Dragón blanco

I chanced upon this film quite accidentally. It was double-billed with "Springtime in a Small Town" and lucky for me, simply enjoyed it wholeheartedly.

This is a 'martial arts' film, told like a folklore, in period costumes and sets (prince and palaces), yet with modern touches noted in the dialog exchanges. Among the scenes of sword fights, kung fu artists jumping, flying around in woods and forests, rooftops and walls, there are constant witty banters and the use of pun on colloquial idioms and visual references. If you know Cantonese, you're bound to be readily giggling with delight the way the fun-poking lines being tossed around by the actors and actresses. There is an endearing casual rhythm to how the words are thrown out, matching the action or movement at hand. An example of a modern touch (probably recognized by anyone who's familiar with using computers and the Internet): the sign of 'downloading' on screen is being 'borrowed' (where the subtitle is) to denote transference of mastery power from one character to another (our heroine of the story played by Cecilia Cheung, to be specific). Hm, ain't it cool!

I like "White Dragon" more than "House of Flying Daggers" - both had scenes of action sequences among trees and bamboo, a blind hero (in 'Dragon')/heroine (in 'House'), noble intentions - somehow the storyline is more substantial, lively and playful, and endearing in "White Dragon." There's no dispute as to how stylish the way "House of Flying Daggers" was cinematic ally presented, how lavish the costumes in colors and fluid in movements, yet like "Hero," there's a certain aloofness to director Zhang Yimou's two recent highly artistic filmic efforts (sort of precious but touch me not). While director Wilson Yip gave us a story that we can simply get down and literally rollick with the characters, laugh and cheer with them to the basic values of good triumphs over evil, and love can win and unite hearts.

With "House" - we are kept at a distance, just watching in awe how beautiful Zhang Ziyi is and the sceneries and props. With "Dragon" - we get to jump in and be next to Cecilia Cheung's "Litte White Dragon," her spunk, swiftness and warm smiles, and Francis Ng's "A floor of Chicken Feathers," the personable blind assassin with heart, gentleness and quiet moves. The way the film is directed appeals to both young and old. Another modern approach example: the scene in the shop, the words uttered (subtitle translations) reminded me of moments in 'teenage' films like Tina Fey's "Mean Girls." Some might find the humor 'silly', while some may take it as comic relief with ease.

"(Little) White Dragon" (2004) is available on DVD - yes, NTSC ALL region, widescreen, DTS sound, 93 mins., subtitles English and Chinese. For more info, try a search on "White Dragon" "Wilson Yip 2004" or can check out Asian DVD stores online. If you want entertaining action and drama, fun and wit, charming romance, non-heavy-handed treatment, give this film a chance. A literal translation of the film's Chinese title can be: "Little White Dragon: Tempestuous Sea of Emotions."

Other Zhang Yimou films worth seeing are: "Happy Times" (2001), "Not One Less"(1999), "Ju Dou" (1990), "Red Sorghum" (1987).

This is NOT a wuxia film -- don't watch this for the swordfights or chereography, and you will find the movie entertaining. Running at mere 90smins, The White Dragon can be a filler for your indoor time during the quarantine period.

The movie begins with the heroine's voiceover on her teenage hopes and dreams, and how her life turned out to be the complete opposite. The movie itself shows the audience how she came to stumble into a path she wouldnt dream of taking, but bravely walk the path anyway.

Love this movie to bits.

When I saw Cecilia Cheung for the first time in The Legend of Zu (2001), I was immediately struck (if not smitten) by her beauty, and I hurriedly started looking for her in other movies. After a bunch of modern-day dramas (slightly boring, truth be told), she's finally back in a fantasy martial arts epic, looking better than ever.

I was immensely thrilled to find White Dragon, and I was elated as I saw the first twenty minutes of it. There is so much cool action, so many great laughs; so much delightful entertainment.

The rest of the movie is not bad, but it slows down a great deal to focus on building up the love story. It has many of the same plot elements that other Asian movies of this type has; someone is blind (yet a superb kung fu master), the girl is betrothed to another but can't help falling in love with the hero (yes, just like in House of Flying Daggers), and the love story completely takes over the movie after about a half-hour opening of great action and comedy (the great 2002 comedy Chinese Odyssey had the exact same structure). This is a little disappointing; one would really have liked the action and comedy to be sustained throughout the movie.

However, it's still an uproariously entertaining, beautiful and funny movie, and the actors all do an amazing job.

8 out of 10.

So here's the gist of it: Phoenix Black, a pretty young woman in China two hundred or so years ago, a one-dimensional victim of the director's need to rehash the silly-teen-girl-who-loves-to-shop jokes, inherits the powers of the White Dragon via simulated computer-download. Because she's in love with the Prince, she must fight to save him from the country's top assassin, a man named Chicken Feathers. She is aided by Gene, a young man with an impressive knowledge of modern forensics.

Throughout the course of the story, though, Phoenix finds out that Chicken Feathers is a decent man, and falls in love with him as well. Now she must learn where her loyalties lie and uncover the mystery of who hired Chicken Feathers to assassinate the Prince.

To be fair, if you can stomach the first twenty minutes of silicon-age silliness blending with feudal China affairs, and the last ten minutes of western-world make-me-puke-mega-happy-endings, then the rest of the show ain't so bad. Though the wire-fu is growing tiresome, the sword play is decent. The love story is slightly appreciable, though on the whole less than respectable.

Cecilia Cheung, who's always delightful to see does an admirable job of taking a lame role seriously, and she gets to play a character with two cool names: Phoenix Black and White Dragon, Jr. The other supporting characters are just silly. The conspiracy story is dumb and over-abused in Western cinema. The blind assassin with a pure heart story is even more over-abused in Eastern films. I would have hoped that something coming out of Hong Kong would have had more substance.

The worst of the film, though, is that the director tries to blend modern silliness akin to Leslie Nielsen's Mr. Magoo (actually, you could reference just about anything Nielsen has done for the last twenty years) with all the pageantry of Eastern period-piece films. What you end up with is computer download power transfers, and a débutante of ancient China playing ancient Chinese songs on a flute while acting like a rock star and stage diving.

Needless to say, the mixing just doesn't blend. People who honestly express the thought that this is a great movie only demonstrate their foolishness, and an all-too-frightening penchant for idiocy.

What do you get if you take the uncomfortable teenage sense of humour of High School Musical and replace the music numbers with sword fights and martial arts choreography? Something very closely resembling The White Dragon, as it turns out.

And unfortunately this is not really a good thing. The very Western sense of humour clashes horribly with the Oriental aesthetic and ideals, making the whole experience more baffling and uncomfortable than funny or thought-provoking. More often than it feels more like a parody than an actual comedy, which I sense wasn't the intended goal of the film makers.

Aside from that, it's not even that good of a wuxia film. And not just because the immature jokes water the subject matter down, but because it lacks the grandeur and philosophy of a proper wuxia film. Again, more like a parody than a proper representation of its intended genre.

That's not to say that the actors are untalented or that the fight scenes are not fun to watch, but while it may look fine, it lacks soul and passion. Though admittedly this applies to most comedies nowadays, because it's so easy to gain cheap laughs by pandering to the lowest common denominator. In that regard this movie is no different from Hollywood's usual fare.

If you can stomach most comedies and would like to see one with a wuxia setting, then The White Dragon is worth checking out. But if you're looking for a traditional wuxia film or require some semblance of thought from your movies, then look elsewhere.