La maldición de shaman

Could have been a cult classic. Everyone and anyone who gravitates to these type of movies knows what they are getting, gore and lots of it. Sadly, there was not enough. The "action scenes" are choppy and, having seen worse movies, done poorly. This is just a majority of the scenes, however. There are some scenes done very very well. If the action scenes were as up front and to the point as the final scene, or the dream sequence, the movie would just make more sense. Period.

I happened upon this movie in a goodwill store and i am, although a little disappointed with the gore, glad that i bought it (probably being the only one in the world with a copy on VHS...hehe). The scenes that are done well, almost bring it to cult status. Overall, i would advise to see it because of a little bit of b-movie humor and some b-movie horror. Hopefully there is a remake, one that will heed this advice and become a cult classic!

Detectives Katherine Hall (Kay Lenz) and Pete Giullani (Wayne Crawford) are investigating a bizarre series of beheadings in Miami. With Christopher Lambert nowhere to be seen, they focus on a small community of Nigerian immigrants who believe they are being haunted by a vengeful spirit from their homeland. Before you can say THE BELIEVERS, our heroes find themselves targets and their personal lives attacked. This is a pretty average 80s horror flick that loses points for being boring. It is too bad because director Francis Schaeffer stages some effective scenes (all of the kill scenes are well done), but then bungles the human drama. The end has Crawford chasing the main beast - that looks kind of like Rawhead Rex - around a tiny backyard with a chainsaw. The movie needed more crazy stuff like this, and less stuff like Crawford arguing with his wife. The film ends with Headhunter being resurrected back in Africa, but no sequel arrived.

"Headhunter" is a low-budget horror movie shot in Cape Town but set in Miami. It's a little flick with a good and intriguing premise but a sloppy script. Director Francis Schaeffer counterbalances that by trying to make the movie as stylish as possible. You can definitely see the influence movies such as "The Evil Dead" had on this one. The cinematography in general is pretty good, provided you're watching the movie on Blu-Ray (the disc is out-of-print and I had to retrieve it on eBay myself about 10 years ago). Despite the director and the camera team using every trick in the book, the very low-budget prevents the movie from having a great-looking monster and decent gore: had they spent a bit more on the FX and fixed the script, it could've become a cult classic. I personally still love it as an obscure flick from the video rental days.

The constant bad swipes this low-rent South American horror film receives might be justified, but I didn't think it was entirely terrible. Mostly wooden, and more often vapid you could say, with the occult idea being push aside for lame (and oddly placed) soapy domestic quibbles of the two police detectives (likeably played by Wayne Crawford and Kay Lenz) who are chasing a killer that unusually decapitates its victims, and might be something supernatural of African origins. Cool! No not cool. This offbeat angle is left high and dry, and just frustrates with its sloppy pace and bland script. Quite a drag! Well up until the frenetic climax. Having the two leads being fully developed is fine, but still it leaves us with too many questions about our ugly looking demon. The underwritten premise is randomly disjointed and terribly unclear and inconsistent in its motives. Never does it become much fun, as its light on suspense, action and gratuitous splatter. Nor does it have any sort of camp value. It needed to go out on a limb to achieve excitement, because it sadly underplays itself and goes about things seriously. The convincing location choices however, seemed to invoke an effective atmospheric tenor, and Hans Kuhle's free-flowing camera-work is well done. Julian Laxton's howling music score has a thumping, menacing tone that won't let up. The rubber demon looks tacky and bulky, but decent for such a budget. Watchable fluff, but not one to lose your head over.

"Pete Giullani" (Wayne Crawford) and "Katherine Hall" (Kay Lenz) are two Miami detectives who are partners and are given an assignment to investigate a series of brutal murders among the small Nigerian community in their city. At the same time Pete has just learned that his wife is having an affair and because of that he has decided to move out of the house. Not knowing where else to turn he goes to the only person he can trust-who happens to be Katherine--and asks to move in temporarily with her. She reluctantly agrees even though she has a boyfriend and a private life of her own. Unfortunately, if that wasn't enough, the murders begin to increase and soon both Pete and Katherine begin to suspect that the person responsible for these grisly murders may not be human after all-and it has now targeted them. Now rather than reveal any more I will just say that, although the plot certainly seemed interesting enough, I found this film to be somewhat disappointing overall. For starters, the demon wasn't depicted until the end of the film and when it was finally shown it looked quite ridiculous. Likewise, too much time was spent on the subplot involving Pete's marriage which wasn't even remotely interesting. Additionally, other than Kay Lenz, none of the actors really stood out and for that reason it was hard to get overly enthused about this movie at all. That said, I have rated this movie accordingly. Slightly below average.