Un grupo de jóvenes encuentra un lugar llamado Camp Crystal Lake abandonado, excepto por Jason Voorhees, con sus intenciones mortales.Un grupo de jóvenes encuentra un lugar llamado Camp Crystal Lake abandonado, excepto por Jason Voorhees, con sus intenciones mortales.Un grupo de jóvenes encuentra un lugar llamado Camp Crystal Lake abandonado, excepto por Jason Voorhees, con sus intenciones mortales.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 5 nominaciones en total
Reseñas destacadas
A group of young adults, some in search of the elusive illegal herb, stumbles upon Camp Crystal Lake, where a legend tells of a boy who grew up to be a killer. A few weeks later, another group enters that same woods. The body count begins to climb... is Jason back, and if so, can he be stopped? Let me make a confession: I really didn't want to like this movie. I loved the original series of films, I don't like remakes for the most part, and with Michael Bay's name attached, I knew it was going to be an action-packed film done in ADHD-ready music video format. Sadly, I wasn't wrong about the last part. However, the film as a whole isn't that bad.
The Jason mythology is still here. His mother is still involved, there's still a hockey mask, and it all makes sense. I'm a little unclear as to why he has a home at Camp Crystal Lake (he has a permanent bed at a summer camp), but that's fine. We even have the brother off to find his little sister scenario, which hasn't been in the series since the 1980s... well done bringing back a one-dimensional character. Crazy Ralph isn't here, but an old woman does a weak job replacing him, which is better than nothing.
If you're looking for sex, drugs and rock and roll, this film has it. Plenty of topless girl screen time (thanks, Willa Ford), although you should be warned that the two most attractive women (Whitney and Jenna) don't get naked. Sorry. Marijuana plants and bongs are around, as is the Pabst Blue Ribbon. Some might say "if you only have PBR, you're out of beer" but I disagree. As for the rock... they had Night Ranger's "Sister Christian". What more do you want? The theater audience I went with enjoyed singing along.
Many good one-liner jokes, and the gore here is decent. I'm not going to say it's the best gore I've ever seen, but there's no shortage of bodies getting impaled, hacked up, shot with arrows... another reviewer summed this film up as "killing spree", and that couldn't be more true. There was almost no plot to speak of (this is the film's downfall), but how could there be when characters were getting killed off every five minutes? Derek Mears is a fine Jason. There is a better one -- Kane Hodder -- but Mears' version, where Jason looks like Darkman, is respectable. Despite all my misgivings about this film, it turned out to be alright. Not my favorite in the series, not by a long shot. But if you're into beautiful young people drinking, having sex and dying in bloody ways, this film should meet your criteria for quality. Next on the list, the "Last House on the Left" remake... if there's one film I think should have been left alone, that's it. But if they do as well as Marcus Nispel (a great guy, and director of one of the better "Frankenstein" incarnations) did on this one, it has a chance.
The Jason mythology is still here. His mother is still involved, there's still a hockey mask, and it all makes sense. I'm a little unclear as to why he has a home at Camp Crystal Lake (he has a permanent bed at a summer camp), but that's fine. We even have the brother off to find his little sister scenario, which hasn't been in the series since the 1980s... well done bringing back a one-dimensional character. Crazy Ralph isn't here, but an old woman does a weak job replacing him, which is better than nothing.
If you're looking for sex, drugs and rock and roll, this film has it. Plenty of topless girl screen time (thanks, Willa Ford), although you should be warned that the two most attractive women (Whitney and Jenna) don't get naked. Sorry. Marijuana plants and bongs are around, as is the Pabst Blue Ribbon. Some might say "if you only have PBR, you're out of beer" but I disagree. As for the rock... they had Night Ranger's "Sister Christian". What more do you want? The theater audience I went with enjoyed singing along.
Many good one-liner jokes, and the gore here is decent. I'm not going to say it's the best gore I've ever seen, but there's no shortage of bodies getting impaled, hacked up, shot with arrows... another reviewer summed this film up as "killing spree", and that couldn't be more true. There was almost no plot to speak of (this is the film's downfall), but how could there be when characters were getting killed off every five minutes? Derek Mears is a fine Jason. There is a better one -- Kane Hodder -- but Mears' version, where Jason looks like Darkman, is respectable. Despite all my misgivings about this film, it turned out to be alright. Not my favorite in the series, not by a long shot. But if you're into beautiful young people drinking, having sex and dying in bloody ways, this film should meet your criteria for quality. Next on the list, the "Last House on the Left" remake... if there's one film I think should have been left alone, that's it. But if they do as well as Marcus Nispel (a great guy, and director of one of the better "Frankenstein" incarnations) did on this one, it has a chance.
