The Tiger Makes Out

1967
Approved
1h 34min

PUNTUACIÓN EN IMDb

TU PUNTUACIÓN

Añade un argumento en tu idiomaA mailman looks for a woman to kidnap as a personal act of insurrection.A mailman looks for a woman to kidnap as a personal act of insurrection.A mailman looks for a woman to kidnap as a personal act of insurrection.

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PUNTUACIÓN EN IMDb

5,8/10

351

TU PUNTUACIÓN

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Imágenes31

+ 27

Reseñas de usuarios15

5,8351

Reseñas destacadas

10gberke-2

A brilliant film

It's up there with Where's Poppa, The Groove Tube, Putney Swope. It memorializes the NY city mind set of the period, a wonderfully strange man with a bizarre plan, hoist by by own petard, and at last retreating into the bed of his adoptive parents. Totally absurd, its the life one sees through the magic glasses, seeing things as they "really are"... I don't think it is ever shown anymore. If so, surely someone would Tivo the thing and put it out there. A kidnap goes awry: mixed up in a rain storm, dashing in and out or storefronts, our hero tosses a raincoat over his prey and tossing her into his bicycle powered ice cream wagon spirits her off to his basement apartment in the village. He is amazed, surprised, and incredibly disappointed when the wraps come off: instead of a luscious lady, he has captures a middle ages suburban housewife who talks and talks and talks. The film is full of vignettes of the commuters life, the suburban life, the city officials, and all the attitudes so dearly held. It pushes the limits of comedy, such as magical reality might push a drama, much as Daffy Duck is able to draw on imaginative scenes to demonstrate his plight or desires, all at the very edge of plausibility. All of it is humorous, nobody is mean.

7bobc-5

Brooklyn Blanket Bingo

He's a curmudgeonly mailman with a big vocabulary but no social skills or common sense. She's a bored suburban housewife with a bored husband and some children who may or may not actually exist. He hasn't yet figured out that his building was sold 6 years ago and his basement apartment is now being used for storage. She wants only to return to college to finish work on her baccalaureate.

The first half of this movie provides some wonderfully irreverent satire in its depiction of New York City as a benign dystopia. It has the feel of a 1960s beach movie turned into a sophisticated PG-rated urban sex romp. It occasionally falls flat in attempts to imitate the zaniness of Richard Lester films, but this doesn't detract from the clever humor.

The film weakens, however, after the inevitable meeting of the main characters. It's unfortunate that the writers had to resort to a plot device so ludicrous and offensive. The movie becomes mainly dialog driven beyond this point but the dialog just isn't good enough to support that and Eli Wallach's excellent Eric Von Zipper imitation eventually grows annoying. Nevertheless, the movie still has a few surprises to offer and the quick, merciful ending provides an oddly satisfying lack of conclusion.

8bobess48

Underrated comedy, dated but so what?

In this era when almost everything makes it on to DVD (I'm expecting to see the My Mother the Car collection any day now) this film has been unfairly neglected. There are innumerable stupid comedies from the 60's as well as many other eras that have received at least a cursory DVD treatment. This one wasn't even released on VHS to my knowledge, despite the talents involved in the making (Arthur Hiller, Eli Wallach, Anne Jackson, Murray Shisgal (notable later for co-writing Tootsie), even Dustin Hoffman in his debut). It's obviously a product of the sixties but so is just about everything else from that era. All films reflect the tastes and customs of the times in which they are made. This was released the same year as The President's Analyst, another absurd masterpiece. That film was finally released on DVD and has developed a cult following. This film has many memorable bizarre, goofy, wacky moments. Sure, it's painted in broad strokes and has silly go-go music throughout but that's part of its charm. It creates its own absurd universe. If whoever is in charge of DVD production for Columbia Pictures releases (I believe Columbia released it) takes polls for new releases this gets my vote.

bkohrn

The Tiger (play)

Performed 1965-66 season. Director by Jim Leighton; Porterville, Ca The Barn Theater's production of Murray Schisgal's one act plays: The Typists (with Ann B. Davis, Jim Leighton) and The Tiger (Ann. B. Davis, Bill Striglos). Information from 4 page playbill

drednm

Eli Wallach and Anne Jackson

THE TIGER MAKES OUT is an urban black comedy by Murray Schisgal that stars Eli Wallach as an alienated US mailman who life is in the toilet. He tries to kidnap a young woman to get back at an uncaring society but snags instead, a "middle-aged" suburban housewife (Anne Jackson), who has come into the city to try to finish her baccalaureate degree. In his basement apartment, they find they have much in common and suffer from the same urban malaise and dislike of modern society.

Sterling performances by Wallach and Jackson and many funny bits make this a neurotic delight. There's also a terrific supporting cast of familiar "New York" actors (and others) like Rae Allen, Sudie Bond, Bob Dishy, Charles Nelson Reilly, Dustin Hoffman (film debut), Ruth White, Jack Fletcher, Elizabeth Wilson, Frances Sternhagen, Bibi Osterwalkd, Judith Lowry, etc.

I'm not sure we as a society have improved much in the 50-odd years since this film was made.

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Argumento

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Curiosidades
Eli Wallach (Ben Harris) and Anne Jackson (Gloria Fiske) were husband and wife in real-life. This is their first film collaboration. They formed Elan Productions to produce this film with financing from Columbia Pictures.

Pifias
Ben claims that the date is September 22nd, however the newspaper he pretends to read when scouting victims is from Monday, October 31, 1966.

Citas
Ben Harris: [Thinking to himself] Up at seven, brush your teeth, wash your face, out of the house, into the subway, off to work... Imbeciles. Sheep! Baa, baa, baa, baa, baa, baa, baa sheep!
[Peter comes up behind him and grabs him around the shoulder]
Pete Copolla: Hi.
Ben Harris: Hi.
Pete Copolla: How you doin'?
Ben Harris: So-so. You?
Pete Copolla: OK, OK. So, how's the little lady?
Ben Harris: What little lady?
Pete Copolla: Your wife.
Ben Harris: No wife. I don't have a wife.
Pete Copolla: You sure?
Ben Harris: Sure, I'm sure! If I had a wife, she'd be living with me, wouldn't she?
Pete Copolla: OK, don't take offense, Jaime.
Ben Harris: 'Jaime'? What Jaime?
Pete Copolla: Your name isn't Jaime Schultz?
Ben Harris: This is incredible! It's really incredible!
Pete Copolla: Jeez, I could have sworn! What's your name?
Ben Harris: None of your damn business. I've been seeing you for twelve years. You still don't know my name. You don't even know if I'm married or not. Alright, Arnie Greenfield, I got your number.
Pete Copolla: 'Arnie Greenfield'? Hey, what are you talkin' about? My name's Peter Copolla!
[Ben walks away disdainfully. Peter runs across the street after him]
Pete Copolla: Hey!
[He whistles]
Pete Copolla: My name's Peter Copolla!
[He continues whistling and chasing after him, into a revolving door, but doesn't catch him. Ben emerges wearing his postman outfit]
Ben Harris: [to himself] 'Jaime Schultz'! Twelve years on the job and I'm Jaime Schultz! Anonymous, unknown, dehumanized by the processes of a mechanized society, brushed aside like a cockroach.