Los Dorrit son una familia cuya vida gira en torno a Marshalsea, una prisión para deudores. El carácter bondadoso de Amy Dorrit pone a la familia en contacto con la sociedad inglesa, desde l... Leer todoLos Dorrit son una familia cuya vida gira en torno a Marshalsea, una prisión para deudores. El carácter bondadoso de Amy Dorrit pone a la familia en contacto con la sociedad inglesa, desde los más pobres a los más ricos, y viceversa.Los Dorrit son una familia cuya vida gira en torno a Marshalsea, una prisión para deudores. El carácter bondadoso de Amy Dorrit pone a la familia en contacto con la sociedad inglesa, desde los más pobres a los más ricos, y viceversa.
- Ganó 7 premios Primetime Emmy
- 8 premios y 34 nominaciones en total
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I admit I hadn't read the book for a long time, and I do remember finding it rather complicated. Reading it again, I found it an insightful piece of literature, but it isn't the easiest book to sink your teeth into at first. But along with 2005's Bleak House, this adaptation of Little Dorrit was absolutely brilliant, and by far one of the better dramatisations of 2008.
What is worth of mention is the period detail. It was stunning and truly evocative! You can never go wrong with realistic looking sets,skillful camera work, lavish costumes and breathtaking scenery, and this adaptation scored highly in all four of these areas. The music from John Lunn was gorgeous, and the scripts were of exceptional quality. The plot, may be a little complicated at times, but I will say at 17 I was hooked from minute one. I think it was to do with how every scene was shot and executed. There are a handful of poignant, bleak and truly haunting moments throughout.
Other than the overall closeness to the book and how it was filmed, what made this dramatisation was the quality of the performances. I don't think anybody gave a bad performance whatsoever. Claire Foy gives an appealing lead performance as Amy, and Matthew MacFadyen is charming and handsome. Tom Courtenay is truly heart-wrenching as Amy's father, in one of his best understated performances, and I do think Courtenay is in some ways undervalued as an actor, Allun Armstrong is as reliable as ever as Jeremiah and Andy Serkis steals every scene he's in in a truly sinister performance as Rigaud (who is a real creep). And I found his accent convincing, if anything he could have done with more screen time.
Overall, I cannot sing my praises enough of this fine dramatisation of Dickens' book. 10/10 Bethany Cox
What is worth of mention is the period detail. It was stunning and truly evocative! You can never go wrong with realistic looking sets,skillful camera work, lavish costumes and breathtaking scenery, and this adaptation scored highly in all four of these areas. The music from John Lunn was gorgeous, and the scripts were of exceptional quality. The plot, may be a little complicated at times, but I will say at 17 I was hooked from minute one. I think it was to do with how every scene was shot and executed. There are a handful of poignant, bleak and truly haunting moments throughout.
Other than the overall closeness to the book and how it was filmed, what made this dramatisation was the quality of the performances. I don't think anybody gave a bad performance whatsoever. Claire Foy gives an appealing lead performance as Amy, and Matthew MacFadyen is charming and handsome. Tom Courtenay is truly heart-wrenching as Amy's father, in one of his best understated performances, and I do think Courtenay is in some ways undervalued as an actor, Allun Armstrong is as reliable as ever as Jeremiah and Andy Serkis steals every scene he's in in a truly sinister performance as Rigaud (who is a real creep). And I found his accent convincing, if anything he could have done with more screen time.
Overall, I cannot sing my praises enough of this fine dramatisation of Dickens' book. 10/10 Bethany Cox
10Edu-16
From the first moments of this wonderful production we (mum, dad and two girls 10 and 12) were entranced. Unlike those in the UK who would see this a slice a week, we saw the whole lot over a single long weekend. As I write - we've just two episodes to go...
We have all the BBC Dickens productions for comparison - including the recent Bleak House and our favourites Great Expectations and (my personal top) Our Mutual Friend. LD comes v.close to the top of this pile - The last two episodes may tip the balance....
From the first, this production grabs with its beautiful and (perhaps unusually) 'sunny' scenery. None of the austerity of the recent Great Expectations production, nor the gloominess of Bleak House. Actually this made for a nice change.... The acting is perfect - with key emotional scenes being utterly believable. The actor playing Young Chivery (heading for great things I suspect) induced a flood burst of tears from my 10 year old in the marriage proposal scene. As others have mentioned, even the smaller parts are excellently cast and played. But there's something else at play here to make this possible.
