Al final de la escalera

George C. Scott loses his wife and daughter in a car accident, moves to Seattle, and rents a gigantic old mansion with a haunted secret past. This film is skillfully directed by Peter Medak who gets more that even he probably bargained from a solid cast of actors, a wonderful script, and one great-looking eerie old house. Medak creates tons of suspense with the barest sight of blood. This film reeks atmosphere. The house reeks atmosphere. Scott's performance and that of veteran Melvyn Douglass reek atmosphere. Doors creak, balls mysteriously bounce, water runs, windows break in the old house trying to tell Scott about the secret of a young child that once lived there. The script is fanciful yet well-written and very creative. Scott gives an atypically subdued performance that suggests passion, heartbreak, and tenacity. The rest of the performers are very good too. I cannot remember the last time Mr. Douglass gave a poor performance. Some of the scenes that really stand out in my mind are flashback sequences showing the terrible secret that has been hidden in the house for over 70 years. Medak doesn't have a huge budget to work with here, but this movie beats out newer haunted house films like the remake of The Haunting by leaps and bounds. This is one classy scare film!

I found this to be a pretty solid haunted-house thriller...and better than I remembered so I have changed a few things in this review. The cinematography was admirable, mainly in the first half of the film and the special-effects near the end were excellent. That was capped off by a wheelchair chasing Trish Van Devere and a railing catching fire. In all, kind of bizarre and interesting scene.

George C. Scott stars and Van Devere and an aged Melvyn Douglas provide noted supporting roles. There are very few dry spots and overall, its a decent horror film and not an expensive DVD purchase - so grab it, if you can. The suspense build beautifully. Nice direction by Peter Medak.

I recently bought The Changeling on DVD because I first saw it when I was much younger at around 3 in the morning. I was flipping channels when I found this movie just starting. The first 5 minutes sucked me in and I watched the whole thing. I found the movie to be pretty good and quite freaky as well. Based on that memory I decided to take the plunge again and I was not disappointed. The Changeling displays a quality of movie making that is sadly becoming rare. George C. Scott delivers a fiery performance as usual as Jack Russell, our tormented protagonist. The sets are moody and perfectly fit the tone and atmosphere of the story. This film manages to be spooky without descending into camp, and suspenseful without overdoing it. The supporting cast brings up the rear with fine performances all around, and the music contributes to rather than distracts from the film. Bottom Line: If you're looking for a obscure old movie to curl up and watch with your significant other with the lights out, then you can't do much better than this.

The first time I saw this film, I was about four years old. I'm not sure if I have slept right since, I am now twenty four and it still haunts me.

The tale of a lonely musician, who loses his wife and daughter in a terrible accident, and then decides to rent an old mansion in the pacific norhtwest, only to find the house has a history of it's own. The film is paced well, set perfectly, and reveals a darker side of the bourgeouis than most are willing to explore. A masterpiece.

I first saw 'The Changeling' in the mid-eighties and it has lost none of its edge. A few of the reviews I see below seem to be written by those who have read glowing reviews but just didn't get it: Comparisons with 'The Exorcist', a story of demonic possession, are inappropriate. This movie isn't a visual shock feast nor a gore fest, this is a powerful psychological drama. The penultimate ghost story. If you just sit back in a defensive posture and challenge the movie to scare you, you will lose out completely. If however you choose to get involved, you will find yourself going for one hell of a ride. Few scenes in moviedom rival the poignancy, for instance, of the disbelieving George C. Scott character when he is reviewing the tape of the seance and comes upon the inescapable evidence that there IS a paranormal presence in the house. Here I will make my own inappropriate comparison: In the context of this story, Scotts ultimately human and believable response and the collapse that follows is far scarier than Exorcist's Reagan spewing green puke, by a long shot.

And the little girl going alone, summoned into the haunted room in her house at night? Forget about it. My hair stands on end.

If 'The Changeling', watched at night doesn't give you a fright, then there are at least six 'Hallowe'en' movies on the rack that should suit your particular needs. The Changeling is something else: the fear of the spiritually macabre.