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MIRA is somewhat of an unexpected thing to behold. While the story is a bit of a knockoff of the Emmerich formula (family, drama, calamity, spectacle, and family), the attention to detail and overall execution is something else, indeed.

There are sequences in this film that are truly remarkable in every aspect, rivalling some of the best Hollywood has ever brought forth. The camera work, the production design, the acting (including the extras) and the VFX in the impact sequence are quite extraordinary, and the more realistic approach results in a fresh new way of witnessing a terrifying disaster.

I really have to stress again how amazing many of the visual effects really are: not flashy and rubbery like so many things we get to see from much bigger films, but seamless and believable. I really wonder how they pulled of a lot of shots that seem like practical effects, which of course they can't be.

Don't expect a perfect film, though. Especially in the third act, the film loses much of its realism and also goes into full cheese mode, but the good aspects easily prevail, at least for me. And so the verdict comes easy: if you're a sci-fi buff like me, you need to watch this.

Plot: 5/10. Cheesy and unrealistic, a mix between Deep Impact and Geostorm, yet entertaining, although the third act is a bit weak.

Direction and photography: 9/10. Very well made film, with beautiful photography and superb one-shot scenes.

CGI: 9/10. Better than some recent Marvel/DC movies. Close to Gravity. Not a CGI-fest where the plot is driven by special effects.

Acting: 7/10? I've seen the spanish dub, which I think is pretty good. I can't tell about the russian or english dub, so...

In conclusion, a Hollywood's Sci-Fi blockbuster made in Russia, with little to no patriotism. Definitely I recommend it.

Residents of Vladivostok are looking forward to witnessing the spectacle of a meteor shower. The public has been assured it poses no threat to Earth.

But they were wrong. Last minute changes show there is a big chance of meteors hitting Earth. Unawares, 15-year old Lera and her 8-year old brother Yegor are just as exited to see the meteor shower. Lera suffers from pyrophobia as a result of an elevator accident several years ago.

Lera's biological father, Valery Arabov, works on the space station Mira. Through modern satellite technology he is able to see and speak to Lera. When the meteors hit, it causes widespread chaos and destruction, and when Lera is trapped under rubble in a building, Valery is able to help her thanks to Mira. But with the space station also suffering substantial damage, time is running out for Valery to guide Lera.

Lera also goes in search of Yegor, who is trapped in a building on the verge of collapse. The destruction scenes are incredibly well done with fantastic visuals and special effects, excellent photography and good editing. With danger around every corner for all the characters, 'Mira' is a nail-biting thrill ride. I enjoyed the characters and rooted for all of them.

'Mira' is a thrilling action adventure survival story in the vein of 'Armageddon'.

Mira disaster film shot in Russia. And this is one of the first catastor films shot in Russia, after watching which it is not ashamed. Mira really looks decent, a good CGI for its budget, no "Hollywood" pathos and a simple straightforward plot. Yes, the first third of the film in everything is trying to imitate the Hollywood films of its genre. Yes, there is no star cast here, even by Russian standards. And as in any film, the catastrophe here is a makimally delusional plot. But Mira is simply pleasant to watch without a sense of shame, which is already rare for a Russian cinematographer, to whom the Kino Foundation is involved. I can only advise everyone to watch the film, Dmitry Kiselev has been making a very worthy film 2 times. Yes, The Age of Pioneers is far away, but there is a different budget.

A disaster movie yes, but certainly not a disaster to watch with unexpected plot twists and emotional panic as you think the end is nigh.

Special effects are perfectly created in the background, and they are good! It all merges around the cast. A cast of unknown actors who really are good enough so the disaster doesn't steal the screen.

As someone obsessed by space travel, I found the space station sequences so realistic I had to check to see if the ISS was still in orbit.

Well at a cost of nearly £6million it's production has a much sharper edge and excitement than most of those released in Hollywood and Korea.