El carnaval de las tinieblas

Ray Bradbury and the makers of this film ventured into foreign territory for the Disney Studios, they went to explore the dark side of humanity and came back with the honest truth that much of humanity is plagued and there are shiny bright spots within. This film explores the petty desires of everyday people, their eagerness to give what is really important in life up for things like vanity, lust, money, etc... The story centers around two small boys, Will and Jim, and how their lives change and the townfolk around them when a carnival comes to town. The atmosphere is chilling to say the least. It is easily the darkest of any Disney film(even considering the outstanding The Hunchback of Notre Dame). It uses dark landscapes, eerie haunting music, and bleak characterizations to perfection. The acting is good all around with two standouts. Jason Robards plays Will's father, and is the epitome of flawed goodness. He suffers for his goodness but has strength of heart. Robards is wonderful, and I felt myself wishing this man had been my father(or my father more like him). For an actor to be able to create that appeal is a true feat of integrity of performance. On the other side, in a simply sinister portrayal of evil incarnate is the performance of Jonathan Pryce, an overlooked and underappreciated English actor. His performance is scary, and he chews up every and each scene he is in. The script by Bradbury himself, based on his novel, is full of rich texture and subtlety. As with just about every film adaptation, the film is not the book...but then if you wanted that you only have to sit down and read...one page at a time.

Ten years old I was when I first saw "Something Wicked This Way Comes"… It was a movie that I loved and got fascinated with from the very first moment and long afterwards. Today I re-watched it for the first time in more than twenty years and, although I still definitely loved it a lot, it also brought me to draw another additional conclusion: this film is far too disturbing for 10-year-olds! Okay it's a Disney production and the story qualifies as a fantasy, but there are a few petrifying characters as well as a handful of sequences that are downright nightmare-inducing, like the giant spider invasion in the bedroom or the climax on the merry-go-round. Scenes like these, as well as several others, apparently got unconsciously burned on my retina because I immediately experienced flashbacks to childhood nightmares when I saw them again. I've always been intrigued by the "darker" kids' movies (other favorites include "Dark Crystal", "Island at the Top of the World", "Return to Oz" and "Escape from Witch Mountain"), but "Something Wicked etc…" is inarguably the darkest of them all.

The story sprung from the versatile mind of the widely acclaimed and immensely popular author Ray Bradbury. He loved this story so much (or maybe didn't trust anyone else?) that he himself adapted his own novel into a movie script and, for the direction, opted for the reliable and highly professional Jack Clayton. The result became a, as mentioned already, pitch-black fantasy movie that is perhaps flawed and definitely comes across as dated in the year 2012, but it still ranks as the creepiest and less sentimental Disney movie ever released. The arrival of the ominous Dark's Pandemonium Carnival is an all but joyous event in a sleepy little town during autumn. The eerie Mr. Dark and his crew particularly target the nostalgic and phantasmagoric adults in town, who are all too willing to sacrifice whatever it takes make their dreams come true, whether it's richness, lust or eternal youth. The most rational person in town is actually a young boy, Will Halloway, and he has more than his hands full with helping his friend Jim and even his own father Charles to resist the carnival's Temple of Temptation. "Something Wicked This Way Comes" is a masterfully narrated story, with a terrific gloomy atmosphere and wonderfully imaginative decors & set pieces. The merry-go-round, the mirror palace, the exotic show … They're all very uncanny! My main complaint is actually that, after a rather slow-paced and patient introduction of the film, the middle-section and especially the finale, seem overly rushed and incomplete. I think I would have much rather seen "SWTWC" as a mini-series, perhaps in three or four episodes of one hour running time each, but further elaborating on all the hinted sub plots like Jim Nightshade's father, Tom Fury the lightening expert and the background of the townspeople. Stellar performances all around, most notably Jason Robards as the wise father and Jonathan Pryce as the wayward Mr. Dark, but also from the young actors and B-movie queen Pam Grier as the seductive but dangerous circus wench. I'm not sure if I'll let my own kids watch it when they're still too young and easily petrified, but it forever remains an all-time favorite childhood classic.

While this production is strictly fantasy, it lacks all of the bells and whistles of modern day films of this genre. Ray Bradbury, like Spielberg, has an affinity for telling stories from a child's point of view. Without CGI technology, this movie still is compelling in its own right. Pam Grier puts in a good performance as the truly menacing temptress, a little creepy but alluring at the same time. The film is about regrets and unreliazed dreams. It also manages to work in several of the Seven Deadly Sins-greed, vanity, lust, and anger. The character most burdened by events from his past is the Jason Robards part. He regrets being held back by his upbringing from acting during a crisis, something not learned during childhood that most normnal children take for granted. This film would be a nice change of pace during Halloween, a little dated, but still worth a couple hours.

In the collection of 80's sci-fi/fantasy films that garner much recognition, no one ever seems to mention "Something Wicked This Way Comes". But they should. The film is a very well done film, from a technical aspect, blending moody cinematography with good f/x (for 1983,anyways) to make some truly memorable moments. Clayton's directing focuses on grand imagery and atmosphere, and it creates a very fine tone for the film. Bradbury's writing adds a lot to the story, his expertly sculpted dialogue bringing life to some good characters. He, and the film, do struggle with the coming of age stuff between the two boys, as it is mostly run of the mill material, but still effective in places. The father-son talks are also not too amazing. But, the were some great moments, most notably the library scene with Mr. Dark and Mr. Halloway. Great writing and directing accented by Jonathan Pryce's pitch-perfect performance. A few of the "scary" scenes were rather hokey, but for the most part provided decent enough suspense. The cast was very good, the two young boys definitely worked well with each other. Jason Robards kind of walked through his role, but Robards can do that and still make it look good. And of course, as mentioned before, Jonathan Pryce is just uber-creepy as the bad guy, Mr. Dark. It's a shame Hollywood never really caught on to him.

All in all, the film provides some tense (for a kid's film) moments with a lot of visual flair, but also provides some more heavier (once again, for a kid's film) material about father & sons and what's it's like to grow up.

7/10

* * */ * * * *

This film is well made in all regards; the cast is top-notch, the cinematography and direction drive the tone of the movie, the effects inventive and wonderful (even by late-90's standards) and best of all, the storyline superb.

That said, this is arguably the best film made from any of Ray Bradbury's works. I first read the book years ago as a 13-year-old and remember the images the tale concocted, and the questions about myself that the storyline propose ring as true today from the film as they did then from the page.

Owing much to the casting of the film, the director marvelously weaves the story around the principal leads by allowing a score of tertiary characters to guide the plot's tone, mood and motion. Each person, whether major or minor, is an intriguing part of the tale with their own tale to tell. With great efficiency we understand what drives each of the townspeople, and grow more curious and suspicious as to the background of the carnival folk.

Sympathy -- or contempt -- for each of the characters is developed throughout, and best the film's two supporting actors, Jason Robards and Jonathan Pryce. While neither is exactly cast against type here, both provide a driving stability for the film. The two boys that serve as the film's protagonists do an admirable job in portraying both the fear and delight that is part of youth, and inherent to coming of age.

This movie is a fine example of how an effective thriller can be made without resorting to language, blood, sex, or violence. While I am not all opposed to films that use any or all of those conventions, it is a refreshing change from what is otherwise the norm.

One of the greatest benefits is that the resulting film is one that you can watch with your children, a film that will provide them a healthy scare and stimulate their mind as well. As the film does contain some dark and frightening imagery, it could certainly serve as a source of nightmares for younger children.