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Due to my own not-so-good experiences with my coming-out, I'm a real sucker for feel-good coming-out movies - they never fail to bring me to some heartfelt tears of shared happiness. So with these kind of movies I'm not that critical as to whether the script, the direction or the acting is really above par. That's a good thing with this movie, for it's rather balancing on the verge.

For starters: there seem to have been made some strange and awkward choices in the editing. At many, many points the movie comes to a stand-still, when the camera lingers far too long on the face of a person after he or she has said or done something. Especially at moments when comedy is intended, it's killing: it not only effects the pace but it sucks the punch out-off every punch-line! This brings me to my next reservation: there are way too many double entendres in the script, it dangerously tilts the movie to the point of below-the-belt cheapness. Sure, I laughed at some of them (even at the beaver-joke), but it annoyed me too, this movie really didn't seem to need all that.

A last negative remark to the script: although it's a comedy, there ought to be maintained - especially in this kind of situational comedy - some sort of basic feeling of reality. Here this was put to the test way too often. Can a renowned professor walk around for a whole professional career being perpetually stoned out of his wits? Are these parents (obviously from the 60's love-generation) blind as bats, not to see that their son's room-mate Nathan is gayer than gay?! Is the switch of the neighbor-girl from love-sick goody two-shoes to an almost professional foul-mouthing fag-hag not a tiny bit too abrupt and weird??

Well, anyway, now for the good things. This is without any doubt a very sympathetic, warm and sincere movie. There is, thank god, not so much a Big Message that has to be drilled-in, it just keeps close to the real-life fears of a gay adolescent who is on the brink of revealing his true self to his family: will they accept me in this new light? Will I disappoint them? Will things change between us? The script doesn't provide a big plot - like in so many other comparable coming-of-age movies - with complicated misunderstandings, plot-shifts and all kinds of side-stories; it just sort of strolls along on it's basic theme and in this way gets a nice and quiet development.

Main characters Olav and Nathan both are given a fine and convincing portrayal by Keith Jordan resp. Adamo Ruggiero. I didn't know Ruggiero, I never saw "Degrassi", he's certainly beautiful and very cute and I thought that he grew in his role; he was supposed to be the gayish extrovert of the two boyfriends, but he proved that within that stereotype he could actually find his own nuances. But I especially liked Keith Jordan, he had this subdued way of acting that only enhanced the feeling of reality, and in his seriousness he is all the more endearing.

All in all the good things far outweighed the bad, and I vote it a heartfelt 8 out of 10!

Being gay, I'm subjected to a lot of bad gay movies. It's solidarity; we know they're bad, but we watch them anyway, out of loyalty more than anything else. This is why I'm glad to report that Make the Yuletide Gay is, well, not bad. It's not great, but when I was going in expecting another cringe-worthy gay romantic "comedy", I got a pretty decent... gay romantic comedy. The writer needs a few lessons in subtlety, given the vast number of over-the-top stereotypes and often wince-inducing double entendre in the film, but the actors take the material and make it work pretty well. As a long-time fan of Degrassi: The Next Generation, I primarily was interested in Adamo Ruggiero's movie debut, and he acquits himself nicely. His character starts off as vain and somewhat obnoxious but becomes sympathetic as the film progresses, and when Ruggiero smiles that beautiful smile of his, I can't help but love him all the more. It's a fun little film, and if you can get past some of the writing, it's worth a watch.

Gunn has a holiday surprise for his folks and boy is it a big one!! A sweet and goofy film that has a fine message of acceptance but doesn't hit the viewer over the head with it. The male leads are endearing and attractive but this is stolen by Kelly Keaton as the mom who gets a natural high from the joy of Christmas and life in general. She and Derek Long have fun as the long married couple who accept each other as they are, she a motor mouthed dervish and he a semi clueless stoner. Hallee Hirsh is sprightly as the girl next door who is wilder than she appears and hey look its Nellie Olsen as her Mom! Speaking of Alison Arngrim she is having a ball as the randy next door neighbor who engages in veiled verbal jousting with Gunn's mom to the audience's delight.

I knew upon viewing the film's trailer it would be a worthwhile watch. Fortunately, the film stayed true to my expectations and even exceeded them.

It's a straightforward story in some respects as a young gay couple struggles to come to terms with one partner not yet out to family. But that aside, it's a story well told and with plenty of humor along the way.

The lead characters are strong and well-rounded and the script flows nicely too. Gunn's mother is a scene stealer on many occasions. Her wicked laugh and affection makes for plenty of interesting scenes.

Make the Yuletide Gay is not pretending to be some deep exploration of any particular issue, but instead a funny examination of the struggles some couples must face when coming out to family. It's humorous yet delicate and touching when needed.

The jokes are mostly sharp and effective. A few of the gay jokes feel a little forced at times, almost obligatory, but this is picking for holes and easily forgiven.

This film is a celebration. A celebration of Christmas and being with family while a celebration of love and being true to yourself.

The film is frothy and fluffy but that is what gives it charm and makes for a fun journey.

I enjoyed this movie. . .

I was not perfect, but it was fun. . .

It didn't preach hard about coming out. . .

It seemed that the problems were that there was no communication from any of them. . .

It had touches from old screw ball movies of the 1940's. . .

Misunderstandings. . .

Confused identities . .

Anya the mother could have played off of the Three Stooges or the Marx Brothers. . .

I would love to see these characters in another movie. . .

Perhaps, the lives of the two young lovers as a couple.