Juego sucio 2

IA2 has lived up to its predecessor's name. Although the supporting actors, Shawn Yue and Edison Chen, paled in comparison to their more experienced and classy leading men, their acting was A.

I just find it disturbing that in most triad and police movies in HK, the female roles are rather limited. This is in particularly true in IA1 ans IA2, where the female roles were either guest roles or supporting roles. Carina Lau's character should have been given a bit more coverage, esp she's such a fine actress and would be able to handle a much bigger role by herself.

Eric Tsang, Francis Ng and Anthony Wong were in fact the ones who brought their movie characters to life. A good effort to Shawn and Edison but kudos to the older actors! Hopefully, IA3 would be as good as IA and IA2.

Thought the first one was one of the finest Cop thrillers in recent years and the follow up is equally brilliant - for obvious reasons its a prequel set in 3 time periods leading up to the events in the first movie. This time round Ming(Edison Chen - Andy Lau last time) and Yan(Shawne Yau - Tony Leung last time) are more peripheral characters - the main action concentrates on Inspector Wong(Anthony Wong) and his struggles against the Triads. The leader of the major gang has been murdered and his son Hau(Francis Ng) has taken over - he is a more ruthless boss and intends to take over all the territory that other leaders currently control. These include Sam(Eric Tsang) and its interesting how close Wong and Sam are before the events that end so tragically later - Wong would rather have Sam running things and it appears that Wong has conspired with Sam's woman Mary(Carina Lau) to have Hau's Father killed - only to see the son become worse than the Father. To complicate matters Yan is Hau's half brother who as a cop is willing to infiltrate Hau's gang but whose loyalty is put under pressure when he realises that Wong(who he is working for) had a hand in his Fathers murder.Meanwhile Sam is grooming Ming to become his mole in the HK Police(although Ming's attraction for Mary does complicate things).

How this all pans out and leads to the events in the first film I shall leave but its an excellent film - a little complicated at times as you have to work out all the dynamics buts worth the effort - as mentioned the most poignant part is the relationship between Wong and Sam - they may be on opposite sides but have a closeness that will prove to be the central point of the story later.

There is a fantastic scene where Hau contrives to have himself held in Police custody whilst the other gang bosses are murdered and the way the film cuts between his interview(where he reveals how he knows who killed his Father) and the other bosses being wiped out is worthy of comparison with Coppola's Godfather - the series has that whole epic feel and the way it culminates with the handover of power to the Chinese in 1997 with new bosses on both sides of the conflict coming to power is very well done.

For once a sequel that lives up to the original........I shall be interested to see if Scorcese's remake can come close.

This film is a good example for the fact that good and fertile story is the key of film making. "Infernal Affair II" shows how to inherit an original story and expend its scope in a reasonable, even creative way. It is a very good experience watching this film, the actors are good, the directing is skilled and the sequences are intensive, and the climax is stunning, but meanwhile, it always makes you have some ideas connecting to the Godfather series. No matter its epic scale and clues of scenes, you can feel their respect to(or, borrowing from?) the Coppola's legendary film(maybe only the first two...) that's a good try, but not an original one.

a very important work of Hong Kong Cinema in the 90s

Worth watching, especially with the original "Infernal Affairs" 7/10

Sequels are often a bad idea. If a second story is integral to our understanding of the first, it would have been included within it. Often, sequels seem like a cheap way to extract more life out of popular characters, by forcing the through fresh adventures which they either do not fit without contrivance, or which merely copy their previous escapades. 'Internal Affairs 2', however, is an exception. The first movie in this series was a complex thriller that was presented as the end game in a long battle between the Hong Kong police and criminal gangs; but the back story was only hinted at. This movie, actually a prequel, tells tells that story in such a way that it stands completely alone, and remains interesting although the audience already knows the ultimate ending; indeed, is arguably even more interesting because we know where the tale must end. One reason it works is because the film has different ambitions to its predecessor: that was a straightforward thriller of the highest order, whereas this film (no less good) is more character driven, and takes a wider perspective on Hong Kong society in general. Although the first movie was compared by some to Michael Mann's 'Heat', in fact it is this film that better bears the comparison as a tale of adversaries on opposite sides of the law, and it stands up to that comparison well: the subtle behaviours of the heroes and villains alike more interesting than the macho posturings of the gangsters and cops depicted in American movies. The only disappointment is the absence of Tony Leung from the original cast; but it's rare that two movies in a series are as complementary, and as good, as these two.

A loose prequel to 2002's hit Infernal Affairs, this goes back to the 1980s and '90s when the Hong Kong police force and the city's ruling triad sent undercover agents into each other's organisations.

Tony Leung and Andy Lau are missed as the supermoles (played here by young look-alikes) but directors Andrew Lau and Alan Mak have something smart up their sleeves, shifting the emphasis of the story onto the able shoulders of the pair's world-weary veteran superiors. Anthony Wong and Eric Tsang are excellent as the morally compromised cop and likable but capable capo, ageing friends who understand they stand just over the line from each other.

A knowledge of the first film helps navigate the labyrinthine plots of the dizzying opening act but once it finds its pace, it's a slick, slow-burning thriller all the way – marred only by the directors' occasional lapse into Godfather pretensions – while the backdrop of 1997's hand-over of Hong Kong is effective shorthand for the huge changes taking place within the forces of both law and disorder.