- Nacimiento
- Nombre de nacimientoGretchen Elise Mol
- Altura1.68 m
- Gretchen Mol nació el 8 de noviembre de 1972 en Connecticut, Estados Unidos. Es una actriz, conocida por 3:10 misión peligrosa (2007), El piso 13 (1999) y Manchester junto al mar (2016). Está casada con Tod Williams desde el 1 de junio de 2004. Tienen dos niños.
- CónyugeTod Williams(1 de junio de 2004 - presente) (2 niños)
- NiñosPtolemy John WilliamsWinter Morgan Williams
- PadresJanet Gail MorganJames Curtis Mol
- FamiliaresJim Mol(Sibling)
- She worked as a hat-check girl at a restaurant where her agent-to-be spotted her and got her a Coca-Cola commercial.
- She is of Dutch (from her paternal grandfather), English, French, Welsh, and Irish ancestry. She has deep roots in the town of Avon, Dare, North Carolina, on her father's side, and Colonial American ancestry in Connecticut on her mother's side. She is a direct descendant on her mother's side (Morgan) of William Brewster, leading elder of the Pilgrims of the Mayflower, and Cornwall-born Capt. James Avery, Commander of the Pequot Indians. Gretchen's family arrived on the Mayflower and settled in the Stonington, CT, area shortly thereafter.
- Worked with her husband's ex-wife (Famke Janssen) on three films - two before she married him (Apuesta final (1998) and El precio del éxito (1998)) and one after she married him (Los diez locos mandamientos (2007)).
- Graduated from the prestigious American Musical and Dramatic Academy. That is the same school that actors such as Lee Tergesen (Oz (1997)), Tyne Daly (Judging Amy (1999)), and Paul Sorvino (Buenos muchachos (1990)) attended.
- Her mother is an artist and her father is a special ed teacher at RHAM High School. Her parents divorced when she was young. She has an older brother, Jim Mol.
- I wish I could say I have this kind of big plan, but now, so much of it is what comes along the pike, and then, you just say, there's something about that role that just tickles me or sort of feels right.
- I never really have had, at its core, an issue with nudity in films except that I know when I think it's exploitative and when I think it's beautiful.
- [about watching the black-and-white "loops" made in the 1940s and 1950s by Bettie Page in order to understand her character in The Notorious Bettie Page (2005)] I love the loops! I couldn't take my eyes off of them. It was five minutes dedicated to the art of the shoe, and putting the shoe on--but first the stocking. It was so geisha. There was something so presentational. Bettie was just lost in her own world, dancing around with this fringe bikini on, with this weird lamp on the side table.
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