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IMDbPro

Las mejores intenciones

Título original: Den goda viljan
  • 1992
  • 13
  • 3h 1min
PUNTUACIÓN EN IMDb
7,7/10
3,6 mil
TU PUNTUACIÓN
Pernilla August, Max von Sydow, Börje Ahlstedt, Lena Brogren, Samuel Fröler, Björn Granath, Eva Gröndahl, Lennart Hjulström, Björn Kjellman, Mona Malm, Gunilla Nyroos, Ghita Nørby, and Michael Segerström in Las mejores intenciones (1992)
When Scandinavian directors Ingmar Bergman and Bille August joined forces for The Best Intentions, the outcome was a brooding exploration of love set against the volatile Swedish landscape. Taking in breath taking views of both the city and countryside the Best of Intentions dissects the relationship between BergmanÂ’s parents during a time of great change for Sweden; both politically and within society.
Reproducir trailer2:19
2 vídeos
99+ imágenes
Period DramaBiographyDramaRomance

En 1909, el pobre estudiante de teología Henrik se enamora de Anna, la hija de una familia rica en Uppsala. Después de casarse, Henrik se convierte en sacerdote en el norte de Suecia. La cit... Leer todoEn 1909, el pobre estudiante de teología Henrik se enamora de Anna, la hija de una familia rica en Uppsala. Después de casarse, Henrik se convierte en sacerdote en el norte de Suecia. La citadina Anna odia vivir lejos de la zona urbana.En 1909, el pobre estudiante de teología Henrik se enamora de Anna, la hija de una familia rica en Uppsala. Después de casarse, Henrik se convierte en sacerdote en el norte de Suecia. La citadina Anna odia vivir lejos de la zona urbana.

  • Dirección
    • Bille August
  • Guión
    • Ingmar Bergman
  • Reparto principal
    • Samuel Fröler
    • Pernilla August
    • Max von Sydow
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,7/10
    3,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Bille August
    • Guión
      • Ingmar Bergman
    • Reparto principal
      • Samuel Fröler
      • Pernilla August
      • Max von Sydow
    • 16Reseñas de usuarios
    • 17Reseñas de críticos
    • 77Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios y 7 nominaciones en total

    Vídeos2

    The Best Intentions
    Trailer 2:19
    The Best Intentions
    THE BEST INTENTIONS - OFFICAL US Trailer
    Trailer 1:45
    THE BEST INTENTIONS - OFFICAL US Trailer
    THE BEST INTENTIONS - OFFICAL US Trailer
    Trailer 1:45
    THE BEST INTENTIONS - OFFICAL US Trailer

    Imágenes106

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 103
    Ver cartel

    Reparto principal52

    Editar
    Samuel Fröler
    Samuel Fröler
    • Henrik Bergman
    Pernilla August
    Pernilla August
    • Anna Bergman
    Max von Sydow
    Max von Sydow
    • Johan Åkerblom
    Ghita Nørby
    Ghita Nørby
    • Karin Åkerblom
    Lennart Hjulström
    Lennart Hjulström
    • Disponent Nordenson
    Mona Malm
    Mona Malm
    • Alma Bergman
    Lena Endre
    Lena Endre
    • Frida Strandberg
    Keve Hjelm
    Keve Hjelm
    • Fredrik Bergman
    Björn Kjellman
    Björn Kjellman
    • Ernst Åkerblom
    Börje Ahlstedt
    Börje Ahlstedt
    • Carl Åkerblom
    Hans Alfredson
    Hans Alfredson
    • Kyrkoherde Gransjö
    Lena T. Hansson
    Lena T. Hansson
    • Magda Säll
    Anita Björk
    Anita Björk
    • Drottning Victoria
    Elias Ringquist
    Elias Ringquist
    • Petrus Farg
    Ernst Günther
    Ernst Günther
    • Freddy Paulin
    Marie Göranzon
    Marie Göranzon
    • Elin Nordenson
    Björn Granath
    Björn Granath
    • Oscar Åkerblom
    Gunilla Nyroos
    • Svea Åkerblom
    • Dirección
      • Bille August
    • Guión
      • Ingmar Bergman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios16

    7,73.6K
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    Reseñas destacadas

    Kirpianuscus

    beautiful in profound sense

    When you are an admirer of Ingmar Bergman, like me, this film is the best choice. Not only as reflection of his spirit. Not only for the performances and lovely use of melodrama. But for something escaping to definitions. The atmosphere, the portrait of marriage in the first half of XX century Sweden. And more. It is a film about happiness of the other , yourself being only a tool for it. A film about sacrifices and love and mission and fundamental choices. A film about a world, remembering Fanny och Alexander , being, at the level of tone, more sweet but remaining interesting, for the impressive cinematography, than for precise adaptation .
    8lasttimeisaw

