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El otro lado de la vida

Título original: Sling Blade
  • 1996
  • 18
  • 2h 15min
PUNTUACIÓN EN IMDb
8,0/10
102 mil
TU PUNTUACIÓN
POPULARIDAD
2056
367
El otro lado de la vida (1996)
HV
Reproducir trailer1:51
2 vídeos
99+ imágenes
Psychological DramaDrama

Un hombre regresa a casa después de haber estado encerrado en un hospital psiquiátrico desde los 12 años por matar a su madre y a su amante.Un hombre regresa a casa después de haber estado encerrado en un hospital psiquiátrico desde los 12 años por matar a su madre y a su amante.Un hombre regresa a casa después de haber estado encerrado en un hospital psiquiátrico desde los 12 años por matar a su madre y a su amante.

  • Dirección
    • Billy Bob Thornton
  • Guión
    • Billy Bob Thornton
  • Reparto principal
    • Billy Bob Thornton
    • Dwight Yoakam
    • J.T. Walsh
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    8,0/10
    102 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2056
    367
    • Dirección
      • Billy Bob Thornton
    • Guión
      • Billy Bob Thornton
    • Reparto principal
      • Billy Bob Thornton
      • Dwight Yoakam
      • J.T. Walsh
    • 359Reseñas de usuarios
    • 68Reseñas de críticos
    • 85Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio Óscar
      • 14 premios y 15 nominaciones en total

    Vídeos2

    Sling Blade
    Trailer 1:51
    Sling Blade
    Sling Blade
    Trailer 1:53
    Sling Blade
    Sling Blade
    Trailer 1:53
    Sling Blade

    Imágenes104

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    + 97
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    Reparto principal32

    Editar
    Billy Bob Thornton
    Billy Bob Thornton
    • Karl Childers
    Dwight Yoakam
    Dwight Yoakam
    • Doyle Hargraves
    J.T. Walsh
    J.T. Walsh
    • Charles Bushman
    John Ritter
    John Ritter
    • Vaughan Cunningham
    Lucas Black
    Lucas Black
    • Frank Wheatley
    Natalie Canerday
    Natalie Canerday
    • Linda Wheatley
    James Hampton
    James Hampton
    • Jerry Woolridge
    Robert Duvall
    Robert Duvall
    • Karl's Father
    Rick Dial
    • Bill Cox
    Brent Briscoe
    Brent Briscoe
    • Scooter Hodges
    Christine Renee Ward
    Christine Renee Ward
    • Melinda
    • (as Christy Ward)
    Sarah Boss
    • Marsha Dwiggins
    Kathy Sue Brown
    • Theresa Evans
    Wendell Rafferty
    • Melvin
    Bruce Hampton
    • Morris
    • (as Col. Bruce Hampton Ret.)
    Vic Chesnutt
    • Terence
    Mickey Jones
    Mickey Jones
    • Monty Johnson
    Ian Moore
    • Randy Horsefeathers
    • Dirección
      • Billy Bob Thornton
    • Guión
      • Billy Bob Thornton
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios359

    8,0102.2K
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    Reseñas destacadas

    DeeDee-10

    Thoroughly Thornton!

    A magnificent film! Watching Billy Bob, I was reminded of Bo Radley (Robert Duvall)in To Kill a Mockingbird. The irony of seeing Duvall in Sling Blade made it that much more rewarding. Yes, it's true, the ending was inevitable, but so what? The journey to the end was what made this film the gem that it is. Dwight Yoakam made my skin crawl, and Lucas Black as little Frank brought out my motherhood instinct. Protect that boy, Karl! And he did. This had all the elements of a great film: an unselfish hero who brings about changes in the lives of others in a meaningful way. Granted, had his mental capabilities been greater he might have made another choice. Given the circumstances of the film, there was no other choice.
    10wdmickel

    Absolutely Amazing!

