Queer as Folk

I love the American version of Queer as Folk. I never saw the British version, though I'm interested to see if I can find a copy of it. I started watching the show because I was bored and I like Hal Sparks (Michael) from seeing him on VH1's I Love the 80s. But in this show, I discovered some things that a lot of television shows now seem to lack: interesting plots, three-dimensional characters, and most importantly, realism.

I like how the character's issues are never resolved in one episode, and how the actions of one have some effect on the other main characters of the series. The characters are all three-dimensional, and very strongly played by their respective actors. They have wide ranges of emotion, and though they at first appear to be stereotypes, it is soon very evident that each one has plenty of flaws. The story lines are extremely engaging as well, and I find myself disappointed at the end of every episode, because now I have to wait and see what happens.

Of course, it isn't a documentary of gay life in Pittsburgh, so of course there are over-exaggerations and the occasional predictable plot line or relationship. But that's okay, because this is television, and the writers are allowed to have creative license. Now into the fifth season, I am a dedicated fan of the show, and will be sorry to see it end.

This show, has brought the best five years to my life. I started watching the show when I was 13, and was the backbone for my coming out. Without this show, I don't think I would have had the courage to come out when I did. It was like home to me when things got rough. Now 17, I have developed a connection with the characters based on the lifestyle they led and the one I lead. Through the whole last episode, I cried, it was like a part of me had died, remembering that it was the biggest reason why I came out. I already miss the show, and I am anticipating buying the rest of the box sets I'm missing, the two Cd's I'm missing, and the book, to keep in my collection of the greatest t.v show to be aired and the greatest backbone support to gay people around the world. That's all folks!

QAF is, in my opinion, the best cable TV series of all time (since Rude Awakening is off the air). Kudos to Showtime for having the courage to put it on. The most important reason this show works is because of THE ACTORS, who are all superb, creating 3-dimensional characters that you care about, deeply, week after week. It's impossible to imagine any different actors in the main roles, in fact - the true sign of brilliant casting. This is the only show on television, cable or network, that I watch religiously and I couldn't be any more thrilled that it's been renewed for another 2 seasons.

Added on August 8th (a day after the series finale aired) - Just wanted to say that this show has changed television forever, not just because it pushed the envelope - actually, it EXPLODED the envelope - but also because of all the lives it touched, informed and/or changed. This show crossed all barriers, appealing to every kind of viewer, thanks to the beautifully written characters, magnificently realized by the superb cast, and I for one am sad to see it end, this once-in-a-lifetime bold and redemptive journey.

It's about time that filmmakers created a series that doesn't revolve around the trivial and comic relationships of heterosexual couples - many of the sitcoms these days seem to have that theme in there somewhere do they not? It's controversial, often quite graphic and rarely comic - it's an adult 'soap opera' with alot more content than your average. Apart from anything else, Queer As Folk has thrown a revealing light onto the trials and tribulations of gay relationships - proving to those unfamiliar with the subject that they are not relationships that should be ridiculed or discriminated against. Regardless of the moral merits, it's just a really good series. The acting is great and the storyline keeps you watching week after week. The series explores numerous relationships that all differ in some way or another - yet in many ways they are also very much alike. This series can be enjoyed by anyone, despite some of the reviews I've read in the past. In fact, I'd encourage anyone to try it out at least once - you may be presently suprised.

As an older man (55), I'm amazed at the level of graphic nudity, the frankness of the sexual couplings whether gay or lesbian sex is involved, and it struck me as astonishing that the reason I would sometimes be uncomfortable viewing these scenes, is that there are virtually no images for gay people on TV that are comparable to those in QAF. I'm no prude, and thank goodness I've stopped squirming. My normal reaction is that if a series is good in its original British guise, the Americanization will be awful. Not so here. QAF started for me as a superficial soap about gay life. But once the first season was half over, I was hooked. I found I cared deeply about these characters. Their insular gay world in Pittsburgh was refreshing. The relationships work beautifully and you see a fairly representative slice of gay life on this series. Sure everyone always seems to be showing up at the big gay club with its go-go dancers and steamy back room. But how wonderful to have a show all about gay people where nobody gets killed for being gay, or commits suicide or is in some sort of depression or any other negative situations that have been such a feature of films showing gay characters as life's losers.

Gale Harold's Brian took me totally by surprise. His no gamesmanship attitude towards sex and relationships makes total sense. What I responded to is his character's absolute refusal to be liked, unlike the very likable Michael (Hal Sparks) whose insecurity demands that he be liked. Brian's a stunning bad boy, confident of his looks, his talent, his ability to spot bullshit a mile away. He wants to be appreciated for his worth. Nothing wrong with that. He's unapologetic about his sexuality and is not obsessed with settling down into domestic bliss the way Michael is. Michael is a child, but a sweet one with his love of comic books, and his unresolved longing for Brian. His character's worry about everything has finally become endearing. Peter Paige's Emmett is adorable and heartbreaking. I love that he's always picking himself up after every romantic disaster, dusting himself off and heading towards the next with high hopes. Scott Lowell has a natural affinity for Ted Schmidt's insecure and manipulative accountant. I'd like him to settle down for awhile. I sometimes weary of his travails.

At first I thought Randy Harrison's sweetly beautiful Justin was going to be a fluffy love toy for Brian, but Justin's own problems have shown Brian's caring side, and you get to see that Justin is no dummy. He goes after what he wants. Nothing wrong with that. Sharon Gless's working Mom waitress can be abrasively grating at times, but she presents a loving mother to a gay son, and that's a good thing. Michelle Clunie as Melanie and Thea Gill as Lindsay strike me as an appealing, smart, and caring lesbian couple Their stability as a couple shows what is possible without proselytizing.

Now in its fifth season, I've come to appreciate the show in big gulps since I rent each season from Netflix. It's a real wallow, and I'm always sorry that it's over. Right now I'm deep into season four and I can't wait to find out what happens next. QAF is excellent series TV, vastly entertaining. Best of all it won't make you feel dumb.