    Cinema Omnivore - The Best Intentions (1992) 7.9/10

    "On one hand, Henry is too conceited to seek the middle ground, having been at the receiving end of humiliation for too long, he is righteous, headstrong, aloof and even a ghost of callousness can be sensed from his clash with a local fat cat Nordenson (Hjulström), which sounds rather personal, not to mention getting steamed up after an audience with Queen Victoria of Sweden (Björk). In his petty heart, he cannot tolerate disagreement. Fröler, always looks somewhat miffed with his perfectly trimmed mustache, refines Henry's wounded dignity with a mask of impassivity, which becomes his defense mechanism towards the world both inside and outside, his feelings for Anna is genuine, but he also resents her for putting him through the wrangler before tying the knot, and when he cannot stand her rich girl's temperament, he simply lashes out, the shouting match inside the chapel relating to their pending wedding arrangement is among one of the most candid and riveting squabbling scenes ever filmed and performed, it is Bergman's perspicacity and the two crackerjack sparring partners at work."

    read my full review on my blog: Cinema Omnivore, thanks.
    9bouncingoffwall

    Beautiful, compelling and thought-provoking film

    In this film, we meet Henrik Bergman, a good but flawed man who seeks to serve God. We are also introduced to Anna, his future wife and mother of Ingmar Bergman. Henrik makes do with very little, but will not sacrifice his pride in order to enjoy a better life. He is a man of deep convictions. Anna, on the other hand, is accustomed to the finer things life has to offer, and will not be denied her desires.

    Henrik and Anna have to clear many hurdles, some of their own making, before they marry and move to a forbidding town in northern Sweden where they gracefully undertake their duties as the new religious leaders. It is specially in this part of the movie that we are shown the human frailties of those who represent the church and guide the flock. The best intentions (although the title does not necessarily refer to this) do not saints make. One has to strive to become a better person on a daily basis, and realize one's shortcomings. The characters in this movie do, and it makes one able to better relate to them.

    Like the locomotives one sees so often steaming through the glorious landscapes of this story, this movie starts chugging slowly at first - although never boring -- and barrels full steam ahead during the second half. The entire movie is 181 minutes. I recommend it highly, giving it 9/10.
    10Quinoa1984

    not just a revealing look at the psychologies of Bergman's parents, but a melodrama-free story of cold romance

    It's always kind of staggering to think of other films that deal with love and marriage and the twisted ties that bind when compared to what Ingmar Bergman does in his scripts. Stripped away from the problems that come with such dangerous clichés like the old mother forbidding her daughter from being together with a man she just does not like, or with the marriage being strained by outside influences. Maybe the latter isn't much of a cliché as it might be a convention, but it's all dealt with by Bergman in his story of Henrik Bergman and Anna Bergman with complete, un-filtered honesty, even in the harsher moments. While it's not actually one of his very best scripts, with a couple of flaws here and there and it not being quite long enough (i.e. Scenes From a Marriage and Fanny & Alexander being five hours each), it has more emotionally shattering moments, and even under-stated ones, that would make most other dramas about a relationship in trouble meek in comparison.

    That being said, it's also not technically a Bergman film, but directed through Billie August with maybe a slightly differed sensibility. Yet it's not by that much, aside from specific choices in the music (I don't think Bergman would have used the musical accompaniment, not that it's bad but it tells of what is usually different and less frequent for the material), and because of the nature of the material and the characters, it's not surprising if the Best Intentions feels more like a Bergman film than August. The rhythm of the acting, too, feels like it still is out of those vintage masterpieces of the 60s and 70s. Here we're given the story of how Henrik (Samuel Froler) and Anna (Pernilla August) came to be husband and wife. It's basically in two halves- the first dealing with Karin Akerblom (Ghita Nørby), Anna's mother, and her dire attempts to keep the two away from one another. And at first Anna agrees, but soon the attachment to one another can't be broken, even through an early affair Henrik has with a waitress and Anna's tuberculosis scare.

    Many specific scenes, like a very harsh (though always under the surface) scene between Karin and Henrik, when she tells him point blank to leave and never come back to see Anna, or when Anna is told after the death of her father Johan (Max Von Sydow, always great to see him even in limited time) about how she destroyed a letter she found that she meant to sent to Henrik. So much of this is so powerful for how all of the dialog, all of the little notes and emotion in the action penetrate to the core elements of the drama. Sometimes I felt like I was seeing even deeper truths being reached about parents and children (not only Anna with her mother but Henrik with his family- both have tarnished relationships, but however much forgiveness is left off or ties severed shows also how the children become as they are), and a take on the free will vs. determinism of such a decision. So all of this is always fascinating, seeing this 'version' of Bergman's parents and their struggles to be together- Henrik the sort of cold yet compassionate loner parish/priest, and Anna the very warm and heartfelt soon-to-be-mother- as they both have head-strong tendencies.