Jason.
The hockey mask.
The machete.
That ominous theme that sounds a lot like "Kill, Kill, Kill."
Anyone with any knowledge of the horror genre has undoubtedly come across this villainous icon who practically sprayed theatres with blood throughout the 1980s. Although he pretty much became a parody of himself in Jason X and then was basically (and wrongly) turned into a psychologically tormented Frankenstein's Monster-style creature in Freddy vs. Jason, the beast was always remembered for who he originally was.
And that is what makes the new remake/reimagining of Friday the 13th such a success (for the most part). Despite being written by Damian Shannon and Mark Swift, the same guys who brutalized Freddy vs. Jason, they wisely went back to the basics that made the character so popular. Sure, he runs now, but he is a hulking beast again. There is a bit of added development in the relationship Jason has with his mother, but the story remains the same. He is still taking revenge on sex-crazed teenagers stupid enough to want to camp on Crystal Lake.
The Texas Chainsaw Massacre, Halloween and to an extent, The Hills Have Eyes, all went down the route of making their deranged killers need to have parental issues in order to establish their motives as adults. For some reason, there seemed to need to be a reason for these killers to be the way they are. They simply could not exist as being demented and totally sick-in-the-head. Friday the 13th does not bother with any of that. Sure, there is a plot twist that will make any devotee or fan squirm with repulsion, but it still makes sense in the grand scheme of who Jason was and is now. The character has no added dimension completely taking away from how terrifying he is, and making him into a misunderstood infant. For that alone, the movie is more than worth the price of admission.
Another wise choice is sticking to the formula. The filmmakers here (including director Marcus Nispel of Texas Chainsaw remake fame) have made what is basically an homage to the series. Instead of trying to completely redo and rebrand the character for a 2009 audience, the film amalgamates everything everyone loved about the series that made them come back for ten sequels. Remember the gratuitous amount of breasts and graphic sex scenes? They are here, and just as graphic as ever. Remember the goofy dialogue, and total lack of any knowledge shown by the characters in trying to combat themselves against this machete-wielding maniac? Its back too. And remember all those ridiculously violent kills?
Well, they are back too.
The film knows its genre, and it knows its audience. It throws plenty of cheap scares at a moment's notice, and offers just enough laughs (both intentional and unintentional) to keep the audience invested in the movie. And when the actual scares come, the film manages to keep the audience transfixed at those moments too (whether they are screaming in fear or laughing from how ridiculous the scene is). Rather tastefully, the deaths are gruesome, but not to the point of overkill like in the Saw series or even within The Texas Chainsaw Massacre. Sure, there are some points where it may be hard not to wince, but it never seems like the filmmakers want to push the audience to the limit. They ground themselves in reality (for as real a situation as this story seems), and very rarely do they cross that barrier. They know which buttons they want to push, and which they want to stay well away from. And instead of exploiting the genre, they embrace it and somehow do not make things too disgusting for themselves. None of them may look innovative, but they work for the type of movie it is trying to be.
But for all the praising, the film is obviously imperfect. Leaving aside the ridiculous twist in the middle of the film and the total lack of character development (albeit, totally expected, but upsetting nonetheless), the film drags its heels getting to the finale. There is a very dry spot as the film nears its third act that borders on boring, and seems more like a forced narrative device to stretch the running time out. I have more than enough faith to see that they clearly could have added more running and screaming to some scenes, and still could have gotten a better effect. Some scenes seem marred by trying to be tense and failing as well. But of course, it is pretty hard for a scene to be tense when you are cheering for the killer as opposed to the victim.
The film also suffers from the slapdash editing that plagues modern horror and action films. In some instances, it is almost impossible to be scared because we barely see what is going on in the scene. It merely shows Jason show up, the person make their movie, and then a quick cut of what Jason does. Some scenes linger on the aftermath, but some happen and disappear quicker than you anyone would think. The fact that the film is not incredibly gory only makes it seem all the sillier to be so horrendously edited in some areas.
Some of the actors could have tried a little harder too, but that is just a nitpicking gripe.
In the end, Friday the 13th is a whole lot of fun. I did not think I would enjoy it at all, but I ended up being surprised at how reverent the film was to the series. Granted you know what to expect from a film featuring Jason Voorhees as the main character, than you should not go home disappointed.
And coming from a remake, that is saying quite a lot.
7/10.
(An edited version of this review also appeared on http://www.geekspeakmagazine.com).
The hockey mask.
The machete.
That ominous theme that sounds a lot like "Kill, Kill, Kill."
