Sweet Land

This is the story of a German mail order bride who moves to a small, Minnesota town filled with Norwegians who don't exactly embrace difference.

The movie creates a palatable tension between doing what you need to do to fit in with your community (what you're "supposed" to do) and finding love with someone who is different (what you should do).

That message resonates in today's political climate.

A funny, poignant, wonderfully acted movie, Sweet Land has the confidence to treat us as if we are intelligent. It lets us fill in the blanks and trusts us to understand what's going on without telling us everything. While this makes us work a little rather than sit back and be spoon fed the entertainment, the effort is well worth it.

For example, when characters speak German, instead of using subtitles, the filmmakers know we'll get the gist of the scene - even though we don't get the exact verbiage. Selim lets the emotion carry us and it works. This is delicate work but it's handled with care and talent.

Sweet Land is about how love is stronger than fear.

Very, very good movie...the kind they don't make in Hollywood. I'd compare it to Jean de Florette and the sequel Manon of the Spring. It's a simple story with complex emotions where the smallest details, like someone taking a huge bite of potatoes, say a lot.

Excellent movie.

As a total movie addict, I was very surprised after attending a screening of this film to be so overwhelmed by the quality of the photography and the depth of the acting.

The visual images in this film are simple, yet breathtakingly beautiful in their composition. It is a rare masterpiece with amazing use of time, depth and perspective. The development of the romantic tension between the main characters in the love story was so powerful and yet so subtle, that it was like a fresh breath mint on a cold January morning.

The used of time and flashbacks is amazing, and the editing and pace of the movie is very accomplished for an independent, low budget film. I will not be surprised if I hear about this move at Oscar time.

Sweet Land touched my heart. My roots are from the same farming background as Olaf and Inge's. Seeing them brought back stories and memories of my own growing up and family history. It slowed down the pace for just a little while and brought back into focus what should really matter in life--and that is the people you journey though it with. The story is simple and yet it is far deeper and more touching than most movies that hit the screen today. It is a story of hardship and the joy and pride that come from hard work. It is a love story and a story of strength. And it is a story with humor and valuable lessons that I believe America's heartland was raised on. It also shares a mindset of a time gone by, an understanding of why our grandparents and parents thought as they did and believed the things they believed. When we know and understand the past, it helps shape and lead us to the future. I appreciate the time and energy that went into the making of this film. It is a treasure.

Delightful, richly imagined story of a young immigrant woman who comes from Norway to Minnesota in 1919 as a "mail order bride" to marry a Norwegian farmer. By turns slapstick funny, tender, ironic and sad, this movie successfully evokes the difficult life of foreign homesteaders in a new land, in a story told simply, with no pretensions and with a wondrous range of nuances.

We confront outrageous instances of religious, ethnic and political bigotry, and the cruel predations of wealthy money lenders who don't blink an eye when pressing foreclosures, ruining families who have sat elbow to elbow with them at church every Sunday for years. But we also see examples of kindheartedness, longing for love and gradually dawning romance, individual integrity and group justice, not to mention hilarious moments, both intentional and unintended.

Inge (Elizabeth Reaser, a luminous beauty) is the stalwart German woman who comes to marry the reticent Olaf (Tim Guinee), who had thought she was Norwegian like him, since she came from a town in Norway. Olaf is a character straight out of a Garrison Keillor monologue: he's the quintessential shy Norwegian bachelor farmer.

Inge, on the other hand, is deferential only because she can't speak English or Norwegian, only German, and that only with the church pastor, Rev. Sorrensen (John Heard), who refuses to conduct the wedding because Inge has no citizenship papers and, ironically, he is suspicious of her German roots, in a time when anti-German sentiment was still at a peak following WW I. Once Inge's got a handle on language, she starts to show her pluck, for, beneath her stunning physical beauty, Inge is in fact a forceful woman.

Comic relief is afforded in a marvelous turn by Alan Cumming as Frandsen, another - and altogether inadequate – farmer. Rather than actually work at farming, Frandsen would much rather entertain his wife and nine kids, and his friends, with funny gestures and tunemaking. Cumming's performance reminds me of Ray Bolger as the scarecrow in Wizard of Oz, or Håkan Hagegård, as Papageno in Bergman's "The Magic Flute," or some of the masters of physical comedy in the silent film era. Rounding out a superb cast are Ned Beatty as Harmo, a ruthless banker, and Alex Kinston as Frandsen's wife, Brownie.

Director Ali Selim, a native of St. Paul, Minnesota, had a highly successful career making commercials for television before undertaking this picture, his debut feature narrative film. He worked from a short story by Bemidji writer Will Weaver, called "Gravestone Made of Wheat." The movie was shot on location in a rural area of southwest Minnesota. This film will leave you laughing and crying. It is a treasure. (In English, German and Norwegian) My grades: 8.5/10 (A-) (Seen on 12/26/06)

Sweet Land (2005) was written and directed by Ali Selim. Elizabeth Reaser plays Inge, a mail-order bride who travels to Minnesota to marry Olaf (portrayed by Tim Guinee).

Because Inge is from Germany, not from Scandinavia, she finds social and legal obstacles to her wedding. The plot proceeds from this significant problem.

Tim Guinee is a strong actor, as are some of the actors in supporting roles: John Heard as the troubled Minister Sorrensen, Ned Beatty as Banker Harmo, and Alex Kingston as farm housewife Brownie.

However, the movie belongs to Elizabeth Reaser. She is a brilliant actor. She's even more talented than we realize. She doesn't speak German, but in the film she had to speak German as if it were her first language. Also, she had to speak English with a German accent. Somehow, she carries it off.

It's worth mentioning one aspect of the movie that was unintentionally funny. Reaser has been traveling across the ocean and then halfway across the continent. She arrives looking fresh and tidy. She continues to be fresh and tidy--without a bath--for days after she arrives. Similarly, Alex Kingston is supposed to be a farm housewife who is the mother of nine children, but she still looks youthful and slender. OK--they're beautiful women, but director Selim should have given them a few signs of wear.

I enjoyed this film, and I recommend it highly. We saw the film on DVD, where it worked well. The movie has a strong IMDb rating of 7.3. I think that it's even better than that.