- Nacimiento
- Defunción2 de febrero de 1969 · Midhurst, Sussex, Inglaterra, Reino Unido (una neumonía)
- Nombre de nacimientoWilliam Henry Pratt
- Alias
- Billy
- Karloff the Uncanny
- The Hero of Horror
- The Gentle Monster
- Altura1.80 m
- Boris Karloff nació el 23 de noviembre de 1887 en Londres, Inglaterra. Fue un actor, conocido por La novia de Frankenstein (1935), La momia (1932) y Frankenstein (1931). Estuvo casado con Evelyn Hope, Dorothy Stine, Helene Vivian Soule, Montana Laurena Williams, Olive de Wilton y Grace Harding. Murió el 2 de febrero de 1969 en Sussex, Inglaterra.
- CónyugesEvelyn Hope(11 de abril de 1946 - 2 de febrero de 1969) (su muerte)Dorothy Stine(12 de abril de 1930 - 10 de abril de 1946) (divorciado, 1 niño)Helene Vivian Soule(3 de febrero de 1924 - 6 de junio de 1928) (divorciado)Montana Laurena Williams(1 de julio de 1920 - 1922) (divorciado)Olive de Wilton(1915 - 1919) (divorciado)Grace Harding(23 de febrero de 1910 - 8 de enero de 1913) (divorciado)
- Niños
- PadresEliza Sarah MillardEdward John Pratt Jr.
- FamiliaresEliza Julia Pratt(Sibling)David Cameron Pratt(Sibling)Frederick Grenville Pratt(Sibling)John Thomas Pratt(Sibling)John Thomas Pratt(Sibling)George Marlow Pratt(Sibling)Richard Septimus Pratt(Sibling)Edward Millard Pratt(Sibling)Julia Honoria Pratt(Sibling)Charles Rory Pratt(Sibling)Anthony Pratt(Niece or Nephew)Anna Leonowens(Aunt or Uncle)
- Pronounced widow's peak.
- Slight British accent with a marked lisp.
- Gaunt, bony features with thick, heavy eyebrows.
- Frequently cast by James Whale.
- Often played imposing, sinister villains.
- He was Christopher Lee's next door neighbor for many years.
- According to his daughter, Sara Karloff, he had to have three major back surgeries in his lifetime as a result of carrying Colin Clive up the stairs of the windmill at the end of Frankenstein (1931).
- Suffered from chronic back pain for most of his adult life which, according to his daughter, Sara Karloff, was the result of the heavy brace that he had to wear as part of his costume as the Frankenstein Monster in Frankenstein (1931). He never let it slow him down, however, and kept on being active right up until the very end of his life when he could no longer do so due to age and illness.
- He celebrated his 51st birthday during the production of El hijo de Frankenstein (1939) and said that he had received the best birthday present ever: the birth of his daughter, Sara Karloff. He reportedly rushed from the set of El hijo de Frankenstein (1939) to the hospital in full makeup and costume as the Frankenstein Monster.
- In the final few years of his life walking, and even just standing up, became a painful ordeal for him. He was so respected in the film industry, however, that most, if not all, of the directors that he worked with during that time would actually go out of the way to change the film's script in order to place his character in a wheelchair just so that he could be made more comfortable.
- [on whether he resented being typed as a "horror star"] One always hears of actors complaining of being typed - if he's young, he's typed as a juvenile; if he's handsome, he's typed as a leading man. I was lucky. Whereas bootmakers have to spend millions to establish a trademark, I was handed a trademark free of charge. When an actor gets in a position to select his own roles, he's in big trouble, for he never knows what he can do best. I'm sure I'd be damn good as little Lord Fauntleroy, but who would pay ten cents to see it?
- When I was nine, I played the demon king in "Cinderella" and it launched me on a long and happy life of being a monster.
- My wife has good taste. She has seen very few of my movies.
- [In 1936, on his appeal to children, who empathized with the monster] I don't really scare them any more than do Jungle Jim, Dan Dunn, Tarzan, and the other heroes of the comic sections.
- You could heave a brick out of the window and hit ten actors who could play my parts. I just happened to be on the right corner at the right time.
- Míralos morir (1972) - $22,000
- Bajo el poder de la maldad (1970) - £11,000
- El cuervo (1966) - $30,000
- Corridors of Blood (1963) - $37,500
- El castillo de Frankenstein (1958) - $25,000
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