La isla sin retorno

It was really weird to see Tom Selleck and the black guy from Magnum P.I. in a movie together considering I have never seen either one of them in anything else. Do they always work together or was this the only time? I'll probably never know. Anyway, I wasn't expecting much from this movie and I was pleasantly surprised.Strangely, they start the movie with a news team and make it look like they will be a big part of the story but their part is done before the opening credits roll. I assume it's an original plot, although it's very similar to how Australia became a country. The fight scenes we're a bit weak, you could easily see that nobody was really getting hit, but the story was good enough to make up for it. It was a little predictable too but most movies are. I thought it was weird that there was so much nudity and so little swearing, they usually go hand in hand.It was also a bit weird that the woman who was the main character for most of the movie isn't even in the final few minutes but maybe it was just an editing mistake. This is a good movie, watch it.

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).

TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius.

A sleazy, cheesy champion of drive-in splendor. 6/10.

Curiously, most of the cast members come across as if they don't belong in this movie. Tom Selleck was obviously unknown at the time. He is completely ineffectual as a "doctor." The only point of interest is also having Roger E Mosely in the cast, as he and Selleck went on to star in Magnum PI. The biggest disappointment is the way beautiful Marta Kristen is wasted here. Her role is quite generic. Nothing that any other actress couldn't have done just as well. Also, Marta has genuine competition here, strictly in terms of "looks." There are not many women who could have ever given Marta Kristen a run for her money, but Phyllis Davis does just that. Not only are they both beautiful women, but they look like they could have been sisters. There is some nudity. Not enough, and none of it is by Marta! WHY NOT??!! Overall, the movie is watchable, but more violent than sexy. Should have been the other way around.

The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.

Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)

The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.

Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.

Seven out of 10.

For an exploitation flick that seems to make itself up as it goes, TERMINAL ISLAND begins creatively enough, much like the same years' WESTWORLD with random interviews about the title location...

In this case, based on the actual California death penalty being overturned (making The Manson Family eligible for parole soon after), random people are asked what they think of the prison island alternative, like ESCAPE FROM NEW YORK after while based on the infamous Devil's Island, where murderous convicts are left to their own devices...

Providing a terrifically intense/lovely lead actress in DAN AUGUST black secretary Ena Hartman, with enough blaxploitation/woman-in-prison Pam Grier-esque gusto to completely rule her own feature...

But a real life injury curbed her starring role... plus there are more men on the island, including a monotone, horribly misplaced Tom Selleck as a passive doctor and his future MAGNUM PI chopper pilot Roger E. Mosely, better suited as one of the bullying alpha-males using the women like sexual slaves...

But by the time this urgent plot-line develops, providing Hartman a dilemma she must overcome, quickly, she and other starlets... including spacey brunette Barbara Leigh and intense blondes Phyllis Davis and scene-stealer Marta Kristen (in the Roberta Collins-style tough girl role)... are rescued by black gentleman Don Marshall, leading into what what feels like another movie altogether...

Two actually, within two separate camps: the bad and the good, and neither really connect...

Although former Roger Corman collaborator Stephanie Rothman directs in an intense enough manner so that the survival sequences are partially intriguing...

Making TERMINAL ISLAND several half-decent islands to themselves - despite ultimately becoming atoll on the audience.