Noticias

Just before the start of reel 5 of Lost Lost Lost, Jonas Mekas‘ memoiric rumination on the memorial tolls of immigrant exile, he explains in simple terms his artistic propulsion – “It’s my nature now to record. To try to keep everything I’m passing. To keep, at least, bits of it. I have lost too much. So now, I have these bits that I have passed through.” Having escaped the clutches of the world war encroaching upon his mother country of Lithuania in 1944 only to have been stopped midway through Germany and imprisoned in a labor camp with his brother, Adolfas, until their eventual escape months later, one can only image how deeply ingrained this sentiment truly is for the filmmaker. Having endured so much in this brief period before he and his brother emigrated to America in 1949, it is a wonder that his art, and particularly the avant-garde diary...