La seguridad de los objetos

Rose Troche wrote the screenplay and directed "The Safety of Objects (2001)". I've got to hand it to her. She certainly did a fine job of linking social alienation and the commodification of human relations.

Rose poses these questions : Can one feel emotionally alone amongst people living in the heart of "upper middle class" suburbia? With real, sensuous subjects largely gone missing (i.e. human beings with genuine feelings of solidarity and love for each other) does one seek solace in the company of objects? The answer I give is, "Yes". My impression is that Ms. Troche thinks so too, but she has another take on the possibility of transcending this misery.

Granted, some of the objects, which/who are NOT subjects (well, only in our 'Barbie-est' of imaginations) are purchased. And some, (in a brief flash of subjectivity) have sold themselves into particularly alienating forms of wage-slavery. I say "particularly alienating" because these forms of wage-slavery appear to leave the human being in a state of having parts of their humanity hacked off. Granted, wage-slavery is a numbing experience for all of us. Such a cost we pay for selling ourselves in to it.

What's the choice though? Nothing or organizing to rid ourselves of the wages system. 99% of us choose the former and thereby suffer and continue to chafe under this system. But! What a playground it makes for artists like Troche. She romps around our collective misery and tell us what phonies we are and still, she gets paid for it! Wow! You go, Rose!

Enough with the hyperbole. The film is well acted, though the acting isn't perfect. So much the better in some ways. At least, one doesn't recognize say a, Bruce Willis or a Nicole Kidman AGAIN! More power to Bruce and Nicole, but for my money, I prefer an unknown who can do the part. And why not? There is good to fine acting in this film.

Do we ALL have to grovel and to worship the STARS? Hell no.

"The Safety of Objects" is NOT about how everyone discovers that they should have paid more attention to things which matter. No. What you've got here is a depiction of situations in our everyday lives which actually MIGHT occur. Okay, so you haven't heard of EXACTLY these situations developing. Hah! Dig this: the son of Gold goes from being a subject to an object. Talk about symbolism! Remember that. It'll be essential for understanding the story weave. Another thing to remember is Naturalism. Naturalism is the philosophical drive behind explaining how God is (I can't resist) essentially capricious with HIS power.

See this movie. Beware, there are pieces which you will see earlier on, which will only become apparent to you later, as the film rolls or digitizes through your viewing mechanism. No worries. With "Safety of Objects" you'll see something about your post-modern, industrialized, computer age selves. In other words, the film conveys a bit of, "the condition, your own condition is in."

Plastic people? Well, maybe so. If the shoe fits...

Although not as powerful as the (actually unrelated) short stories in the book, Rose Troche has adapted A.M Homes admirably to the big screen... which I was positive couldn't be done. The excellent performances of the entire cast are what hold some of the more thin connections together and although I was personally disappointed by some of the changes Troche made, I understand the necessity to a cohesive narrative. Had I not read the book, I think I would have enjoyed the movie more so I highly recommend viewers and readers who crave great stories about dysfunctional suburbia to check out any and all of my favorite female authors work... beginning with The Safety Of Objects and The End Of Alice.

It's just what material objects do. They give us the security and tranquility to go on in life, when all other things appear to be crumbling. Rose Troche's "The Safety Of Objects" is one of the most interesting and poetic depictions of everyday life in a suburban "paradise" in the USA. Being from Mexico, is just another thing that allowed me appreciate it even more: I saw it like a foreigner, like a witness, without wanting to be part of the world Troche describes. But its message is so powerful, that I ended as part of this society that I already knew, but was afraid to accept. Based on the novel by A.M. Homes, "The Safety Of Objects" tells different stories, that reminded me of movies such as "Happiness" or "Grand Canyon", but in a really different tone.

We are presented early on to Esther Gold (a formidable, as usual, Glenn Close), a woman that has to deal with his sick son in a coma, and with her daughter who is unable to express what he feels about the situation of his beloved brother. We also are introduced to the Trains, a really nice couple that has come to a dead point in which the father, Jim (Dermot Mulroney in a really great performance) is dealing with a job crisis, and with the notion that maybe he doesn't have any goal in his life. His wife, Susan (Moira Kelly) tries to understand him but is unable to do so and starts to blame his husband for his usefulness around the house. Their kids seem like normal kids, but Jake, their son, has a strange obsession with a doll from his sister´s room. Also, we met the Jennings and the Christianson, two more families living near by, and with their own secrets. And there's this strange guy, portrayed by Timothy Olyphant, that seems out of place, until we realize what is his part in this story.

It may be difficult to explain the different stories that Rose Troche carry on without seeing the film, but one detail is certain: it almost seems that in the center of all things is Paul Gold (Joshua Jackson), the comatose son of Glenn Close's character. And as we are seeing this people living their lives, we are also committed to think about our lives. These characters have lots of problems to handle, their own insecurity and all their fears, their unfulfilled lives, their need of attention and support, but in their hearts, they only need safety: the safety to know that tomorrow everything is going to be fine, but only if they allow themselves to breath, and go on.

This film is just a beautiful essay of how everyone in this world tries to feel safe. Jessica Campbell, Joshua Jackson's character's sister, feels safe with the guitar of his brother in his arms. Dermot Mulroney's character starts to feel safe when he goes from goal to goal, trying to find something to feel fine with himself and his own life. It is only when they start to realize what they are doing, and start to accept the things that surround them, that they become aware of the vacuity of the safety that objects bring. And their problems then become real, and manageable.

"The Safety Of Objects" is an excellent motion picture, really. The work of Rose Troche as writer and director are really supreme, and the cast is really great too. Glenn Close shines as the always depressed and distant Esther, and Dermot Mulroney gives maybe the best performance of his life. Joshua Jackson's performance is credible, and Jessica Campbell is just great, along with Alex House, the kid with this "Barbie obsession". Maybe in other countries outside USA, "The Safety Of Objects" could be just another film about life in the 2000. But for Americans, and for seekers of good films around the world, this is a beautiful essay of the triviality of material objects, and the real assumption of our place in the world, our goals in life, and above all, the knowledge that the way to solve our problems is facing our fears and our responsibilities. Life is made of these powerful ideas, it would be a crime to let life pass us by without knowing that we are breathing... and that we have to walk ahead, farther along the way.

The Safety of Objects was Altman-like in its intertwining of stories but without the messy overlay of voices and sound. The connections among the families in a suburban neighborhood created an interesting tension, as crucial information and backstory emerged. Watch how short stories from a collection are woven to make a quilt about life in the burbs (and the secret life of kids, as well as couples)

What I especially found provocative in this film was how some dangerous situations turned out as one would expect, but others teetered on the edge of 'Oh, no,' yet were resolved without harm.

There has been much talk of how the film represents (or apparently misrepresents) the American psyche but you don't have to be an American to empathise, or indeed sympathise, with these characters. Like it or not, all families are dysfunctional; we are all damaged in some way and that is the beauty of this film. I may not be a manic depressive, masturbate comatosed boys or have had a questionable relationship with my Barbies but life can be 'distasteful', 'brooding', 'pervy', 'joyless' and 'selfish' just as much as it can be wonderful, uplifting and compassionate. No, not every American suburban family are as impaired as these, nor as a Brit do I see a mirror of myself watching Eastenders or Coronation Street. It's just one point of view and I think Rose Troche has handled such social nuances sensitively and with care. I'm not saying the film is perfect. However, complaining because it makes disturbing or uncomfortable viewing smacks of it hitting a nerve.... If you're seeking a no-brainer, go and see the latest Seann William Scott flick. But if you want an alternative slice of American pie - and a more realistic and universal one at that - feast on this.