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El artista y la modelo

  • 2012
  • A
  • 1h 45min
PUNTUACIÓN EN IMDb
6,6/10
2 mil
TU PUNTUACIÓN
El artista y la modelo (2012)
Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. One day, Léa gives shelter to a beautiful young Spanish political refugee named Mercè. Marc soon understands that the girl, who agrees to pose for him, inspires him and that he has no choice but to embark on this last artistic (and sensual) adventure..
Reproducir trailer2:03
1 vídeo
17 imágenes
Drama

Añade un argumento en tu idiomaIn 1943, a sculptor is inspired by a young woman who has escaped from a refugee camp.In 1943, a sculptor is inspired by a young woman who has escaped from a refugee camp.In 1943, a sculptor is inspired by a young woman who has escaped from a refugee camp.

  • Dirección
    • Fernando Trueba
  • Guión
    • Jean-Claude Carrière
    • Fernando Trueba
  • Reparto principal
    • Jean Rochefort
    • Aida Folch
    • Claudia Cardinale
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,6/10
    2 mil
    TU PUNTUACIÓN
    • Dirección
      • Fernando Trueba
    • Guión
      • Jean-Claude Carrière
      • Fernando Trueba
    • Reparto principal
      • Jean Rochefort
      • Aida Folch
      • Claudia Cardinale
    • 12Reseñas de usuarios
    • 61Reseñas de críticos
    • 53Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 premios y 26 nominaciones en total

    Vídeos1

    Theatrical Trailer
    Trailer 2:03
    Theatrical Trailer

    Imágenes17

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 13
    Ver cartel

    Reparto principal34

    Editar
    Jean Rochefort
    Jean Rochefort
    • Marc Cros
    Aida Folch
    Aida Folch
    • Mercè
    Claudia Cardinale
    Claudia Cardinale
    • Léa
    Chus Lampreave
    Chus Lampreave
    • María
    Götz Otto
    Götz Otto
    • Werner
    Christian Sinniger
    Christian Sinniger
    • Emile
    Martin Gamet
    • Pierre
    Mateo Deluz
    • Henri
    Simon Guibert
    • Cura
    • (as Simon Guilbert)
    Alain Torrent
    • Campesino mercado
    Michel Jaquesmin
    • Patrón café
    Dorian Astrou
    • Niños
    Albam Riou
    • Niños
    Guillaume Virag
    • Niños
    Sarah Villesvieille
    • Niños
    Aniol Llop
    • Niños
    Anna Julia Chafer
    • Niños
    Liam Chafer
    • Niños
    • Dirección
      • Fernando Trueba
    • Guión
      • Jean-Claude Carrière
      • Fernando Trueba
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios12

    6,61.9K
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    Reseñas destacadas

    6secondtake

    A warm, slow, sometimes overly slow dig into simple meanings of art and life

    The Artist and the Model (2012)

    This is a movie, a poem, about the existence of beauty and meaning in art, and in the life of an artist. in France during WWIL

    This is an impossible subject for any movie—it demands too much be spelled out. The more obtuse, abstract, and indirect it is the better. Luckily that's where this movie tries to go. Where it fails is when it specifies its ideas. It sometimes states its wisdom. There is another better movie somewhere—not yet made—that could touch these ideas and imbue them with fullness without making it concrete. That one is the masterpiece.

    In a way the fact I'm talking about this is proof that something happens here. It's a gorgeous, thoughtful movie. The old—very old—sculptor finds a young—very young— model and seems to come to life again. And in his work in these last years he finds something deep and lasting, or seemingly so. The model, in her own naive way, is actually more enriched than he is by all of this, and we see her enlightenment in small ways, even if on some level she doesn't care, not in the way the artist does.

    But the artist is the center of things here, in a brilliant performance. His work, what they show of it in the movie (I speak as an artist and art historian), is pathetic and weak, and in a way that's an achilles heel here—-his huge inspiration is just another cemetery sculpture, nothing much after all. Maybe that's the hidden intention, but I don't think so.

    The film is a gorgeous, simple black and white widescreen filming that is perfect for the material. The plot is simple—there are just a couple of interesting interruptions to the model and the artist working and growing together. At the end of the day and the end of life for the old man, it all presses on us as we watch—hence the pathos.

    One of the stars is the French countryside itself—the olive oil on bread, the light through the trees. In a way it's a poem to a perfect existence, as much as life allows on this small planet.

    See this? It really depends. It's a patient movie—requiring patience, as well. But it's beautiful and warm. And the acting is excellent. The torch is passed. The war is ending. Hope has some kind of connection to the profound, and the understanding that life is more than just the day's needs.
    6kosmasp

    Artistic

    First off, there is a lot of nudity. Though mostly it is not sexualized nudity (if you dismiss a bit of voyeurism that will be going on at some point). But it's necessary, because in this case if is there to prove a point. Actually to show us the view/take on things by the main male character, who is a sculptor (mainly).

    There is different takes on life and what it can portray or what it is. There is also a spin on the Adam and Eve story here (which might be too on the nose and a comparison the movie itself does not shy away from). The actors are really good and the movie has a nice pace, even if at first you're not sure where it's all heading. And it's in black and white, like the poster suggest and surely the trailer is showing too ;o)
    10architectdh

    Ode to Art and the Film Noir genre

    In this beautiful Film Noir rendition of a vignette taken from life in an art studio during World War II, Trueba succeeds in depicting an idyllic picture of an encounter between an aged French sculptor played by Jean Rochefort, and a Spanish country girl escapee from a concentration camp, who by necessity becomes an artist model, played by Aida Folch. The vignette is set in nature and is soothing despite the short background danger intrusions reminding the viewer that war is raging on.

