Un asunto real

Love can lead to transformation yet the force of greed and the lack of political skills can bring anyone down even though you have the best intentions and act for the "greater good".

It does not happen very often that I come out of the cinema and completely shut up. It didn't feel like I was listening to a non-English dialogue. Danish felt like a familiar language ... and it was beautiful in this movie.

Though not with splendid clothes like Marie Antoinette, no intense intrigues, no large battle scenes, it was one of the best historic films I have ever seen. Everything was kept "small", yet with so much feeling that I could not take sides with any of the 3 main characters. Fair enough, the greedy and backward upper-class angered me much; just can't stand stupidity, especially when it holds back progress and the aim for improvements.

"A Royal Affair" is a Danish/Swedish/Czech production about the reign of 18th century King Christian VII of Denmark, his Welsh wife and a German physician whose progressive ideas shake Denmark's conservative ruling class to its foundations. As best I can discern the film tries to keep true to actual history with some embellishments added concerning the role of the Queen in the political machinations along with some reasonable speculation about a possible menage a trois. The screenplay by Nikolaj Arcel and Rasmus Heisterberg does a nice job of capturing the unusual atmosphere of life at a court governed by a mentally unstable monarch who's little more than a nuisance puppet of the nobility and the church. In the middle of all that is the young English Queen trapped in a loveless marriage. She is also disturbed by the unwillingness of her adopted country to accept the ideas of the Enlightenment then circulating around Europe. Under the direction of Nikolaj Arcel "A Royal Affair" is an effective recreation of a bygone age yet one in which we can see our contemporary quagmire between those who advocate change and those condemning it. Mikkel Folsgaard is excellent as the King. He never descends to caricature and is both powerful and pitiable. Mads Mikkelsen is compelling as Dr. Johann Struensee a noble but flawed man given a rare opportunity to improve the lot of the lower classes who are suspicious of him as a foreigner usurping the state. Alicia Vikander is Caroline Mathilde a Welsh princess sent to Denmark in an arranged marriage of noble households with no idea of what's in store for her. This is very good intelligent costume drama that should please fans of the genre. Well worth seeing.

A fantastic film about a country whose history is seldom portrayed, A Royal Affair is a historical drama set in the latter half of the 18th century in Denmark. An English girl is sent off to marry the Danish king, only to find out that he's not fully sane. In her loneliness she falls for the king's doctor, and they find they share not only amorous feelings for one another, but a passion for Enlightenment ideas and political reforms.

There are a few caricatures in this movie that keep me from giving it a higher score: the reactionary forces are pure, unalloyed evil; the reformers are probably far more liberal in thinking than would have been possible in that era; and the preaching against established religion is a bit thick. But otherwise, this is a gem of a movie with outstanding performances in all three key roles, particularly the doctor who is portrayed with an incredible intensity and realism. Also noteworthy is the king who is not quite sane yet not totally loony either; the acting here is frighteningly good and utterly convincing. Last but not least, the queen excels in showing real pathos and long-suffering endurance trapped in her destiny, and then comes alive beautifully in her relationship with the doctor.

As icing on the cake, costumes are sumptuous, period settings flawless, and the music is era-appropriate and delightfully arcane. Original music is also quite good, though most of the time one is so engrossed in the story that the music just vanishes. Movie is almost all in Danish with English subtitles, and I felt the size/font choice for the titles was too big, too pushy, you never quite forget that you're reading titles.

This is a tale of exploration of the darker side of the human experience: what does it mean to be sane, how can a divinely ordained monarch be deprived of his wits, to what lengths will a person go to promote his/her progeny into power, are the "unwashed masses" really grateful to those who try to emancipate them? This movie (and its three main characters) will haunt you for many days.

On the surface, this movie is exactly what the title says, you have an unhappily married queen who has an affair under the king's nose with someone in the King's court. However, the interesting aspect of this story is the context. It is the second half of the 18th century, liberal ideals of people like Rousseau and Voltaire spread across Europe, and threatens to break down the old Feudalistic regime.

The movie is not a documentary on the ruling of Christian the VII, and should not be regarded as such. After seeing it, I went to read about Christian the VII, and found that many details of the era and his regime were omitted in favor of not making a long tiresome movie. Instead the movie focuses on the relationships between the king, the queen and the physician and to their attempt to change the face of Denmark.

These three characters are played beautifully.

Mikkel Boe Følsgaard as King Christian is just superb and fun to watch, as a mad king he is always there even when not the focus of the camera.

Mads Mikkelsen as the physician acts for the most part as a calm yet stern person, however, when he does display emotions it has greater impact, and in my view portraits inner-struggle more effectively.

Alicia Vikander as the queen plays her two role quite well, whether it is the passion and stress that go with having a secret affair, or the audacity and charm that goes with fulfilling her royal duties.

Finally, in my view, the movie is another bell ring to remind us that even Denmark, 300 years ago was a country consumed by religion and fear, and that there are always those who believe in such a way of life.

You could dismiss this film as a Danish history lesson but it is more than that. It is a love story with an improbable background in a rather gloomy setting, the Danish Court of the late 18th century. Mad (or at least seriously disturbed) King Christian VII (Mikkel Folsgaard - superbe) marries 16 year old English princess Caroline (Alicia Vikander) who happens to be George III's sister). He prefers the company of his dog and mistress to her. It is not surprising that Caroline falls for Johann Struensee (Mads Mikkelsen) who becomes the king's personal physician on the strength of his knowledge of Shakespeare (especially Hamlet). The king is, as they say, easily led, and for a year or so Sturensee, despite being German, has a fine time as de facto ruler enacting liberal measures such as the abolition of serfdom and the repeal of censorship laws, not to mention free smallpox inoculations. But the forces of reaction led by the king's stepmother gather. It was surprising to learn that 18th century Denmark was such a backward society.

Mads Mikkelsen gives a nuanced performance – 'quiet intensity' in fact, and Alicia Vikander is equally intense. They are a serious couple imbued with the ideals of the 18th century Enlightenment but their passion is physical as well as intellectual. Unfortunately their ideals are a little advanced for Denmark of the 1770s despite support from writers such as Voltaire. The local book-burners led by Hoegh-Guldberg (David Dencik) are not swayed by argument of course.

The production is full of atmosphere. The castles are suitably gloomy and there's plenty of medieval squalor beyond the castle gate. Much of the action takes place in winter which adds to the chilly atmosphere. The aristocracy are suitably heartless and the peasants downtrodden. The king provides some zany (if not quite authentic) moments, appointing his Great Dane to his council and ordering Struensee to make Caroline a "fun queen".

This is quite a long movie at 140 minutes yet is enthralling from start to finish. Even though you can guess the ending you are swept along by the story and the performances. You can see why the audiences at Cannes loved it.