Killers

Don't miss out on this movie, and if you seen I saw the Devil then you must watch this .I saw a trailer recently and I had no Idea what was going on in the trailer. I noticed that Merantua films, xyz films, and Gareth Evans was involved in this project. If you have seen the raid, or raid 2 you know that those three things I've listed are not going to disappoint you. The movie revolves around a Japanese psychopath who kills for the fun and feeling of it. There are very few movies in which they show the mind of a killer and how he thinks at times. The effects in this movie look very realistic . I really love the blend between the Indonesian and Japanese world. Don't give the movie a bad rating because you thought it was disturbing . The movie competes with I saw the Devil, and The Chaser. Acting-9/10 Score-10/10 Violence- 10/10 Story-9/10 Overall :10/10

Two men from different cultures, a journalist investigating a corrupt rich man in Jakarta, and a banker turned serial killer from Tokyo meet in a chat room and form an unholy alliance. The Japanese man abducts and tortures women on camera and uploads them on to the internet. The Indonesian writer becomes fascinated by the videos, and through a series of events becomes a killer himself. The movie switches back and forth between the two characters in a fairly seamless fashion. The acting is excellent, with vivid camera work, but be warned of some explicit and bloody violence. It runs a bit too long at two hours and eighteen minutes, but I still recommend Killers as one of the better films of 2014.

KILLERS is something different, a hard-hitting and explicitly violent serial killer outing made as a co-production between Indonesia and Japan. It's a film of two halves, one that tells two separate story lines that gradually merge before meeting up at the climax.

The initial storyline is a Japanese-based tale about a guy who goes around murdering beautiful young women in the most vicious way imaginable. Even worse, he uploads footage of his crimes to the Internet for other users to enjoy. This is in the same territory as THE CHASER or I SAW THE DEVIL, absolutely disturbing viewing without dwelling on needless protracted torture or the like. Needless to say it's gripping, with subtle acting and a mature approach to the story.

The second storyline is set in Indonesia, and brings to mind the world of THE RAID and its sequel; a couple of actors from those films feature prominently. It involves a journalist who fails to bring down a crime boss and soon finds himself driven into his own murky world of vigilante violence. The film's heart is present in the form of the likable Oka Antara, a guy who goes on a dark yet gripping journey.

The storyline is unpredictable throughout, only becoming predictable for the violent climax. But for the most part it's exemplary: dark, harrowing, exciting, the sort of wide-reaching storyline that can only be told through cinema screens. The reason it's so good is that it focuses on the psychology of the killers, which makes this much more than another boring slasher. It's outstanding, in fact.

Following two storylines that gradually become entwined, 'Killers' represents another calculated effort from Timo Tjahjanto and his brother: a dark psychological thriller that follows a serial killer and a journalist and their murky psyches that lead to their violent actions.

Nomura is the charismatic but vicious psychopath who targets women, kidnaps them, and brutally kills them in a myriad of ways on film, then posts his kills online for the disturbing pleasure of voyeurs. Bayu is an ambitious journalist with issues of his own, and soon his dark side will be unleashed after encountering Nomura's footage online. So begins a descent into bloodshed for Bayu, who's vigilante crusade unlocks grimy secrets while sending him down a path that almost feels like his true calling as he begins to interact with Nomura in more ways then he's comfortable.

Despite the subject matter, the Mo Brothers are keen to keep a focus on their narrative and central characters. They understand what to show the audience, and what not to show, when to show it, and vice versa. This prevents the violence from becoming gratuitous for the sake of it, keeping the murderous acts horrifying and not nauseating for the inclination of viewer intensity.

The story runs of steam towards the end, unable to sustain its carefully maintained momentum in the home stretch, but its an entertaining ride nonetheless. The tone is dark, the kills are bloody, and the line between right and wrong is crossed and re-crossed. It's a film that looks at the nature of violence, the catharsis of controlled torture, and saddles the viewer with plenty to contemplate as the story careers towards an inevitable showdown between two very unique yet ultimately villainous killers.

7.5/10

First, it has to be said that this film is brilliantly shot. The cinematography really is exquisite, and the whole film's aesthetic reminds me of the TV show Hannibal, in that it uses a slot of slow-motion and classic musical pieces as well as looking very elegant despite a lot of disturbing content and gore. The directing here is fine, the screenplay has some holes though. The performances are quite strong too, and really do seem to elevate their script's material. As a whole, this is very bloody and pretty horrifying, would not recommend it to the squeamish, but as a film, it's a fine one, if even very flawed at times. Seek it out.