PUNTUACIÓN EN IMDb
3,7/10
41 mil
TU PUNTUACIÓN
Ocultas en niebla, las víctimas de un crimen que está en el origen de la fundación de un pueblo salen del mar clamando venganza.Ocultas en niebla, las víctimas de un crimen que está en el origen de la fundación de un pueblo salen del mar clamando venganza.Ocultas en niebla, las víctimas de un crimen que está en el origen de la fundación de un pueblo salen del mar clamando venganza.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios en total
R. Nelson Brown
- Machen
- (as Rnelsonbrown)
Douglas Arthurs
- Founding Father David Williams
- (as Douglas H. Arthurs)
Charles Andre
- Founding Father Norman Castle
- (as Charles André)
Rade Serbedzija
- Captain William Blake
- (as Rade Sherbedgia)
Reseñas destacadas
I wasn't angry about The Fog remake until I heard that it was going to be released by Revolution Studios, a company known to house crap movies. From then on, my hopes weren't that high, and they sank even lower when I saw the trailer. It looked to much like Boogeyman or Darkenss Falls rather than an atmospheric, imaginative, horror production like the original.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
The worst movie I have ever seen (so far)! It deserves a "1," but I'm saving "1" for the movies they make when I'm 70 years old.
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
In Antonio Island, Oregon, the dwellers are celebrating the anniversary of the foundation of the seaside town and the mayor has built the statues of the founders: Wayne, Castle, Williams and Malone. The descendant Nick Castle (Tom Welling) owns the Castle & Son, a fishing charter company, using his vessel Seagrass for tourism in the Antonio Bay. When his girlfriend Elizabeth Williams (Maggie Grace) returns to the island, coincidently a huge fog appears with weird noises and killing locals. When Elizabeth slips in Nick's boathouse and falls in the sea, she finds an 1871 journal written by a man called Blake, who bought half the island for his leper people to build a town for them to live. While sailing in the clipper ship Elizabeth Dane, bringing his community to Antonio Island, Blake is betrayed by Wayne, Castle, Williams and Malone. The quartet locks Blake and his friends in the vessel, steals their money and possessions and fires the ship, killing them. In the present days, the ghosts of Blake and his crew are seeking for revenge on the descendants of the criminals.
1981 "The Fog" is a dark ghost story of the master of horror John Carpenter, with great cinematography and special effects, giving a scary atmosphere without the need of gore. The screenplay builds the horror in a low pace, but increasing the tension.
I decided to see this remake just because of the names of Tom "Clark Kent" Welling, Maggie "Shannon Rutherford" Grace and Selma Blair. In spite of my wish of liking this movie, unfortunately it is terrible. The story is basically the same, but the modifications in the original screenplay are awful and confused. The edition never reaches the tension, and for example, I have not understood why Elizabeth leaves Antonio Bay (and Nicholas Castle) with the ghosts, or the modification in the statue of the angel in the cemetery. The songs that the DJ Stevie Wayne presents in her station are the best this movie offers to the viewers. My vote is four.
Title (Brazil): "A Névoa" ("The Fog")
1981 "The Fog" is a dark ghost story of the master of horror John Carpenter, with great cinematography and special effects, giving a scary atmosphere without the need of gore. The screenplay builds the horror in a low pace, but increasing the tension.
I decided to see this remake just because of the names of Tom "Clark Kent" Welling, Maggie "Shannon Rutherford" Grace and Selma Blair. In spite of my wish of liking this movie, unfortunately it is terrible. The story is basically the same, but the modifications in the original screenplay are awful and confused. The edition never reaches the tension, and for example, I have not understood why Elizabeth leaves Antonio Bay (and Nicholas Castle) with the ghosts, or the modification in the statue of the angel in the cemetery. The songs that the DJ Stevie Wayne presents in her station are the best this movie offers to the viewers. My vote is four.
