Vaazhai

"**Vazhai**" is a film that truly left a deep impact on me. It cannot be categorized as a movie meant for just one community; it is a film for all Tamilians. The movie speaks about the exploitation of labor, about love, and the pains of life. It is a must-watch for the younger generation as well. The cinematographer beautifully captures the essence of our land, from a mother cow that has lost its calf, to the millipedes that appear during the rainy season, and even the Odakkan. I could go on and on about this film. This is a quality life-drama film in Tamil cinema. Must watch in theatres, at least send this to the Oscar.

Vaazhai is more than just a film and those who have experienced it knows it leaves a mark - a film that is psychologically draining yet ultimately heartwarming coming-of-age journey that evokes smiles but with a heavy heart. It is a remarkable film from threads of real life events from director Mari Selvaraj's own life.

It follows the arduous journey of young Sivanaindhan, living with his mother and sister in the idyllic yet challenging village of Puliyankulam near Tirunelveli. He and his best friend Sekar navigate the treacherous terrain of poverty, a relentless cycle of labor mirroring the hardships. Sivanaindhan has a morbid wish, might sound messed up but he hopes that someone in the village passes away daily so he can avoid the laborious task of lugging. The banter between both about Kamal Haasan and Rajinikanth is sure to elicit laughter from audiences and this adds a layer of humor to the film.

However, amidst the harsh realities, a delicate beauty unfolds. Despite the weight of existence, Sivanaindhan remains steadfast in his studies, finding solace in the gentle gaze of teacher Poongkodi.

Furthermore, Sivanaindhan's obsession with Poongkoodi reaches new heights as he not only sniffs her handkerchief and hums songs named after her but also accompanies her on her daily errands, such as visiting the rice mill. This is like a beacon of hope for the young Sivanaindhan who doesn't want to miss school amidst the tempest of life that demands he carry banana plantains to repay the debt of his late Father. The film's emotional climax and surreal imagery are hallmarks of Mari Selvaraj's distinctive style. The director skillfully employs a raw sequence involving paper cuttings to reveal the true incident.

Mari Selvaraj, a master storyteller, paints a vivid portrait of childhood with a fine balance between nature's elements and the village's intricate caste dynamics. The cinematography captures the beauty and the brutality of rural life with equal poignancy. Additionally, Mari Selvaraj's approach to the film's intermission was particularly noteworthy. Instead of relying on the conventional template, he opted for a more retro-inspired cinematic technique, utilizing on-screen text to echo Sivanaindhan's internal turmoil and his vow to his mother.

For some, the boy's daily life might seem mundane, and the village life, with its fights and caste divides, might appear like not an everyday affair to city dwellers. But I guarantee you that Vaazhai provides a unique perspective, showcasing the complexities of rural life that often go unnoticed as it delves deeper revealing another side of Sivanendhan's inner world. His coming-of-age experiences, a delicate blend of joy and sorrow, which will be rewarding for those seeking a thought-provoking and emotionally resonant cinematic experience.

Very Good movie based on real events .I can say that the best movie from Mari Selvaraj. No politics like his earlier movies. Only real story with some movie element to make you engaged .The cinematography and music is top notch If you are somewhat familiar with the life in villages, you will definitely love this movie. If you lived your entire life in cities like Chennai you may not connect with this movie. No powerful mainstream hero, duet songs and typical fight scene. You will love the portrayal of lifestyle in southern districts in Tamilnadu in 1980s. The inclusion of movie songs from that era is beautiful. The only concern to me was overloaded emotion.

"**Vaazhai**" is a deeply resonant film that serves as both a cinematic experience and a poignant exploration of life in rural India. Directed with a masterful blend of sensitivity and realism, the film presents a narrative that is as much about survival as it is about hope. With its authentic portrayal of the struggles faced by its characters, "Vaazhai" captures the essence of a world that is often overlooked in mainstream cinema.

Set in a remote village in Tamil Nadu, the film centers on a young boy who dreams of a better life amidst the harsh realities of his environment. His journey is one of resilience and determination, as he navigates the challenges that come his way with an unwavering spirit. The director, through his nuanced storytelling, ensures that the boy's story is not just about individual struggle but also about the broader socio-economic issues that plague rural India.

The film's pacing is deliberate, allowing the viewer to fully immerse themselves in the environment and the lives of the characters. This slow pace might be a deterrent for some, but it is crucial for the kind of storytelling "Vaazhai" aims to achieve. The narrative unfolds gradually, giving the audience time to absorb the intricacies of village life and the complex emotions that come with it. This approach also highlights the stark contrast between the serenity of the rural landscape and the underlying tension of daily survival.

One of the most striking aspects of "Vaazhai" is its cinematography. The film is a visual treat, with each frame meticulously composed to reflect the beauty and brutality of rural life. The lush green fields, the rustic homes, and the faces of the villagers are all captured with an authenticity that makes the film feel almost like a documentary. The use of natural light enhances the realism, while the camera's intimate focus on the characters adds depth to their emotional experiences. The visual storytelling in "Vaazhai" is so powerful that even without dialogue, the audience can feel the weight of the characters' struggles.

The performances in "Vaazhai" are another highlight of the film. The cast, consisting mostly of non-professional actors, delivers performances that are raw and deeply moving. The young protagonist, in particular, gives a performance that is both heart-wrenching and inspiring. His portrayal of a boy caught between the innocence of childhood and the harsh realities of adulthood is nuanced and compelling. The supporting cast also does an excellent job of bringing the village to life, with each character adding to the richness of the story.

The film's music and sound design play a subtle yet significant role in enhancing the overall experience. The score is understated, blending seamlessly with the natural sounds of the village. It serves to underscore the emotions of the characters without ever overwhelming the narrative. The use of silence is also noteworthy, as it amplifies the tension in key moments and allows the audience to fully engage with the story on an emotional level.

"Vaazhai" is a film that doesn't shy away from depicting the harsh realities of rural life, yet it is also a film that is full of hope. The director does an excellent job of balancing these two elements, creating a narrative that is both realistic and uplifting. The film addresses important social issues, such as poverty, education, and the rural-urban divide, but it does so in a way that feels organic to the story,

In conclusion, "Vaazhai" is a beautifully crafted film that offers a rare and intimate glimpse into a world that is often ignored by mainstream cinema. It is a film that challenges the viewer to think deeply about the issues it presents, while also offering a message of hope and resilience. For those who appreciate films that are both thought-provoking and emotionally engaging, "Vaazhai" is a must-watch. Its combination of stunning visuals, powerful performances, and a compelling narrative make it a standout film in contemporary Indian cinema.

A heart-rending film directed by a master film maker.

Starting with a child's infatuation with a teacher it gradually takes on more serious issues. It is woven beautifully with one serious issue after another.

Based on a true story It is set in the end of last century.

The child actors have done exceedingly well. The cinematography is stunning The adults have played their parts perfectly. The old Illayaraja songs add magic to the storytelling.

His earlier films, Paraiyerum Perumal had set a high level. Karnan was just as good.

This film is without doubt his Magnum Opus.

Tamil cinema is in safe hands.