Anyone with any knowledge of the horror genre has undoubtedly come across this villainous icon who practically sprayed theatres with blood throughout the 1980s. Although he pretty much became a parody of himself in Jason X and then was basically (and wrongly) turned into a psychologically tormented Frankenstein's Monster-style creature in Freddy vs. Jason, the beast was always remembered for who he originally was.
And that is what makes the new remake/reimagining of Friday the 13th such a success (for the most part). Despite being written by Damian Shannon and Mark Swift, the same guys who brutalized Freddy vs. Jason, they wisely went back to the basics that made the character so popular. Sure, he runs now, but he is a hulking beast again. There is a bit of added development in the relationship Jason has with his mother, but the story remains the same. He is still taking revenge on sex-crazed teenagers stupid enough to want to camp on Crystal Lake.
The Texas Chainsaw Massacre, Halloween and to an extent, The Hills Have Eyes, all went down the route of making their deranged killers need to have parental issues in order to establish their motives as adults. For some reason, there seemed to need to be a reason for these killers to be the way they are. They simply could not exist as being demented and totally sick-in-the-head. Friday the 13th does not bother with any of that. Sure, there is a plot twist that will make any devotee or fan squirm with repulsion, but it still makes sense in the grand scheme of who Jason was and is now. The character has no added dimension completely taking away from how terrifying he is, and making him into a misunderstood infant. For that alone, the movie is more than worth the price of admission.
Another wise choice is sticking to the formula. The filmmakers here (including director Marcus Nispel of Texas Chainsaw remake fame) have made what is basically an homage to the series. Instead of trying to completely redo and rebrand the character for a 2009 audience, the film amalgamates everything everyone loved about the series that made them come back for ten sequels. Remember the gratuitous amount of breasts and graphic sex scenes? They are here, and just as graphic as ever. Remember the goofy dialogue, and total lack of any knowledge shown by the characters in trying to combat themselves against this machete-wielding maniac? Its back too. And remember all those ridiculously violent kills?
Well, they are back too.
The film knows its genre, and it knows its audience. It throws plenty of cheap scares at a moment's notice, and offers just enough laughs (both intentional and unintentional) to keep the audience invested in the movie. And when the actual scares come, the film manages to keep the audience transfixed at those moments too (whether they are screaming in fear or laughing from how ridiculous the scene is). Rather tastefully, the deaths are gruesome, but not to the point of overkill like in the Saw series or even within The Texas Chainsaw Massacre. Sure, there are some points where it may be hard not to wince, but it never seems like the filmmakers want to push the audience to the limit. They ground themselves in reality (for as real a situation as this story seems), and very rarely do they cross that barrier. They know which buttons they want to push, and which they want to stay well away from. And instead of exploiting the genre, they embrace it and somehow do not make things too disgusting for themselves. None of them may look innovative, but they work for the type of movie it is trying to be.
But for all the praising, the film is obviously imperfect. Leaving aside the ridiculous twist in the middle of the film and the total lack of character development (albeit, totally expected, but upsetting nonetheless), the film drags its heels getting to the finale. There is a very dry spot as the film nears its third act that borders on boring, and seems more like a forced narrative device to stretch the running time out. I have more than enough faith to see that they clearly could have added more running and screaming to some scenes, and still could have gotten a better effect. Some scenes seem marred by trying to be tense and failing as well. But of course, it is pretty hard for a scene to be tense when you are cheering for the killer as opposed to the victim.
The film also suffers from the slapdash editing that plagues modern horror and action films. In some instances, it is almost impossible to be scared because we barely see what is going on in the scene. It merely shows Jason show up, the person make their movie, and then a quick cut of what Jason does. Some scenes linger on the aftermath, but some happen and disappear quicker than you anyone would think. The fact that the film is not incredibly gory only makes it seem all the sillier to be so horrendously edited in some areas.
Some of the actors could have tried a little harder too, but that is just a nitpicking gripe.
In the end, Friday the 13th is a whole lot of fun. I did not think I would enjoy it at all, but I ended up being surprised at how reverent the film was to the series. Granted you know what to expect from a film featuring Jason Voorhees as the main character, than you should not go home disappointed.
And coming from a remake, that is saying quite a lot.
7/10.
(An edited version of this review also appeared on http://www.geekspeakmagazine.com).
Teenagers head out to Crystal Lake, NJ where they encounter murderous Jason and his handy machete...
