ben Gazzara

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Resumen

  • Nacimiento
    28 de agosto de 1930 · Manhattan, Nueva York, Nueva York, Estados Unidos
  • Defunción
    3 de febrero de 2012 · Manhattan, Nueva York, Nueva York, Estados Unidos (un cáncer de páncreas)
  • Nombre de nacimiento
    Biagio Anthony Gazzara
  • Alias
    • Benny
  • Altura
    1.76 m

Biografía

    • Ben Gazzara nació el 28 de agosto de 1930 en Manhattan, Nueva York, Nueva York, Estados Unidos. Fue un actor y director, conocido por El duro (1989), Anatomía de un asesinato (1959) y El gran Lebowski: Identidad peligrosa (1998). Estuvo casado con Elke Stuckmann, Janice Rule y Louise Erickson. Murió el 3 de febrero de 2012 en Manhattan, Nueva York, Nueva York, Estados Unidos.

Familiar

  • Cónyuges
      Elke Stuckmann(26 de febrero de 1982 - 3 de febrero de 2012) (su muerte, 1 niño)
      Janice Rule(25 de noviembre de 1961 - 28 de enero de 1982) (divorciado, 1 niño)
      Louise Erickson(1952 - 1956) (divorciado)
  • Padres
      Antonio Gazzarra
      Angelina Cusumano

Marca comercial

  • Often played characters whose charming veneer masked inner turmoil or even anguish
  • Smooth demeanor

Trivia

  • He was born on the East Side of Manhattan in New York City to Antonio Gazzara and Angela Cusumano Gazzara, both Italian immigrants. They often spoke Italian at home. He grew up in a building at 29th Street and 1st Avenue, where he slept on the fire escape in summer and occasionally heard screams from the patients at the Bellevue Psychiatric Hospital in New York City.
  • In the 1980s, he had a villa in Umbria, Italy, where he spent time in Italian films.
  • Smoked 4 packs of cigarettes a day until he switched to cigars.
  • Died on the 23rd anniversary of the death of his close friend John Cassavetes, on February 3, 2012.
  • He and his Road House costar Patrick Swayze both died from pancreatic cancer. Swayze in 2009, and Gazzara in 2012.

Citas

  • I turned down so many movies because I was idealistic. I was so pure. I didn't really take advantage of the opportunities. If I had the same chances today I would take them all because you never know where it will lead.
  • [on Audrey Hepburn] She was unhappy in her marriage and hurting; I was unhappy in my marriage and hurting and we came together and we gave solace to each other and we fell in love but it was impossible. She had a life in Europe and Switzerland and where you will. I'm in L.A. with another life. Life got in the way of romance. We were having a drink in Munich, where we were shooting a picture called Lazos de sangre (1979) and she told me, "Do you know, Ben, I never thought I was a good actress". She was so self-effacing and that's why, on the screen, she was so genuine because what you saw on the screen you saw in life--that smile and the way she lit up a room. She just had it.
  • [In 2009, on El duro (1989)] I had fun making that picture. Patrick Swayze was very nice, a very sweet boy. He was a boy then, actually. Well, a young man. And just tasting the fruits of newly-found stardom. And I remember he was very nervous about it, very apprehensive. He cared a lot, and he was very tense about doing a good job. And so we'd talk and walk, and walk and talk. I liked him, and we liked each other.
  • [In 2009, on filming Dogville (2003)] I was told before I went there, "Hey, Lars von Trier, he's tough with actors". Not at all. I really got along with him famously, and had a great time, a great time. Nicole Kidman was there at her best; she was terrific. The whole cast was terrific. And it was an interesting experiment, because he shot it in digital, and was able to load the camera with an hour's worth of film, so you weren't reloading every 10 minutes. And he was running . . . well, we shot it all indoors in a studio, you know, and the whole set was in one, without walls around anything, so he was able to run back and forth, up and down, shooting. You gotta be on your guard with his camera. It was very, very interesting to work on it. Much like theater, because you were not interrupted. You can go on and on and on, and of course it was on a stage; it took place in one space. In that regard, it was very much like theater.
  • {in 2009, on El gran Lebowski: Identidad peligrosa (1998)] "The Big Lebowski" was the oddest thing. They called me, and there was really no part. I mean, it's a little part, but they go and say "Look, Sam Elliot is doing this, and this guy's doing that, and that guy's doing this". I said, "Well, let me read it". And I read it, and I couldn't stop laughing. I said, "I gotta be a part of it. This is too funny". So I had a lot of fun doing it. It took me a couple of days. I flew there and I was back in New York in three days.

Salario

  • Arresto y juicio (1963) - $7,500 /week

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