    The artist's thoughts about the female human body that he adores, his old age-related frustrations, and the initial inexperienced model, set tension between the movie stars. However, the tension is short-lived. The climax arrives in the beautiful scene in which the model while lying in bed, responds to the artist's frustrations by holding and caressing his head.

    Both Rochefort and Folch play their roles brilliantly. Rochefort, as the mature experienced, and thoughtful artist, and Folch, as the country girl who accidentally finds a possible future vocation as an artist model.
    7CinemaSerf

    The Artist and the Model

    Jean Rochefort and Aida Foch present quite an unique sort of love story here as he ("Cros") invites her ("Mercè") to sit for him as a muse for his sculpture. They met because his wife "Léa" (Claudia Cardinale) encountered the girl fleeing from the Nazis in the occupied part of France. She is aspiring to make it back home to Spain, bit is weak and penniless. As she poses for the elderly man, they enquire much of each other and begin to develop a bond that is entirely complementary to his marriage, but provides him with a long lost, invigorated, inspiration to create something beautiful from his block of marble. It's a slow burn, this, but somehow it manages to create a perfect framework for an evaluation of age, certainly, but also of beauty too. A beauty that is reflected on a more viscera level by the fact that Foch is naked for a great part of the film - even when not posing; but also of the beauty of the art and the craft of working the stone - something that the lighting team must take considerable credit for illustrating in an almost halo-like fashion. The dialogue is sparing but lively when it's there, and Cardinale delivers very well as the foil to the increasingly intense friendship between the two ostensibly polar opposites. The denouement wasn't quite what I was expecting, but it worked fittingly as this attractively photographed story of affection came to a close that offered a form of redemption for all.
    charlie-bell133

    Gentle, Charming and Beautifully Shot - A Visual Poem for Artists.

    A gentle and fully realised poem that centres around the life of a french sculptor looking for inspiration during the Nazi occupation of France, and finds it with young-refugee Mercé, who agrees to model for him.

    L'artiste et son modèle ticks all of its boxes. Gently meandering along until it's satisfying conclusion. You laugh along the way, you're introduced to new ideas and it's all very charming, but it's nothing challenging; it's just gentle and friendly which I can and will root for.

    It toils in, and dances with integrity and honesty in one's work. Two themes that are developed so well, that I hung on to the sculptors every last word, completely absorbed with the progress of his work. The Rembrandt scene for example was superb; the aged sculptor begs his new, young and naive model to look at Art with focus and appreciation, leading to a wonderful interpretation of Rembrandts piece that, if I ever were to see it again, will forever be changed for me by this film.

    However, what cements this film for me is perhaps what you may have already heard about: the black and white photography by Daniel Vilar. Believe the hype, it truly is something special. Wrapping Fernando Trueba's visual poem in always-interesting compositions, delicately lit interiors and gorgeously controlled exteriors, adding an entirely new depth to the film.

    If you've read my other reviews you'll know I rarely mention cinematography as I don't care for it, or about it, but black and white has always been a soft spot of mine and this film revels in some of the most beautiful shots I've ever seen. I guarantee you could pause any frame of this film and you could see how meticulous photographing this film was.

    I don't think a rating system works for this film, there's nothing you can give it without feeling like you're cheating it in some way, so hopefully the review can speak for itself. Watched on the BFI player website, with Mark Kermode's unursually hesitant Introduction.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Trueba had had this project in store since 1990. Initally he was to make this film in collaboration with Maximo, his sculptor brother. But his brother died and he gave up the whole thing until 2010.
    • Pifias
      About an hour in, as Marc and Emile toast with rosé, Emile takes his cigarette from his mouth twice.
    • Citas

      Marc Cros: There are two proofs that God exists. The first and most important is the woman's body. Genesis and all that is malarkey. Can you imagine God creating man? There is no need to make God look like a fool... All this beauty, paradise. And then he thought of creating a being for Himself, a beautiful creature, a perfect one, one to share the world with. A being to keep him company through eternity, unending and probably boring. Someone to embrace in winter and whose skin could be caressed in summer. He created woman and called her Eve.

    • Conexiones
      Spoofed in Los Goya 27 edición (2013)
    • Banda sonora
      Caravan
      Written by Juan Tizol

      Performed by Duke Ellington

    Selecciones populares

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    Preguntas frecuentes17

    • How long is The Artist and the Model?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de septiembre de 2012 (España)
    • Países de origen
      • España
      • Francia
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idiomas
      • Francés
      • Español
    • Títulos en diferentes países
      • The Artist and the Model
    • Localizaciones del rodaje
      • Perpignan, Pyrénées-Orientales, Francia
    • Empresas productoras
      • Fernando Trueba Producciones Cinematográficas
      • Televisión Española (TVE)
      • Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 127.958 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 16.900 US$
      • 4 ago 2013
    • Recaudación en todo el mundo
      • 1.492.780 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 45 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital
      • Dolby SR
    • Relación de aspecto
      • 2.35 : 1

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