    I can't say how much of what unfolds in the 2nd act holds up as being totally true to what Bergman's parents lives were, but then who could? It's all made for dramatic sake, anyway, but what ends up sticking most is the friction in their marriage early on, when they move away to a small, working-class village where Henrik wants to work as the village pastor. It's in this section that the flaws arise, but not big ones, only enough to keep it odd yet intriguing. Like the character of Petrus, who is a weird little trouble-maker who is too sickly and frustrated to live with his parents, so Henrik and Anna take him in, which turns out disastrously. But there needs to be either more context with this character (and, indeed, a version of this film- a mini-series for Swedish TV- is double the length), or nothing at all, as everything that needs to be said about the strife in the two of them is actually there in the sub-plot with the angered villager Nordenson. And with the ending, it's satisfying, in a catharsis way though it's not as great, or even perfect, an ending it could have been had a certain decision been made on Henrik's part when he sees Anna outside.

    I won't mention what, but it doesn't matter at any rate. What makes The Best Intentions a gem in the Bergman cannon is his trust in the audience to take these 'characters' as full-on human beings, who have the utmost trouble with one thing, compromise and the real meaning of love for one another- connection, which is what Bergman goes for in most of his films. And helping this greatly are the main actors, who elevate an argument mid-way through (regarding the location of the wedding) to the powerful terrain it's reaching for. August fits the requirements of her character just as Froler does, even if Froler ends up being slightly more constricted due to the nature of his own self-restrictive and hard-pressed priest. In the end, The Best Intentions makes wonderful use of autobiography for the stuff of an often gut-wrenching romantic drama where the personal goes into the theatrical, and the direction and acting brings out the best in Bergman's voice in his golden-age.
    Vincentiu

    Bergman

    A couple. A far village. And lands of ice. Tale about Ingmar Bergman parents in Bergman style. Shadows of his filmography. And a story at century beginning. Body of marriage. And bones of common tensions. A key but, in same measure, a huge window. Each scene is only picture of same album. Love as lead river, pain, sin, cruelty, world like strange game, people as punctuation of tangled sentence, testimonies and harsh crumbs of hope, cruelty, demons and God as paper sun. Desert of ice and snow, ash and solitude, words as stones and each character like pray. A beautiful sad movie if ignore Bergman. A kind of sequel if Bergman is present for viewer. A meeting with Nax von Sydow for everyone. And Pernilla August in one of her interesting role.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The first time a husband and wife both won awards at the Cannes Film Festival in separate categories for the same film, Bille August winning the Palme d'Or for Best Film and his wife Pernilla August winning for Best Actress.
    • Pifias
      Karin Åkerblom is wearing her glasses while reading out the letter from her daughter to her husband. When the camera zooms to a head shot of Karin, the glasses are gone.
    • Citas

      [last lines]

      Henrik Bergman: So, you don't want us to go on?

      Anna Bergman: You know I do. I want nothing else. That is all I want.

    • Versiones alternativas
      Theatrical release is edited down from a six-hours miniseries developed for Swedish television.
    • Conexiones
      Edited from Las mejores intenciones (1991)

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    Preguntas frecuentes19

    • How long is The Best Intentions?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de enero de 1993 (España)
    • Países de origen
      • Suecia
      • Dinamarca
      • Finlandia
      • Francia
      • Alemania
      • Reino Unido
      • Italia
      • Noruega
      • Islandia
    • Idioma
      • Sueco
    • Títulos en diferentes países
      • The Best Intentions
    • Localizaciones del rodaje
      • Agrigento, Sicily, Italia
    • Empresas productoras
      • SVT Drama
      • Danmarks Radio (DR)
      • Yleisradio (YLE)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 1.253.106 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 15.186 US$
      • 12 jul 1992
    • Recaudación en todo el mundo
      • 1.253.106 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      3 horas 1 minuto
    • Color
      • Color
    • Relación de aspecto
      • 1.78 : 1

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    Pernilla August, Max von Sydow, Börje Ahlstedt, Lena Brogren, Samuel Fröler, Björn Granath, Eva Gröndahl, Lennart Hjulström, Björn Kjellman, Mona Malm, Gunilla Nyroos, Ghita Nørby, and Michael Segerström in Las mejores intenciones (1992)
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