La niebla

One hundred years ago, on April 21st, the wealthy leper Blake bought the vessel Elizabeth Dane and moved with his friends from a leper colony to California to build a town for them to live with more comfort. However, while crossing a fog in Spivey Point, they were misguided by a campfire onshore, steering the course of the vessel toward the light and crashing her against the rocks. On the present days, on the celebration of the centenary of the fishing town Antonio Bay, a glowing fog appears, bringing the zombies of Blake and his crew to kill the residents. Father Robert Malone (Hal HolbrooK) finds the hidden journal of his grandfather in the wall of his church, and discloses that Antonio Bay was built with Blake's gold. Further, a group of conspirators including his grandfather lighted the fire to sink Elizabeth Dane and robber Blake's fortune and now the ghosts of Blake and his crew are seeking for revenge on the locals.

"The Fog" is a dark ghost story of this master of horror John Carpenter, who deserves an Oscar his great filmography. The cinematography and special effects are great, giving a scary atmosphere without the need of gore. It is nice to see again a gorgeous twenty-three- year- old Jamie Lee Curtis acting with her mother Janet Leigh. The screenplay builds the horror in a low pace, but increasing the tension. My vote is seven.

Title (Brazil): "A Bruma Assassina" ("The Assassin Fog")

Note: On 14 September 2020, I saw this film again.

Note: On 25 February 2025, I saw this film again.

John Houseman sits around a campfire telling children about the story of a ship that went down near their home Antonio Bay and how the drowned sailors will reappear 100 years to that very night in the fog. It is a wonderful beginning to a very chilling film, directed by the modern horror meister John Carpenter. As with most of his films, Carpenter creates a scary atmosphere through moody settings(the California coastline, a lighthouse, an old Church), relentless mood music as in Halloween, good character acting(Holbrook, Houseman, Curtis, Leigh), and a claustrophobic feeling of something vice-like gripping you. The story has some plot problems, but none enough to detract from the overall enjoyment of the film. Adrienne Barbeau is as lovely as ever in the lead, and the film is credible amidst the background of supernatural actions.

It's surprising that John Carpenter followed up Halloween with such a different tale of terror, but he did just that with 1980's The Fog. It's a urban legend-simple ghost story about a small coastal town celebrating its anniversary, forgetting that they only claimed the town because they murdered a shipful of lepers. The lepers are back and they want revenge.

The Fog has an excellent ensemble cast which is one of its strong suits and also, perhaps, one of its downfalls. There's really no major main character (even Adrienne Barbeau's Stevie Wayne - a radio DJ - disappears for large chunks of the film and never interacts with most of the other characters in the film). It's almost like if Robert Altman decided to make an ensemble horror film. Even more surprising is that Jamie Lee Curtis, Carpenter's star of Halloween, is in only about 15 to 20 minutes of the film and has no real character to speak of.

Dean Cundey's cinematography stuns and Carpenter's eerie synth score spooks, but one can't help feel that something is missing. It does lack that visceral thrill that made Halloween so special. The Fog seems content to just creep its audience out and not truly scare them. It's hard to complain, though, since The Fog does creepy better than just about any other film I can think of. It won't make you come back home and turn all the lights on before bed, but it still stays with you.

A mysterious fog roles into Antonio Bay.

The Fog is a guilty pleasure film of mine as I love how well the filmmakers develop the tension and tell a story with great cinematography, sound, and use of locations.

The plot is simple and full of dark cynicism about accepted histories, but it mostly just sets up creepy and suspenseful horror moments. Some aspects feel contrived, but it does not impact the entertainment if you do not take certain details too seriously.

I like how it creates a plausible small town community tied together by the soothing voice of the radio DJ character. I think this develops a sense of quaintness and enhances the vulnerability of the characters during the horror sequences.

Dean Cundey's cinematography is one of the highlights as there are some beautifully composed shots, and virtually every one feels spooky regardless of the content. When combined with the editing and sound, it works superbly. I usually cannot take my eyes off the screen when watching the opening scenes around the Antonio Bay as they give fairly mundane imagery of people and places a sense of impending dread.

As for the effects, you can see John Carpenter made the best use of a limited budget. You have to suspend the disbelief that a smoke machine is meant to be the fog and accept that several ghostly murderous figures are obscured by darkness for a good reason.

All actors are on good form, particularly Adrienne Barbeau and Janet Leigh. Jamie Lee Curtis and Tom Atkins have a good natural chemistry and their banter feels real. Hal Holbrook puts his heart into a key role and despite the silliness of certain aspects of the plot he pulls it off well.

The Fog is an instant horror classic from the first scene- a salty, old sailor tells a group of young children the true story of a ghostly, wrecked ship. The scene was so simple yet so thrilling that the viewer is hooked (no pun intended) for the rest of the film. The cast is great and the music sets the tone just as it did for Halloween. The best part of the film is that it made no attempt to explain everything away in a hokey horror sense (Why are the bodies returning to life?). Things happen simply because they happen. Much like Night of the Living Dead, the characters are not concerned with why they are in danger, but more concerned with getting out of danger. On a side note, John Carpenter has the best endings of any filmmaker on the market. Just as Halloween and The Thing both ended with a sense of foreboding and silent terror, The Fog ends with style and allows the viewer one final scare. A definite hit!!!