Asphalt Tango

I've seen a comment on this movie.. and the only thing I can add is "It's a must to be a native Romanian, to fully understand and appreciate this movie, to its true quality".

The film reflects the real life of a romanian. It's all about the wanting and wishing for a better life.

And if you want to see a real tango than see "Asphalt tango".

A group of stripper entertainers decide to leave Bucharest and take a private bus to Paris where they hope to find excitement and a good living. Dora, a housewife decides to join the dancers on their two year contract. Andrei, the husband decides to chase her along the highway and bring her back to Bucharest. Such is the flimsy story. What could perhaps be a journey of adventure turns out to be a pretty dull affair. The two men in charge of the bus hope to make some sexual conquests while on the road, but it is the husband who eventually commands the attention of the pretty girls. The actors struggle with a boring script and the overall result is most disappointing. I always look for good points about a film but in this case I cannot find any except perhaps to say that the girls are physically attractive. Unfortunately, a movie needs more than this to survive a reviewer's critical assessment.

Romanians use to call the period after the fall of the communism in 1989 'the transition'. A time of change of course, but also and mostly a time of confusion. Woken up from the sleep of the dictatorship and repression, the majority of the Romanian had a hard time to adapt to a world that has progressed ahead for decades, and fell into cynicism and despair seeing corruption and demagogy dominating many aspects of the national and day-to-day life. Many of the younger people found the solution in leaving Romania, and the story of this film traces the road from Bucharest to the Western border of Romania of such a group of young women who signed up for a contract as striptease dancers and entertainers in France.

Transition created a genre in the Romanian cinema, and this film realized a decade ago by director Nae Caranfil is a transition film by itself. On one hand we do find many of the features of the older (and not very successful) Romanian cinema, with the tendency for character comedy and very much based on the talent of popular actors. On the other hand we can detect first signs of what will become a few years later 'the new Romanian vague' with the accent on subtle social commentary, with the cynicism of the newly learned freedom, with the comic moments sliding into sarcasm rather than cheap effects.

It is also fascinating to see two so different stars, coming from such different acting schools like Charlotte Rampling and Mircea Diaconu facing one another. The abyss between their styles is the abyss between their worlds, and the efforts of communication beyond words bring them eventually together into appreciation. 'Asphalt Tango' is an imperfect and transitory film and a transitory period, but is certainly a snapshot not only of the recent history of Romania, but also of the evolution of the Romanian cinema.

I don't believe that you must be a romanian to understand this movie. Yes, the economical and social situation is pretty bad, but there are some that remain uncorrupted and with a clean conscience. Of course, after 50 years of communism, everybody wants to open up a business and that's natural. Don't forget to be human and don't forget that there are some things more important in life than money and fame: love, loiality, compassion, spirit of sacrifice and so on. As a conclusion i would say everybody gets what he deserves - if you are a pig you will live like one, no matter how much money you do have...

A film of its time. Spicy subject, the presence of Charlote Rampling, the humor, Mircea Diaconu in a role who represents yours for excellence. Illusion of freedom and money and foreign eccentric life. Slices of Romania. And a jealous hhusband. More than a film, like many others after 1989, a sort of testimony or exorcism. Nice. But, today, unconvincing.