Un joven, falsamente encarcelado por su celoso "amigo", escapa y utiliza un tesoro escondido para vengarse.Un joven, falsamente encarcelado por su celoso "amigo", escapa y utiliza un tesoro escondido para vengarse.Un joven, falsamente encarcelado por su celoso "amigo", escapa y utiliza un tesoro escondido para vengarse.
- Dirección
- Guión
- Reparto principal
Mairead Devlin
- Partygoer No. 2
- (as Maireid Devlin)
Luis Guzmán
- Jacopo
- (as Luis Guzman)
Reseñas destacadas
The Count of Monte Cristo was a film my girlfriend recommended to me, and to be honest, I wasn't looking forward to it. Seeing that it was a recent film and was not well known by my friends or colleagues, I was skeptical. After the first 10 minutes, I was hooked. I've never read the book, but I can see why it is such an important piece of literature. The story was riveting and had me at full attention all the way through. This movie was a bit more "Hollywood" then I usually like, but it moved at a fast pace so that even a simpleton would enjoy. After seeing this film I am adding this to my books I need to read before I die. Anyone who's looking for a good evening movie, this is it. The film isn't amazing directed, but the story is so strong it keeps you on the edge of your seat.
Rating = B+
Rating = B+
- VideoGameHollywood.com
I really didn't appreciate this film until the second viewing. Afterwards, I thought, "Wow, that was really a satisfying, great film to watch." Satisfying, of course, to see the typical good guy-gets-revenge tale but also a film which provided some beautiful scenery and photography all the way through: a real treat for the eyes and must-see on a widescreen DVD.
I also put on the English subtitles on the second viewing in parts, which helped me understand a few things I missed on the first viewing and had made the film just a bit confusing in several parts. That was cleared up, and the rest was just enjoying the scenery and performances.
Most fun to watch was Richard Harris as "Priest," the longtime prisoner who tutors young Jim Caviezel, the man (Edmond Dantes) unjustly imprisoned who exacts his revenge in the last hour of the movie. Yes, Harris' teaching stretched credibility as he seems to teach his pupil about everything there is know in life! Harris, too, had some of the best lines in the movie, several very profound statements. Ironic that he would be giving Caviezel - who two years later was playing Jesus in "The Passion Of The Christ" - sermons about believing in God! That's Hollywood! One film you're an atheist, the next you are God.
For those who might think the first 30-40 minutes of this movie are a bit slow, stay with it as the action picks up once Caviezel escapes from the prison. Shortly afterward, he is aided by the other character I found most fun to watch, played by Luis Gusman, who still sounds like he's more at home in the streets of New York but, once again, you suspend belief and just go along for the ride.
Strange how our human nature makes revenge so sweet when forgiveness is the right thing to do, but Hollywood has always capitalized on this human failing, making enjoyable films like this. To be fair, it isn't just revenge, as this film points out, it's "justice" we all like to see. In here, the two words are interchanged, depending upon ones rationalizations.
I also put on the English subtitles on the second viewing in parts, which helped me understand a few things I missed on the first viewing and had made the film just a bit confusing in several parts. That was cleared up, and the rest was just enjoying the scenery and performances.
Most fun to watch was Richard Harris as "Priest," the longtime prisoner who tutors young Jim Caviezel, the man (Edmond Dantes) unjustly imprisoned who exacts his revenge in the last hour of the movie. Yes, Harris' teaching stretched credibility as he seems to teach his pupil about everything there is know in life! Harris, too, had some of the best lines in the movie, several very profound statements. Ironic that he would be giving Caviezel - who two years later was playing Jesus in "The Passion Of The Christ" - sermons about believing in God! That's Hollywood! One film you're an atheist, the next you are God.
For those who might think the first 30-40 minutes of this movie are a bit slow, stay with it as the action picks up once Caviezel escapes from the prison. Shortly afterward, he is aided by the other character I found most fun to watch, played by Luis Gusman, who still sounds like he's more at home in the streets of New York but, once again, you suspend belief and just go along for the ride.
Strange how our human nature makes revenge so sweet when forgiveness is the right thing to do, but Hollywood has always capitalized on this human failing, making enjoyable films like this. To be fair, it isn't just revenge, as this film points out, it's "justice" we all like to see. In here, the two words are interchanged, depending upon ones rationalizations.
One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
"The Count of Monte Cristo" by Dumas is one of my favorite books, it keeps you on your toes the whole time, guessing what will happen next. The movie doesn't accomplish this as well. While the book is subtle with the Count's revenge, the movie screams for all to hear. "The Count of Monte Cristo, formerly Edmund Dantes is going to get revenge on his friends!!!" They left out 3 main characters, and DRASTICALLY changed the ending, they had to, the end involves those 3 characters they left out. But I did like the movie and if you enjoy it too I encourage you to read the book!
You've just rented or bought "The Count of Monte Cristo" and enjoyed it. But guess what? It gets better! If you hadn't noticed yet (hopefully you have), this movie is based off of a famous book by Alexandre Dumas. My interest in this movie was sparked because I actually read the book beforehand. I never even knew there was a film version of it until I mentioned my love for the book to a friend who informed me of the recently released movie that she too liked. I did in fact enjoy the movie, but it disappointed me slightly. The book is very much different from the movie. The plot and list of characters were simplified to (in my opinion) make the movie easier to understand and to keep it from being 3+ hours long. If you liked the plot twists and interesting characters in this movie, I must insist you try reading the book. Sure, it's very long and intricate, but if you keep on your toes and keep all of the details in check, you will absolutely love it! You will meet other characters who play a role in Dantes' downfall and a sweet love story (involving characters that do not even exist in the movie!) will unfold. Dantes will take on other roles not seen in the movie. It is truly an incredible piece of work written so many years ago by Alexandre Dumas. Again I say, the movie was indeed good, but the book is better. Please try it!
¿Sabías que...?
- CuriosidadesScreenwriter Jay Wolpert came up with the idea, not present in the novel, that Fernand Mondego (Guy Pearce) and Edmond Dantes (Jim Caviezel) started out as best friends. His logic was that it would work better as a "buddy" film that turned sinister. Wolpert believed that when a friendship soured, the hate generated was both more terrible and more believable.
- PifiasEdmond's eye color fluctuates between brown and blue throughout the movie.
- Citas
Edmond: Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you: as Albert Mondego, the man!
- Versiones alternativasThe UK release was cut, the distributor chose to remove two shots of a man hanging to avoid giving children the impression that a person can hang for some time with no ill effects and in order to obtain a PG classification. An uncut 15 classification was available.
- ConexionesFeatured in The Count of Monte Cristo: An Epic Reborn (2002)
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Detalles
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 54.234.062 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.376.150 US$
- 27 ene 2002
- Recaudación en todo el mundo
- 75.395.048 US$
- Duración2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Japanese language plot outline for La venganza del conde de Montecristo (2002)?
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