In many Dickens productions Directors seem loath to leave peripheral characters out. Bleak House in particular suffered for this I think. In LD everyone seems to have space and time in which to be presented and to evolve. It never feels chaotic or suffocating - time is taken, and this makes the whole that more soluble.
The leads are all superb - Little Dorit is perfectly perfect without being goody goody....(another issue with Bleak House), and Andrew McFad is particularly good, managing to look younger than he did in the wonderful Pride and Prejudice... And did he chub up for the role? Things have been left out - and perhaps the damning indictment of society and government are not so forcibly presented as they might have been. But what remains is a delightful mystery, beautifully told and acted and which we will want to watch all over again as soon as we've come to the end.
We have all the BBC Dickens productions for comparison - including the recent Bleak House and our favourites Great Expectations and (my personal top) Our Mutual Friend. LD comes v.close to the top of this pile - The last two episodes may tip the balance....
From the first, this production grabs with its beautiful and (perhaps unusually) 'sunny' scenery. None of the austerity of the recent Great Expectations production, nor the gloominess of Bleak House. Actually this made for a nice change.... The acting is perfect - with key emotional scenes being utterly believable. The actor playing Young Chivery (heading for great things I suspect) induced a flood burst of tears from my 10 year old in the marriage proposal scene. As others have mentioned, even the smaller parts are excellently cast and played. But there's something else at play here to make this possible.
In many Dickens productions Directors seem loath to leave peripheral characters out. Bleak House in particular suffered for this I think. In LD everyone seems to have space and time in which to be presented and to evolve. It never feels chaotic or suffocating - time is taken, and this makes the whole that more soluble.
The leads are all superb - Little Dorit is perfectly perfect without being goody goody....(another issue with Bleak House), and Andrew McFad is particularly good, managing to look younger than he did in the wonderful Pride and Prejudice... And did he chub up for the role? Things have been left out - and perhaps the damning indictment of society and government are not so forcibly presented as they might have been. But what remains is a delightful mystery, beautifully told and acted and which we will want to watch all over again as soon as we've come to the end.
Oh, I do love a good period drama
I got interested enough after one episode of this to re-read the book for the first time in 10 years, and was impressed by how very dark and cynical Dickens' tone is. The show is well-shot and well made, and does the book justice in almost every way. The only thing which is so far slightly lost is the cynicism: the staggering incompetence and idleness of the Circumlocution Office is meant to be an attack on the whole governmental administration system. Likewise, the inordinate raising up of one person above others on a great balloon of hot air, and the great, national disgrace that was the imprisonment of whole families for debt. The intensity of the satire is missing which is a great shame, since a central part of the story finds its perfect parallel in events unfolding both in this country and elsewhere right now. That was a missed opportunity but I suspect the show wouldn't have attracted such ready funding and promotion if it laid the satire on too thick at the expense of say, the costumes (yawn).
The casting is excellent, and it seems almost unfair to single out individuals from the list, including Judy Parfitt's cold Mrs Clennam, Tom Courtenay's vain, haunted Mr Dorrit, Russell Tovey's charmingly emotional young Chivery, Claire Foy's delicate, youthful Amy and Matthew McFadyen's kind-hearted, generous Arthur. Ruth Jones' wondrous recreation of the voluminous Flora is bettered only by Annette Crosbie's frankly terrifying Aunt. (She's how I want to be when I get old!) I'd been disappointed by McFadyen's Mr Darcy in the Joe Wright film "Pride & Prejudice" - it was almost at times as if he had been stuffed, and his looks were somehow lost in the mix. Here all his best attributes are to the fore his eyes, his height, his voice and manner, the excellence of his diction all these create a warm, breathing man out of really quite flimsy material. In the book and even in this dramatisation, Arthur is a rather shadowy presence, on the sidelines while things happen to those around him. Yet his appearance each week is like a beacon, a feeling of warmth, like home.
Claire Foy does a really wonderful job as the title character. Dickens' heroines used to drive me mad so tiny and blushing and always so very, irritatingly good, drat them. Foy manages to be all of these things, but to be likable too, and I very much admire her for it. The way she looks at her father half with love, half with pity is spot on. Tom Courtenay is brilliant I can't imagine anyone else being able to bring so much to the character of this foolish, vain, blind Mr Dorritt. I kept missing episodes and having to watch them on the (BBC's excellent i-player) catch up site. Now I've at last seen the final episode I think it's sadly rushed, missing a few voyeuristic opportunities for catching up on some of the minor characters seen in the series. However the scenes between John Chivery, Arthur and Amy are moving and beautifully handled. I will definitely be getting hold of the DVD. This one's a keeper.
