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Fine adaptation of a powerful Dickens novel, full of the frustrating spectrum of strengths and weakness inherent in every Dickens story; from the powerful rage he expresses in documenting social injustice, to his goody-two-shoes pedestal-bound heroines. It's about class, love, the river, London, and it's full of great scenes and haunting visuals: witness a tormented Bradley Headstone stalking Eugene Wrayburn through the streets of the City at night. The length of the series does the work justice; the casting is outstanding – expect no less from any good BBC adaptation. The always excellent, underrated Stephen Mackintosh brings complexity and delicacy to his John Rokesmith; Paul McGann gets the best lines; and the entire cast brings the writing to life in a good-looking production - who cares if perhaps it all looks just a tad better than it should. A staple in my DVD collection, highly recommended.

Our Mutual Friend is my favourite on-screen adaptation to date, and there are obviously some weighty contenders.

I appreciate that some people think there are too many characters, but most Dickens books are full of many and varied, wonderful characters and I think that Sandy Welch mastered the quantity in adaptation, without cutting out important characters and then sewing the plot closed around them (I still mourn the loss of Orlick from Lean's 'Great Expectations').

The casting and acting in Our Mutual Friend is superb and I feel slightly guilty to pick out certain actors above the rest so I will choose only one to shower with praise, David Morrissey, who performed with such convincing emotional rawness that I hoped for some kind of redemption for Bradley Headstone.

The opening scene gave me goosebumps when it first came on the BBC in 1998 and it sometimes has had that effect since, despite repeat viewings. The atmosphere captures the murk and mystery of the Thames and illustrates the ghoulish occupation of the boatmen.

This murk is matched with some scenes of great beauty, lavish outdoor scenes which celebrate the English countryside, great houses, colourful costumes and the chocolate box cottage. This serves to contrast against the stench of the dust heaps and the grime of Mr Venus's home.

Dear BBC, can you have Sandy or Andrew adapt Dombey and Son sometime soon?!

I've been recently seeing so many good adaptations of classical novels into mini-series, that I am becoming convinced they should never be made into feature length at all. I saw this on video all at once, which was almost six hours long. But, I could not stop watching. The character and plot developed so well, it was like reading a novel in one go. I don't often have the endurance to read a novel in one go. I must be honest I have not read 'Our Mutual Friend'. Often, when I see an adaptation of a novel, I want to read the novel. But this adaptation was so satisfying that I didn't really feel that need.

The performances were slightly varied in style, which seemed to suggest that it was the actors who had the control, not the director. David Morrissey's Bradley Headstone was very realistic, portraying him as a kind of ready to burst, angry and passionate man, as his face often changed color with anger, despair, passion and fear. So Keeley Hawes as Lizzie Hexam, being intimidated by and scared of Headstone was believable. I'd seen Keeley Hawes in the 'Begger Bride' before this, and I was fairly impressed by her portrayal of a completely virtuous character. She easily portrayed the mild, beautiful, and so very modest girl.

This adaptation also had the biggest TV role for Anna Friel at the time. And she was surprisingly good, and I always will expect her to play the feisty role, which is not a bad thing.

So, nice one.

This is a great adaptation. It is well cast and all the performances are excellent. I particularly liked the performances of David Morrissey as Bradley Hellstone and Stephen Mackintosh as John Rokesmith.

The script remains fairly faithful to the book, and the costumes and scenery give a very convincing Victorian look.

"Our Mutual Friend," a sumptuous six-hour adaption of Charles Dickens' last novel, easily establishes itself among the very best of the long-form British adaptions. Visually stunning, with an opulent budget, no other series more accurately captures the feeling of Dickens' England, from the waterfront sets to the huge ensemble cast of oddballs, scum, slime, and heroes.

From the Pre-Raphaelite beauty of Keeley Hawes to the impressively evil and immensely filthy Kenneth Cranham, or the peculiar Timothy Spall, the entire production finds its success in superb casting, with every character fascinating, complex, and human. Anna Friel's heroine is attractively modern without being "inauthentic," which could be applied to the entire cast -- managing to be convincingly Victorian without being inaccessible or unnatural.

The cinematography and score are all topnotch, and the occasional montage scene employing handheld cameras in the vein of "A Hard Day's Night" works, surprisingly. The writer and director juggle the multitude of plotlines with ease, and the narrative is always brisk and sure.

Even when the denouement grows a little silly, with all turning out blissfully right in the end, "Our Mutual Friend" never loses the complete captivation of its audience, thanks to almost too many superb performances directed under a very sure hand and a very smart screenwriter.

With a wealth of characters to fall in love with, "Our Mutual Friend" surely ranks alongside "Martin Chuzzlewit", "Pride and Prejudice", and "Middlemarch" as one of the finest classic mini-series produced.