Do sing

All for the Winner, a parody of the Chow Yun Fat movie God of Gamblers, was a huge hit in Asia, further cementing Stephen Chow's reputation as a sure-fire box-office success. Personally, I found the film rather tedious; Chow may have had them rolling in the aisles in Hong Kong, but I watched rather stony-faced, only really enjoying the occasional fight scene or high-octane shoot-out (courtesy of action director, Corey Yuen).

Chow plays Sing, a young man from the mainland, who travels to Hong Kong to stay with his uncle Tat (Man Tat Ng). When Tat discovers that Sing possesses supernatural powers, he tries to exploit them by taking him gambling. But Sing's success at the tables attracts the attention of two rival gamblers/gangsters, both of whom wish to take advantage of his mysterious talents…

I'm guessing that a lot of the movie's comedy was lost in translation (some particularly dodgy subtitles didn't help), since I didn't find it very funny; add to that my general indifference to the gambler genre and I suppose I wasn't destined to love this film as much as I had some of Chow's other offerings (King of Comedy is my favourite so far).

Corey Yuen's deft handling of the action sequences make the film a not entirely worthless viewing experience, but there just aren't enough of them. A few more high-kicking bullet-spraying scenes and I'd have been a much happier bunny.

After the worldwide success of Shaolin Soccer and Kung Fu Hustle, Chow is at last receiving global recognition and I hope that future projects will be as accessible to an international audience as these were. It would be a shame to see Chow losing fans around the world due to his sometimes more baffling and distinctly Chinese 'humour'.

It is a first film starred with Stephen Chow as the main character on this gambling epic. He was a "nobody" who came from mainland China to Hongkong, in searching of better life. While his potential was discovered by his gamble addicted uncle, which is supernatural ability to exchange any card at any time. Through this journey, he met the girl he always dream of, and the fame he always wanted. Finally, he was forced to enter a tournament to face the best of the best. His comedian skill led the audiences enjoy the movie from the beginning til the end. As most story goes, he won the tournament, and won the girl he loves. Stephen Chow makes high ranking on this movie in Hong Kong's box office in 1990.

Chow showed his superstar talent at this early stage; you can get by thanks to his hilarious delivery and winning physical comedy. The chemistry between Chow and Ng Man-Tat is evident even at this early stage in their partnership. A fun film.

Thanks to his performance as a God of Gamblers wannabe, Stephen Chow became the biggest box office draw of the nineties.

Watching Stephen Chow's film is a kind of enjoyment,he offen act as a ordinary guy bue and last he save the world ,what's more ,he becomes a hero,I love Stephen

Stephen Chow comes from Gwangzhou to Taiwan to stay with his uncle Man-Tat Ng, Uncle is a degenerate gambler, and it turns out that Chow has two, count 'em, two superpowers: he can see through objects, which allows him to see cards through their backs, and he can change one thing to another, like the ime he changes a ticket of horse #4 to the winning 9. Stephen winds up representing Taiwan in an international gambling competition,where people are willing to kidnap and kill opponents to win. He also falls wildly in love with Man Cheung, an absolutely deadly spy except when the plot calls for her to be kidnapped, which makes Chow's powers fail.

It's as filled with ridiculous and funny gags as any Stephen Chow movie, with Man-Tat Ng getting in a fair share as the second banana. What it lacks is a sense of progress, that this leads someplace, as the gags seem added just to fill out screen time. I laughed a lot, but even the funniest sequence must connect to the rest of the movie.

Sing (Stephen Chow) is a mainland China country boy who arrives in Hong Kong to visit his Uncle "Blackie Tat" (Ng Man-tat). When Sing stays with his uncle and his friends in their apartment, Blackie soon learns of Sing's supernatural ability to see through objects and, later on, his ability to change playing cards by rubbing them. He takes advantage of this and turns Sing into the Dou Seng or the "Saint of Gamblers". After getting into a fight with several alleyway gamblers he meets the lovely Yee-mung A. K. A. "Lady Dream", and becomes infatuated with her. Sing quickly becomes a rival to the King and must win his way through a world competition to prove his skill.

The likeable Stephen Chow has the ability to see through things in this lively, glossy HK spoof of gambler films that were popular in the late 80's-early 90's, and there's plenty of fun to be had here, especially with a great performance by Man-Tat Ng, who is a chronic gambler looking to win the big stakes and his nephew ( Chow) is the key to that. Quite an enjoyable film, with nary a dull moment, not with the humour and silly moments running rife. There's some energetic comic fights - funny one is when every time Chow tries to hit a guy another man beats him to it. Man Cheung lends some eye candy, and does some butt-kicking, too.

Ridiculously funny and filled to the brim with style, chow in particular has a great screen presence and does dumb incredibly well, slapstick isn't really my thing but the way it is handled in this film is incredibly well-done with absolute precision, this is all helped by the impeccable blocking, there are three type of scenes in this movie: comedic slapstick scenes, action scenes (hand to hand combat), and gambling scenes, and each one is edited and filmed in completely distinct and wonderful ways, it takes three different genres and manages to create something beautiful in all those three ways, lau's direction is something that is over the top but also manages to be incredibly subtle in how brilliant everything is done, it is a very simple story but it manages to be entirely complex with the filmmaking, writing, and performances, one of those gems that might be one in a long line hong kong slapstick/action pictures but even if that is the case this still manages to be incredibly well-made and consistently hysterical

would make a great double feature with Roger Donaldson/Tom Cruise's Cocktail.