Title (Brazil): "A Névoa" ("The Fog")
I was so disappointed about this. When I first heard they were remaking it, I was worried, but gave it every chance to actually be good. It wasn't. Everything that was good in the original was ruined in this one. There was no "atmosphere" to it, it was just a bunch of overly-beautiful WB-age stars thinly acting out a poor script. The whole purpose of the lighthouse and Stevie Wayne was to present this feeling of isolation and loneliness...in the new one, they seem to rarely use the lighthouse at all. There are extra points in the plot that are unnecessary and... and, I can just go on and on. It was just horrible.
Then, I tried looking at it not as a "remake" but just as a regular movie, as though I was seeing the story for the first time. But, you know what: it still sucks. It doesn't capture you. There are a few good scenes and shots, but overall I just kept wondering when it would be over. So much potential with a story and it just didn't work.
Unfortunately, that's Hollywood today. Horror films can be well made at the same time. Maybe they should stop relying so much on picture-perfect actors and corny digital special effects and start focusing more on the story, the characters, the music (Lord, the original score added so much), and just making it entertaining! 3 out of 10.
Then, I tried looking at it not as a "remake" but just as a regular movie, as though I was seeing the story for the first time. But, you know what: it still sucks. It doesn't capture you. There are a few good scenes and shots, but overall I just kept wondering when it would be over. So much potential with a story and it just didn't work.
Unfortunately, that's Hollywood today. Horror films can be well made at the same time. Maybe they should stop relying so much on picture-perfect actors and corny digital special effects and start focusing more on the story, the characters, the music (Lord, the original score added so much), and just making it entertaining! 3 out of 10.
Allow me to save you $8 by offering something you can do at home that is just as entertaining as watching this movie. Go get a load of whites and throw it in your dryer. Now, add in one red sock. (Make sure everything's dry so you don't end up with a bunch of pink laundry.) Now, hopefully you have the kind of dryer that has the clear window in front. If you do, start the load and watch the laundry spin around. Every time you see the red sock pretend to be scared.
That's it. That's the equivalent to seeing this movie. As entertaining as watching your laundry dry and every bit as scary as a red sock.
Others have already punched all the holes in the plot (or complete lack thereof) that are necessary. I won't beat that dead horse. As mentioned, the acting was completely mailed in. The CGI was hokey, stilted and throw in in a lot of scenes unnecessarily. This wasn't just a really bad movie, this was a really bad horror movie. Most horror movies these days suck to one degree or another, but this moving distinguishes itself as being among the worst of the worst. Seriously, save yourself the time and energy and steer clear of The Fog. I haven't seen a horror movie this bad since I saw the remake of The Haunting.
That's it. That's the equivalent to seeing this movie. As entertaining as watching your laundry dry and every bit as scary as a red sock.
Others have already punched all the holes in the plot (or complete lack thereof) that are necessary. I won't beat that dead horse. As mentioned, the acting was completely mailed in. The CGI was hokey, stilted and throw in in a lot of scenes unnecessarily. This wasn't just a really bad movie, this was a really bad horror movie. Most horror movies these days suck to one degree or another, but this moving distinguishes itself as being among the worst of the worst. Seriously, save yourself the time and energy and steer clear of The Fog. I haven't seen a horror movie this bad since I saw the remake of The Haunting.
¿Sabías que...?
- CuriosidadesThough credited as producer, John Carpenter described his involvement in this way: "I come in and say hello to everybody. Go home."
- PifiasWhen the truck crashes into the boat, Elizabeth is knocked unconscious inside the truck. After her flashback, she wakes up several feet outside the truck.
- Citas
Nick Castle: Holy shit.
- Versiones alternativasTheatrical version 100 min. and unrated version 103 min.
- ConexionesFeatured in Feeling the Effects of 'The Fog' (2006)
- Banda sonoraSalome's Wish
Written by Jamie Balling, Dan Crombie, Adam Lerner and Jonathan Yang
Performed by The Booda Velvets
Courtesy of Gotham Records
(Played when Nick picks up Elizabeth)
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Terror en la boira
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 29.550.869 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.752.917 US$
- 16 oct 2005
- Recaudación en todo el mundo
- 46.201.432 US$
- Duración
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta