Miradas en la despedida

Not often do films come across as truly real. Not scripted, or acted but as if a day in the life. In no way could it be described as Over the Top. Steve Buscemi was the reason I bought this. I am a big fan of all of his work and had missed this one. He was good here again. I love how it is so eighties. I was 23 when this movie was made and I could get right into it as if in a time warp.

Dated also by the scene where Michael said he needed to get a word processor and the man told him it was around $4,000 dollars and he should wait until the prices fell. Another scene I liked was two deaf men signing at a gay bar. Cleverly flamboyant.

I can't add anything that hasn't already been said and said better than me.

Parting Glances was made in 1984 and had a somewhat limited release in 1986 and is without a doubt a powerful and important film in the genre that is gay cinema. It was one of the very first American films to feature the then relatively new disease of HIV/AIDS at a time when much was still unknown about the disease and prejudice against it was at its highest. Bill Sherwood, the writer and director passed away from an AIDS related complication in 1990, Parting Glances was his first and last film.

The main aspect of the story focuses on a New York gay couple, Robert and Michael, in their twenties. Robert is heading off on an incredibly long assignment for the World Health Organisation to deepest darkest and most isolated Africa, Michael, his partner, is staying behind. The film is set out over the two days prior to Robert's departure, with some scenes taking place at an amusing farewell party hosted by the couple's friend, Joan. Some other scenes take place at a dinner party thrown by Richard's unconventional boss and there is a whole bulk with Nick, an old friend and ex-lover of Michael's who happens to be living with AIDS.

The script is fun, witty, exciting and interesting, some of the lines given to the character of Nick are so sharp they cut the dialogue like acid through skin, they really are that potent. There are many different character types populating the movie, especially at the party scenes, which show off New York's society rather well and make you hanker for a live in Manhattan in the early eighties.

Parting Glances was one of the first movies to deal with the subject of AIDS in such a frank, direct and honest way, which for the time was a real revelation. It did not gloss over, nor shy away from the implications or the savagery associated with the disease, at a time when everything like it was still new. There are some deeply searching moments, not least when Nick talks of the decadent and hedonistic days back in the freedom of the seventies creeping into the early eighties. This low budget but important film was made on a budget of a couple of dollars over $40,000, which in movie terms is not even the shell on a peanut. The shooting was completed in a whirlwind seven days, which is remarkable to say the least, you'd certainly not think it was made that quickly when you watch it.

I am fond of this movie, it may seem a little dated at first, but then we are going back almost thirty years since it was made, so it is bound to show some signs of age. Yet, through an exceptionally shrewd script and some talented acting the complexities and nuances of the human relationships shine on the screen, yes even now, after all this time, they still have the power to move. I would suggest a couple of viewings are required to get the full impact of this film to the innocent virginal viewer, otherwise you might not catch some of the intriguingly witty throw away lines peppering the dialogue. Read more and find out where this film made it in the Top 50 Most Influential Gay Movies of All Time book, search on Amazon for Top 50 Most Influential Gay Movies of All Time, or visit - http://www.amazon.co.uk/dp/B007FU7HPO

It's been almost 15 years since "Parting Glances" was first released and ten years since I last saw it, but today I just finished watching the newly-released DVD and was charmed all over again by this wonderful movie. Superbly acted, wonderfully scripted and confidently directed, this engaging story of two lovers at a crossroads in their relationship has held up remarkably well over the years. Sadly, this was director Sherwood's one and only film; he died a few years later of AIDS, disillusioned by the difficulties of getting movies made in Hollywood.

The DVD transfer is crystal-clear and includes some interesting production notes that only add to the experience of watching Sherwood's singular masterpiece. Whether you're gay or straight, if you appreciate the art of cinema you owe it to yourself to add this sweet little film to your movie collection.

If you're looking for the best movie about being gay during the height of the AIDS epidemic, skip "Longtime Companion" and watch this film. Funny, sad and true to life. Well written, well acted....check out Kathy Kinney and Steve Buscemi at the beginning of their careers.

The movie is never preachy or sappy. And there are some Bronski Beat tunes used to very nice effect.

The true crime is that AIDS claimed writer / director Bill Sherwood before he could make another film. This was his only movie - a perfect example of how this disease has robbed the world of a generation of talented individuals.

An early gay movie that deals with AIDS on a first-hand basis, the film is delightful because it doesn't water down (or fetishize) the gay characters for a straight audience. Steve Buscemi gives a wacky, youthful performance as the character with the disease, and chronichles his relationship with his ex-boyfriend and his new partner. It's a slight but pretty enjoyable little movie, probably worth seeing for any Buscemi fan. 7/10