Historias de la edad de oro

I love Kieslowski's films of morally compromised lives in communist Poland. But communist Poland was never half as scary as Ceacescu's 'Golden Age' in Romania, which is perhaps why it's only now that Romanain cinema appears to be enjoying it's own golden era, with many great films looking back at the dictatorship and its legacy. Chris Mungiu's 'Four Months, Three Weeks and Two Days' is perhaps the finest of them; here he has scripted a bunch of illustrative (and not necessarily so tall) tales, which are directed by himself and a number of collaborators (though who produced which episode is not acknowledged). In some ways, the first tale (about an official visit) is almost unbeatable, a black comedy that had me laughing out loud; the last (about a couple of bottle-stealers) has the most obvious stylistic echoes of Mungiu's own work. But all of them capture the mixture of poverty, deference, fear and, paradoxically, individual selfishness, that characterised life under communism. The stories are superficially slight, but the smallest of transgressions carry grotesquely exaggerated weight Bitter wryness and naturalistic acting, camera work and dialogue, mark the films as a whole: a highly recommended set.

a bizarre film. first because its target seems be the generations under Ceaușescu regime. then, because it gives the illusion to recreate the essence of a period. not the last, because it is only one of films after 1990 from the Romanian cinematography who represents a fight against a corpse, a form of exorcism against the past. for me it is not easy to say if I hate it or I am amused about it. because it has the desire to be a honest exam about the hypocrisy of Communism. but itself is far to be honest. because, in a new political system, after twenty years after the fall of Ceaușescu dictatorship, the scenes are like joke contest around the fire , in a trip. ferocious, clever, amusing, ironical. but the presented events are pieces of a lost past. so, the reality who is blamed is itself a form of fiction.

A Humorous Look at the Dark Days of Communist Romania in the 1980's. A look back at Soviet Block Romania before transition - Ceacescu's

so-called 'Golden Age', and told in a series of short stories and

events based on urban legends that used to circulate in Romania

during that period. The dark humour, stoicism and pathos are abundant

and the whole cinematic experience is a true joy to watch. Tales from

the Golden Age can be equally likened to other slow paced cinema

gems such as Lake Tahoe, Vodka Lemon, Goodbye Lenin, The Return, 4

Months 3 Weeks & 2 Days, The Banishment and the wonderful Legacy. It

is one of those films that you can watch over and over again and

still find something new. So much different from standard mainstream Hollywood formula tosh of

today. To me they all provide to an outsider an education and greater

understanding of these peoples and places. An absolute gem.

i was born in 1991, 2 years after the fall of communism. my parents and older brothers used to tell me stories from the commie age and some, you'd think, were outrageous but believe me, nothing you see here is fiction.

it was a pretty hard time and that we still manage to find funny aspects in it is amazing. so, long story short, if you have no idea what communism was like this is the movie for you and it shows everything: fear of the party superiors, stupidity, bad taste, power abuse, lack of simple everyday supplies and most importantly, the will of the communist party

There's pretty much no in-between when it comes to this particular movie. In order to love it, one would first need to fully grasp the social environment of the late 80's in eastern Europe. Having achieved that, the movie will suddenly become amazingly familiar. Of course, to a westerner, the movie may seem bland, with very mild comedic content, but to a eastern European, this movie will bring laughter throughout the runtime. In fact, I joined IMDb just to write about it. Yes, I found it to be that good.

There are multiple factors that make this movie so enjoyable, starting with the fact that it is based on urban legends that used to circulate in Romania during the pre 1989 period (and in fact, long afterward as well), and ending with the amazingly detailed portrayal of the characters, while still maintaining a strictly necessary list of features needed to best summarise them. I'd go as far as to compare this movie to "Goodbye Lenin", which is a movie aimed at the same target as this one. I remember watching "Goodbye Lenin", and shedding a tear in the end, due to the amazing feeling of familiarity that it had brought on the screen. While "Tales from the Golden Age" will not have such a dramatic effect on you, I can assure anyone familiar with the eastern Europe social context of the 80's, that they'll definitely enjoy the movie. Of course, should one wish to nitpick, you'd find various anachronisms, mainly related to the props used, but then again, these anachronisms only helped us remember what the actual objects used to be like back then.

Personally, I give it a 9, simply because I consider 10 to be a mark every director should strive to achieve, but never succeed.