Un anciano sufre una lesión en la cabeza que afecta su capacidad de atención y lo lleva a convertirse en un devoto creyente de los anuncios de televisión.Un anciano sufre una lesión en la cabeza que afecta su capacidad de atención y lo lleva a convertirse en un devoto creyente de los anuncios de televisión.Un anciano sufre una lesión en la cabeza que afecta su capacidad de atención y lo lleva a convertirse en un devoto creyente de los anuncios de televisión.
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This was a classic piece of comedy, take a look round at the current state of British sitcom. Richard Briers was brilliant as the hapless Godfrey Spry. Four episodes only, this could have been legendary given half a chance. Definetly needs a re-run or DVD.
Excellent series satirising early-90s marketing and consumer culture. At times I felt I was watching a mirror of One Foot in the Grave: whereas Victor Meldrew rails against modernity, Richard Brier's character - through a whack to the head - comes to embrace it wholeheartedly. This results in him acting upon the advice and slogans of every piece of advertising he sees. This darkly absurdist approach is perfect for shining a comedic light on the superficiality of much of modern life.
Briers' character could easily become grating over the course of an episode, but is handled perfectly by the veteran actor and is instead a benign, sympathetic figure playing wonderfully against Adrian Edmonson's more caustic and jaded character.
There's a real ferocity behind the writing - a genuine anger and disgust at the depersonalizing effects of consumerism - that really spills out overtly in Edmonson's courtroom diatribe in the final episode. But the rest of the time it's there, a passive-aggressive sardonicism simmering away in nearly every line of dialogue.
Of course, it's all still relevant today - probably moreso - and this totally forgotten gem deserves far greater acknowledgement. Seek it out!
Briers' character could easily become grating over the course of an episode, but is handled perfectly by the veteran actor and is instead a benign, sympathetic figure playing wonderfully against Adrian Edmonson's more caustic and jaded character.
There's a real ferocity behind the writing - a genuine anger and disgust at the depersonalizing effects of consumerism - that really spills out overtly in Edmonson's courtroom diatribe in the final episode. But the rest of the time it's there, a passive-aggressive sardonicism simmering away in nearly every line of dialogue.
Of course, it's all still relevant today - probably moreso - and this totally forgotten gem deserves far greater acknowledgement. Seek it out!
10seb-137
This is very black comedy which leaves an indelible impression on the viewer. It is so powerful because of its impeccable attention to detail in the way it satirises contemporary advertising and the chasm between the glossy fantasy worlds they paint and the sad painful world inhabited by ordinary people. The casting of Bryers as the Pollyanna-ish protagonist is spot on, as his usual chirpy persona is given a new sinister twist by the catastrophic outcomes of his well meant intentions - like Tom Good accidentally launching bird flu on the unsuspecting citizens of Surbiton. Edmondson plays a similar character to Angus Deayton in 'One Foot in the Grave': permanently exasperated with Bryers but ultimately sympathetic that he is just a victim of an unfair world against which he has no defences.
What I remember of a program shown a decade ago is that it was a hilarious yet (in its finale) moving modern retelling of Don Quixote. It was slated at the time, and has gone unrecognised ever since. This is well overdue for a reshowing or a DVD release.
I remember being very impressed by this. It confounded expectations in a number of ways. At first glance it appeared to be a standard Richard Briers cosy comedy but it soon became apparent that it was something far darker and stranger, and featured an unusually understated performance from Ade Edmondson. The main gist of the plot, as I remember it, was that Godfrey Spry (Richard Briers) suffers some kind of head injury which causes him to believe, completely, everything he sees and hears in advertisements. Many dark, comic moments ensue. I've wanted to see this again but TV repeats and DVD/video releases evade me. I'm sure a repeated screening would reveal this to be a forgotten cult classic.
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Muriel Spry: Gordon, how do you feel about a baby?
Gordon Spry: Not sure I could manage a whole one. Perhaps I'd better just have the dummy with a bit of cream.
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By what name was If You See God, Tell Him (1993) officially released in Canada in English?
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