    I can't believe it took me so long to finally see this movie and I must admit I had never seen any work by Billy Bob Thornton. Without a doubt, Sling Blade is one of the finest pieces of work ever put on film. Billy Bob's performance as Karl Childers is absolutely riveting! I found myself completely fascinated by this character. The entire ensemble of characters are superbly cast. The child actor who plays Frank is talented beyond his years. This story unfolds in many layers, with friendship and love woven between bigotry and cruelty. It begins with a somewhat horrible description of the double murder of Karl's mother and her lover, but yet is tastefully done with words, no cheap views of blood and gore. It shows how the lack of parental love and understanding can form an individual, but also how the human heart can still have the capacity to be open, as in the relationship between Karl and Frank. You'll feel completely drawn into this little family with its pain and problems.

    This is a masterpiece of superb acting, writing and directing! If you haven't seen it yet, please don't deny yourself the opportunity of viewing one of the most amazingly touching movies you will ever see. Even in the company of great performances by Tom Hanks and Dustin Hoffman, I think Sling Blade leaves Forrest Gump and Rain Man in the dust!
    sandspider1

    Amazing and Mesmerizing

    This film is a perfect example of how a film should be made. It has everything, good cast, good script, good performances everything is perfect. This has to be one of my all time favourite films and Billy Bob Thornton is a good a writer and director as he is an actor. The Oscar for best adapted screenplay was well deserved and it shocks me that Billy Bob didn't win the oscar for best actor. I bought this film on DVD and it is a shame you do not get any features but I hope they will release a special edition with contribution from the writer, actor and director himself. I urge everyone to watch this film because it is funny, emotional, enjoyable and just plain brilliant. 10/10
    stepjohn54

    Filmmaking at it's Best

    As someone who loves good filmmaking, I rate this film among the best I've ever seen in all areas of the craft. Some of the criticisms of this film are hard to fathom.

    The screenplay has the tight conciseness of a well-honed play (which this essentially was derived from) and doesn't fail to prick at the emotions and the intellect of the viewer. The photography, the casting and the editing all click together quite admirably.

    However, I always marvel at the negative, emotionalized responses to otherwise superb films such as this by those who seem to miss the entire point of a movie like "Sling Blade".

    I did not see a political message about abortion, or a justification of murder or even a backhanded putdown of the rural people of Arkansas. (Many of the characters were locals, by the way.) Some viewers are setting themselves up to be against this film since they are wearing their own feelings on their sleeves and fail to see the subtle layers of the story. They are seeing only the reflection of themselves on the surface of the water, rather than the complex world below.

    Theater and film are rooted in images and characterizations designed to help us explore the human condition. It was once said that Tolstoy's voluminous novel "War and Peace" could be summed up in a single sentence thereby negating the need to write the book. Art is not a fast explanation, but a captivating and thought-provoking trip that hopefully forces us to think about our own motivations. Taking a one-dimensional view of this film might lead one to believe that Karl Childer's central message is that we should all eat biscuits smeared with mustard.

    "Sling Blade" excels at the job of making us examine the terrible choices life gives us by providing a set of characters who interact in a moving, curious and revealing way. It is not reality nor is it political, but a method by which we can look at our own individual realities.

    Others who seemed disenchanted with this film out-of-hand are those who found it "slow". Helloooo! This film is SUPPOSED to be slow and agonizingly so. It is carefully walking you to the conclusion, step-by-step, so you can squirm uncomfortably at the overall foreshadowing. It ain't an explosion-a-minute John Woo filmmaking and it certainly isn't light comedy, though it induces a surprising number of smiles.

    This is a film that makes us look at true evil in the form of J.T. Walsh, Dwight Yoakum and Robert Duval's characters and compare it to the pure goodness of the damaged creature portrayed by Billy Bob Thornton, whose own brutalization leads him to seek justice in his own imperfect way.

    To help those out who didn't "get" this film, I might recommend that you consider Thornton's character to be an amalgamation of Herman Melville's innocently homicidal protagonist in "Billy Budd" and Mary Shelley's sad monster Frankenstein. These characters, like Thornton's Karl Childers, were dramatic vehicles for the purpose of making us think. They did bad things but we were forced to view them compassionately because they reflected our own conflicting traits.

