Las hijas de Drácula

This movie doesn't leave an awfully big impression but it still is some good fun for the fans of the horror genre and vampire genre in particular.

The movie has a splendid visual atmosphere which is mainly thanks to the beautiful English countryside. Yes sir, the English countryside still looks better than any other average Hollywood set for a movie from the same genre. Also the atmosphere of the movie in general is typical British, so I can truly recommend this movie if you're fan of the old Hammer movies and stuff like that. Even though the movie never really gets scary, it still knows to create a certain creepy atmosphere. Also the movie is filled with some good graphic gory scene's, which worked well for the movie and its atmosphere.

The story is just as thin as the ladies clothes. The are quite a few things that don't make an awful lot of sense and there are some moments that the movie just drags on for far too long, such as all the erotic scene's, which only all felt totally pointless.

I am also ashamed to admit that I actually rather liked the unusual musical score by James Kenelm Clarke.

All in all it is a movie that is worth seeing but granted that you have to be a fan of the genre to be able to appreciate this movie. And hey, it has got Michael Byrne in it, better known as über-Nazi Vogel from "Indiana Jones and the Last Crusade"! Another reason why this movie is perfectly watchable.

7/10

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Disjointed narrative traces the frolicking of two nubile female vampires. They waft along English country roads near their castle, dressed in shawls and other flowing garments like Stevie Nicks, and lure passersby back to their mansion with promises of sex. They then bite them and lap up their blood. Yes, true believers, it could happen to you (and no doubt, some of you wish it would).

Probably better than any of the slipshod Jess Franco/Jean Rollin pictures, this one is based on the viewer's desire to see its lead vampire vixens in the nude and rolling around with each other, as well as third parties who don't stay warm for very long. Other than this, there is very little plot at all, save for an unfortunate American couple who happen to be camping on the grounds of the vampyres' estate. Soon enough they are targeted by the vamps, and .... well, SOMETHING happens, and that's the end. Told you there wasn't much plot.

Some startling violence and an overall feel of the old Hammer Films productions make this interesting viewing for those who aren't easily offended by sex and violence. Otherwise, you'd better be into lots of lesbian softcore porn, or you'll be bored stiff.

Vampyres is a truly atypical genre film. The girls have no fangs, their victims do not become vampires, and theirs is not so much an aversion to sunlight as a dislike. It eschews traditional bloodsucker conventions in favor of atmosphere and eroticism, and the result, though English in origin, seems more like one of the Continental horror films being made at the same time--probably thanks to Spanish director Jose Larraz.

Marianne Morris and Anulka are gorgeous and sadly sympathetic as the two undead lovers. Though slowly paced, there is an ample amount of suspense and a great deal of gore, as the beautiful ladies lick the spurting blood from the open wounds of their victims. The film also contains some of the most incredibly erotic sex scenes in any horror film (please see the uncut X-rated version). Add a Gothic mansion, plenty of lush autumnal scenery, and poetic shots of the vamps running through a graveyard at dawn, and you get a thoroughly beautiful motion picture that you won't soon forget.

The American Cinemateque gave a hundred or so lucky viewers the opportunity to watch what is likely to be the only surviving 35MM print of this film. Having seen dozens and dozens of Vampire-themed pictures, VAMPYRES certainly rates as one of the better little-seen titles in the sub-genre. Erotic, atmospheric and genuinely creepy, this film deserves fuller treatment in genre cinema studies. It is certainly the most 'oral' of all vampire pictures (you'll fully comprehend what I mean when you see it). A perfect double bill with the similarly themed (and even better) DAUGHTERS OF DARKNESS.

Okay...this film's not for everyone. It's filled with 70's-style Euro-trash lesbian and hetero sex, loads of gore, and was shot in three weeks on a rather, ahem...modest budget, by a director who could barely speak English. The script was probably 30 pages long. But there's something afoot here. It's not un-artful, it has flashes of real chills, and it's dripping in subtext, something today's Jason/Freddy/et.al. films sorely lack. The relationship between the male protagonist, who suspects the woman making love to him is a vampire, and the vampire herself, who chooses to slowly drain him of blood rather than kill him outright like her other victims, is bizarrely moving (and kinky) on a few levels. This film won't make you forget, say, the Christopher Lee Hammer films...but it will be hard to forget in and of itself and for its own hard-earned merits.