Con los días contados

Andy Lau and Lau Ching-Wan are both superb in Johnny To's tautly directed crime thriller which puts most Western efforts to shame. Think of it as the Hong Kong 'Heat', only better! Everything about the film screams class; from the performances to the soundtrack, the cinematography to the script. The tone remains serious throughout, but the film has a nice line in black-humour, friendship and romance at it's heart. Sure, it gets a little preposterous later on, but it would be a hard-hearted viewer who didn't find something to love about this movie. Thank God, Hollywood hasn't (yet) re-made and ruined a classic. Do yourself a favour and see this film!

These are my thoughts after re-watching Aau Chin on a VCD recently bought at HK$15 (definitely NOT a pirated version). I still found it quite enjoyable.

The "setup", while not brilliant, is carefully done, with attention to details. No doubt the audience will find the total incompetence of the villiant "Baudy" quite unbelievable. But he only serves as something on which the duel between the two heroes is built.

Here's is where this film differs from many others in this genre (most notably John Woo's), in which the two heroes usually start off in sharp confrontations, although they may end up appreciating each other. Not here. Right from the beginning, Lau Ching-wan and Andy Lau give you the impression that they are engaged in no more than a friendly game of chess. I, for one, like this arrangement, as a refreshing change.

Lau Ching-wan delivers his usual easy style that is well liked by his audience. He is the mouse in this cat-and-mouse game, a dignified mouse, for that matter. Andy Lau is the cool cat, actually too cool. Hong Kong movie stars who are also Canto pop stars (and that accounts for some 90% of them) often have to watch the role they play in movies to ensure that they wouldn't tarnish their image as a singer. Andy Lau, however, is so popular that I don't think he needs that caution. He just like to look cool in this movie. Didn't hurt either, as it won him his first Hong Kong Oscar.

Finally, while this is a good movie from director Johnny To, my top favorite of his is The Mission, in which style is king.

Not high art, not even exceptionally innovative, but a thoroughly enjoyable movie. Funny, fresh, intelligent - there are still people out there who don't need millions of dollars to hide that they're out of ideas.

When you compare this to your average Hollywood action flick, you're comparing a homemade meal with a big mac.

If you're familiar with the work of auteur Johnny To and his band of filmmaking cronies over at Milky Way, you know what to expect with this latest production. All the familiar elements are in place: the strong camaraderie between two characters: usually a cop and a baddie, the coincidences and chances that turn on a dime and pay off handsomely in the end, and the humor that arises even in the most dire of situations.

Andy Lau plays a man who has 72 hours to live and decides to rob an insurance company. Lau Ching-Wan (also brilliant in other Milky Way films like "Longest Nite," "A Hero Never Dies," and "Where A Good Man Goes") portrays a hostage negotiator/cop who is on the robber's tail, even as the robber sets up a series of tricks and clues that he must follow in order to get his man.

Funny, poignant, and cool while being subtle, "Running" is actually one of the most entertaining Milky Way films to date. Don't miss the performances by the two leads, esp. Andy Lau, usually considered an average actor who has rarely been this natural and fun to watch. This film is one to go out of your way to see.

This film is a refreshing change of pace from the mindless Hong Kong triad movies I have grown so tired of. There are no spectacular gun fights. No car chases. And practically minimal action to speak of. The audience is kept in suspense for the most part, though certain aspects of the so called "ploy" by Andy Lau are quite obvious.

The film has been hailed as a departure from the genre of violent triad films, and as an "intelligent" crime film. To an extent, it is. But, to some extent, it still fails the "believability" test. One can hardly picture any triad member to be dumb enough to not see through the female disguise of Andy Lau in a second. It also seemed to have fallen for the "if someone was seriously ill, the said someone will be coughing up copious amounts of blood regularly" thing Chinese films seem to go for all the time.

The subtle relationship between the two lead characters is a refreshing change.

All in all an enjoyable film, even though the concept is not new and there are few surprises. >