Biografía

Had a relationship with Sally Field for many years, but she refused his numerous proposals, and they eventually broke up. He said that she was a positive influence on him and, in fact, was the love of his life.

He was considered for Harrison Ford's roles in La guerra de las galaxias (1977) and Blade Runner (1982).

Attended Elizabeth Taylor's "Commitment to Life" fund-raiser for AIDS research on 19 September 1985, where Burt Lancaster read Rock Hudson's statement announcing he had been diagnosed with AIDS. At one point Reynolds was booed when he read a telegram of support from President Ronald Reagan. Reynolds summed up the frustration of the lack of AIDS awareness when he angrily said, "If this were a benefit for cancer, reporters wouldn't be asking stupid questions like, 'Why are you here?'.".

Met one of his heroes, Spencer Tracy, while filming Aventureros del Misisipi (1959). Tracy was filming Heredarás el viento (1960) on the same lot and Reynolds used to watch him walk from the set to his trailer everyday. After a while, Tracy finally turned to him and said, "Come on, kid." For the next several weeks the two would meet and talk about sports and, every once in a while, acting.

Attended Florida State University on a football scholarship, but only played in two seasons. He was a star running back. His college football career was ended by a knee injury.

[on Paul Thomas Anderson] Most filmmakers today have no sense of the history of our business, but he knows every shot John Ford made. And he doesn't lack for confidence. He really knew which shots he wanted to make. I remember the first shot in Boogie Nights: Juegos de placer (1997), which is one of the longest shots in history. And I, being the irascible old type I am sometimes, said, 'Have you timed this? Is this longer than El Ciudadano Kane (1941) ?' And he said, 'Oh, yes. It's three seconds longer'."

[on young filmmakers] Having done 300 television shows and almost 60 movies, I'm tired of having guys who are younger than some sandwiches I've had telling me to turn left at the couch. There's no appreciation of actors and no sense of history.

[on Sally Field] I haven't seen her in 10 years and I'd like to very much. Because I'd like to tell her in person what I didn't know then. That is, how incredibly unselfish she was in terms of the time she spent with me. You know, inside that little body of hers is one of the strongest people I've ever met. What I didn't ever appreciate enough, until I had Quinton, was what it means to have a child and say to somebody else, "I'll be with you", away from my child. And now I know what an incredible gift that was.

[on Bill McKinney, with whom he worked in Amarga pesadilla (1972)] I thought the [he] was a little bent. I used to get up at five in the morning and see him running nude through the golf course while the sprinklers watered the grass. A strange dude, he moved to L.A. after "Deliverance" and worked in a lot of pictures of Clint Eastwood. He always played sickos, but he played them well. With my dark sense of humor, I was kind of amused by him. But as we got closer to the rape scene, I caught him staring at Ned Beatty in an odd, unnerving way. Ned would see it, and look away.

[on the rape scene in Amarga pesadilla (1972)] The day before we shot the scene I noticed [Bill McKinney] hovering beside Ned [Ned Beatty] and sat down between them. I wanted him to see I was Ned's friend. No different than in the script. Then I asked him how he planned to handle the rape scene. McKinney turned out to be a pretty good guy who just took "The Method" way too far. Staring straight at Ned, he whispered, "I've always wanted to try that. Always have." Ned shouted, "John! Oh, John!". In his brilliance, [John Boorman] reassured Ned but also brought in several additional cameras, knowing Ned wasn't going to give him a second, third or fourth take. Ned was only going to do the brutal scene once. When it came down to shooting it, [Herbert 'Cowboy' Coward] and McKinney were hands-down brilliant. Scared the shit out of everybody who saw the movie. People crawled out of the theater. None of that creepy "squeal, piggy, piggy" stuff was in the script. But McKinney, I swear to God, really wanted to hump Ned. And I think he was going to. He had it up and he was going to bang him. It's the first and only time I have ever seen camera operators turn their heads away. Finally, I couldn't stand it anymore. I ran into the scene, dove on McKinney, and pulled him off. Boorman, hot on my tracks, helped hold him down. Ned, who was crying from both rage and fear, found a big stick and started beating him on the head. Half a dozen guys grabbed Ned and pulled him away. We separated the two of them and let things cool off.

Striptease (1996) - $200,000

Malone (1987) - $3,000,000

Nick, al rojo vivo (1988) - $4,000,000

Jugando con fuego (1986) - $4,000,000

City Heat (1984) - $4,000,000