The casting is excellent, and it seems almost unfair to single out individuals from the list, including Judy Parfitt's cold Mrs Clennam, Tom Courtenay's vain, haunted Mr Dorrit, Russell Tovey's charmingly emotional young Chivery, Claire Foy's delicate, youthful Amy and Matthew McFadyen's kind-hearted, generous Arthur. Ruth Jones' wondrous recreation of the voluminous Flora is bettered only by Annette Crosbie's frankly terrifying Aunt. (She's how I want to be when I get old!) I'd been disappointed by McFadyen's Mr Darcy in the Joe Wright film "Pride & Prejudice" - it was almost at times as if he had been stuffed, and his looks were somehow lost in the mix. Here all his best attributes are to the fore his eyes, his height, his voice and manner, the excellence of his diction all these create a warm, breathing man out of really quite flimsy material. In the book and even in this dramatisation, Arthur is a rather shadowy presence, on the sidelines while things happen to those around him. Yet his appearance each week is like a beacon, a feeling of warmth, like home.
Claire Foy does a really wonderful job as the title character. Dickens' heroines used to drive me mad so tiny and blushing and always so very, irritatingly good, drat them. Foy manages to be all of these things, but to be likable too, and I very much admire her for it. The way she looks at her father half with love, half with pity is spot on. Tom Courtenay is brilliant I can't imagine anyone else being able to bring so much to the character of this foolish, vain, blind Mr Dorritt. I kept missing episodes and having to watch them on the (BBC's excellent i-player) catch up site. Now I've at last seen the final episode I think it's sadly rushed, missing a few voyeuristic opportunities for catching up on some of the minor characters seen in the series. However the scenes between John Chivery, Arthur and Amy are moving and beautifully handled. I will definitely be getting hold of the DVD. This one's a keeper.
This adaptation takes the book very seriously, and is a true adaptation. 14 episodes at first seemed a little daunting, but this series is captivating, with wonderful characters and fantastic cinematography. The soundtrack suits the series well, and just gives that extra touch to get the watcher crying, laughing, and sighing at the television screen! You truly feel like you are in the series, which makes it a series in a league of it's own. The casting is fantastic, and well done for Claire Foy - she portrayed the character brilliantly for a first large part! In the end, if I had to describe this series in one word; it's really, truly 'sweet' - there is no other word! - and will no doubt leave the viewer with a smile on their face by the end of it!
I stumbled on to this series about half way through an early episode purely by accident and within 5 minutes I was totally hooked - wow. My favorite programs are a combination of a great story, careful character development and excellent acting. This series has all these and more - the cinematography shows great sensitivity, the sets and costumes world class and even the theme music is mesmerizing. Each episode practically stands on it's own. It's the whole package.
Clair Foy is nothing short of brilliant - I have never seen a character that so completely captures your sympathies and heart. She is the perfect manifestation of beauty being so much more than skin deep.
Matthew Macfadyen is the idea counterpart and perfectly represents the goodness that mankind can (should) strive to achieve. The electricity between Matthew Macfadyen and Claire Foy is also magic.
Tom Courtenay performance is in many ways the most extraordinary of all. His role as William Dorrit is by far the most complex and challenging. Tom Courtenay's insight into this complex and rapidly evolving character is truly remarkable - I have seen very few that could compare. In my mind on the same level as George C. Scott in Patton.
The other supporting actors are also faultless almost to a man (or woman).
If you haven't seen this one - I suggest you do it's great and timeless entertainment.
Clair Foy is nothing short of brilliant - I have never seen a character that so completely captures your sympathies and heart. She is the perfect manifestation of beauty being so much more than skin deep.
Matthew Macfadyen is the idea counterpart and perfectly represents the goodness that mankind can (should) strive to achieve. The electricity between Matthew Macfadyen and Claire Foy is also magic.
Tom Courtenay performance is in many ways the most extraordinary of all. His role as William Dorrit is by far the most complex and challenging. Tom Courtenay's insight into this complex and rapidly evolving character is truly remarkable - I have seen very few that could compare. In my mind on the same level as George C. Scott in Patton.
The other supporting actors are also faultless almost to a man (or woman).
If you haven't seen this one - I suggest you do it's great and timeless entertainment.
¿Sabías que...?
- CuriosidadesThe composer, John Lunn, also composed the score for "Downton Abbey" (2010), which is why many of the musical themes are similar and nearly identical.
- ConexionesFeatured in The Big Fat Quiz of the Year (2008)
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