    Don't read things into a film that aren't there, but don't ignore the interesting elements that are. Get those wheels upstairs turning and start enjoying intelligent filmmaking instead of merely seeking an excitement fix!
    8philip_vanderveken

    Probably one of Thornton's finest movies

    I guess the main reason why I wanted to see this movie was because it was written and directed by Billy Bob Thornton, who also played a role in it. Even though the man hasn't really been able to prove a lot with his work as a director, I must say that I almost always appreciate him as an actor. He's perhaps not the most popular actor in Hollywood, but in my opinion he sure is one of the better ones.

    In this movie he plays the role of Karl Childers, a grown, but simple man who is released from the psychiatric hospital where he has been hospitalized since the age of twelve. He had to stay in that hospital for so long because he murdered his own mother and her lover, believing that they were doing something wrong. He returns to the town where he lived the first twelve years of his life and it doesn't take long for him to get a job as a mechanic, fixing all kinds of small motors at a local repair shop. In the same town he also meets Frank, a young and friendly boy who immediately seems to like this strange man. Soon Karl is invited by Frank's mother to stay in their garage, much against the will of her alcoholic and abusive boyfriend Doyle. While Karl's friendship with Frank gets stronger, the tension between him and Doyle keeps building up, until reaching its final climax...

    Now that I've finally seen this movie, I can only say that it's too bad that I didn't give it a try earlier. Especially thanks to the magnificent performance by Billy Bob Thornton, this is a movie that is more than just worth a watch. But also the other actors like Dwight Yoakam, Natalie Canerday,... did a very good job. The entire movie feels very realistic, is quite sober and never tries to be too dramatic. This is the kind of movie that could have become very preachy, but it hasn't and that's something that I really appreciate. Add to this some good directing and you know that Thornton has done a very nice job with this movie.

    This isn't exactly a typical Hollywood movie, not in its story and certainly not in its approach towards the subject. This could easily have become some kind of cheesy TV-movie, but Billy Bob Thornton has made a very good movie out of it instead. I really appreciated his work as a director, actor and writer in this movie, liked the story and was intrigued by the acting of all the actors. That's why I give it a 7.5/10, maybe even an 8/10.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      According to Billy Bob Thornton in a February 7, 1997 interview on Howard Stern's radio show, Karl living behind a shed is based on a boy where he grew up who could not walk or talk very well, so his parents kept him in a shed out back. Billy said the boy's mother was scared by a snake when she was pregnant, so they felt he was a child of the devil. They kept him locked up and fed him like a dog. It turned out the boy had polio.
    • Pifias
      When Karl is talking to the Frostee Cream Boy, there are no cars on the road behind him. But whenever the camera is aimed at the Frostee Cream, there is a lot of traffic on the road reflected in the window. Billy Bob Thornton points out in the DVD commentary that this is because the local police had another pressing issue the day they filmed Jim Jarmusch, and they couldn't be there to stop traffic.
    • Citas

      Karl: I like them French fried potaters.

    • Créditos adicionales
      The opening credits start about 18 minutes into the film.
    • Versiones alternativas
      The Director's Cut runs 12 minutes longer than the original theatrical releases.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Star Trek: First Contact/Shine/Jingle All the Way/Sling Blade/Microcosmos (1996)
    • Banda sonora
      The One I Love
      (instrumental)

      Written by Ali Jennings and Daniel Lanois

      Performed by Ali Jennings

      Courtesy of Daniel Lanois, Ali Jennings Songs/Socan, Daniel Lanois Songs/Socan

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    Preguntas frecuentes23

    • How long is Sling Blade?Con tecnología de Alexa
    • Does Karl have Tourette Syndrome?
    • Why was Doyle so cruel?
    • How old is Karl?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de septiembre de 1997 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • L'altre costat de la vida
    • Localizaciones del rodaje
      • Benton, Arkansas, Estados Unidos
    • Empresas productoras
      • Miramax
      • Shooting Gallery
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 1.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 24.444.121 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 28.139 US$
      • 1 dic 1996
    • Recaudación en todo el mundo
      • 24.444.121 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 15 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby SR
    • Relación de aspecto
      • 1.85 : 1

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