Make no mistake horror fans, Friday the 13th 2009 isn't exactly a remake of the 1980 slasher classic (save for the opening five minutes), but really more of another sequel to the popular series. Even still Friday' fans will find much to enjoy in this splashy, well-made slasher flick. The film makes no pretensions, it's a slasher film and acts like one too! The action arrives hard and fast, with bloody brutal kill sequences and some intense chase scenes. There's also a dash of dark humor (and plenty of topless actresses) thrown in for good measure.
So I can't complain that there's little character development or that the movie is riddled with clichés and stereotypes because this film is wise enough to dispense with the myriad BS and get to the elements that Friday' fans enjoy. Good choice. My only big complaint is the fact that Harry Manfredini's iconic theme music wasn't featured much, if any, in the movie. I did miss that ki-ki-ki ma-ma-ma.
Worth your money horror fans, as this is one of the best Friday' movies in many years.
** 1/2 out of ****
Make no mistake horror fans, Friday the 13th 2009 isn't exactly a remake of the 1980 slasher classic (save for the opening five minutes), but really more of another sequel to the popular series. Even still Friday' fans will find much to enjoy in this splashy, well-made slasher flick. The film makes no pretensions, it's a slasher film and acts like one too! The action arrives hard and fast, with bloody brutal kill sequences and some intense chase scenes. There's also a dash of dark humor (and plenty of topless actresses) thrown in for good measure.
So I can't complain that there's little character development or that the movie is riddled with clichés and stereotypes because this film is wise enough to dispense with the myriad BS and get to the elements that Friday' fans enjoy. Good choice. My only big complaint is the fact that Harry Manfredini's iconic theme music wasn't featured much, if any, in the movie. I did miss that ki-ki-ki ma-ma-ma.
Worth your money horror fans, as this is one of the best Friday' movies in many years.
** 1/2 out of ****
"Friday the 13th" is a Thriller - Horror movie in which we follow a group of young adults who venture to Camp Crystal Lake, only to encounter the iconic killer lurking in the woods.
I wasn't fascinated by this movie because despite the solid scares and brutal kills, it fell into the trap of relying too heavily on formulaic slasher tropes. The film's biggest strength is its ability to provide the kind of slasher violence fans expect-Jason is relentless, and the kills are gory and creative. The cinematography captures the eerie atmosphere of the campgrounds, and the tension is palpable in some of the film's more suspenseful moments. However, much like other slasher reboots, the movie struggles with its lack of compelling characters. The group of victims feels interchangeable, making it difficult to connect with their fates and care for them. Despite offering some enjoyable moments for fans of the franchise, the movie fails to break new ground. The plot is predictable, and while the movie tries to flesh out Jason's backstory more than previous entries, it doesn't do enough to make him more menacing or interesting. In conclusion, I have to say that "Friday the 13th" is an average reboot that offers some thrills for slasher fans but doesn't stand out in a genre already filled with similar movies.
I wasn't fascinated by this movie because despite the solid scares and brutal kills, it fell into the trap of relying too heavily on formulaic slasher tropes. The film's biggest strength is its ability to provide the kind of slasher violence fans expect-Jason is relentless, and the kills are gory and creative. The cinematography captures the eerie atmosphere of the campgrounds, and the tension is palpable in some of the film's more suspenseful moments. However, much like other slasher reboots, the movie struggles with its lack of compelling characters. The group of victims feels interchangeable, making it difficult to connect with their fates and care for them. Despite offering some enjoyable moments for fans of the franchise, the movie fails to break new ground. The plot is predictable, and while the movie tries to flesh out Jason's backstory more than previous entries, it doesn't do enough to make him more menacing or interesting. In conclusion, I have to say that "Friday the 13th" is an average reboot that offers some thrills for slasher fans but doesn't stand out in a genre already filled with similar movies.
This remake is perfectly fine and it blows my mind that a lot of people trash it... they honestly haven't seen some of the films that came before this if they think this is awful.
¿Sabías que...?
- CuriosidadesRichard Burgi wasn't cast as Sheriff Bracke until 12 hours before they needed to begin filming his character's scenes.
- Pifias(at around 24 mins) It is illegal for patrons to pump their own gas in New Jersey. By law there would have been an attendant on duty and gas would not be paid for inside.
- Créditos adicionalesThe movie's title does not appear until 23 minutes and 50 seconds into the film.
- Versiones alternativasAlso available in a so-called Killer Cut, which includes story extensions, extra violence and more sexual content.
- Banda sonoraFriday The 13th Jason Vocal Effects
Written by Harry Manfredini
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Detalles
Taquilla
- Presupuesto
- 19.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 65.002.019 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 40.570.365 US$
- 15 feb 2009
- Recaudación en todo el mundo
- 91.509.154 US$
- Duración
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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